Designer Jodie Cartman and musician-inventor Crewdson create musical wearable tech as SENSEries.
The most beautiful musical hat I’ve ever seen. In love!!!
occasionally subtle

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Keni

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he wasn't even looking at me and he found me
Aqua Utopia|海の底で記憶を紡ぐ

★
I'd rather be in outer space 🛸
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@raniakimportrait
Designer Jodie Cartman and musician-inventor Crewdson create musical wearable tech as SENSEries.
The most beautiful musical hat I’ve ever seen. In love!!!
Cardboard Box
Wanted standing desk + out of box thinking today. Found box. Got out of box thinking + desk in 1.
As I’m still waiting for my hard drive to arrive, I realised the 2 choices I had:
1. get frustrated and feel upset and useless unable to record any music or... 2. do something else creative with my time
So I did my insanity workout, then took a walk around the neighbourhood while listening to Amon Tobin’s latest release: https://soundcloud.com/amon-tobin/sets/six-rhythms. Sunshine + walking + music - powerful inspiring combo.
Came home and remembered how much I’ve been wanting a standing desk. Meditated asking for some inspirational ‘out of the box’ thinking. Then found the perfect height box at home. My request for out of box thinking today came to me literally in a box...I mean outside of a box...
I love absorbing street art and the most local experiences I can observe no matter where I am. It’s through the rawest form of art how I grasp a city’s identity. Still adjusting to home life, I’ve been experiencing LA like a tourist almost forgetting this is where I was born and spent some crucial years of upbringing. To me, when I think of LA, the most prominent image that sticks to my mind is the overwhelming usage of cardboard boxes and graffiti. From the grocery stores, next to huge public bins, to the large homeless communities. They make me feel nostalgic of the 80′s growing up in E. LA, especially vivid images of driving through the L.A. riots and seeing people run out of broken shops with boxes of all sorts.
Then there’s this kid, do you remember the amazing creativity behind this kid’s handy work? https://www.youtube.com/watch?v=faIFNkdq96U
I remember watching it countless times, I have a lot to say about keeping a child-like mind to stay inspired to harness uninhibited creativity. We grow up and become cynical/skeptical through challenges we didn’t ask for, sometimes get tired of trying and spiral into a negative downward path. When you dream as a kid, you don’t see the challenges ahead to make your dreams come true. Sometimes people forget the simple fact that they actually made a dream come true - big or small (e.g. buying your dream car, getting the dream job, etc.) and focus on the hurdles negatively, or forget to enjoy the journey and constantly feel empty...that lack of happiness.
So I’m working on my own art of dreaming. Cynicism should be turned into wisdom to keep dreaming, just more specifically. That’s the only difference I see between dreaming as a kid vs. as an adult. I don’t have all the answers but this is my latest life experiment. I’m dreaming with very specific details.
And celebrating Lou Reed’s Cannes Lions interview in 2013 - http://www.adweek.com/news/advertising-branding/lou-reed-music-mortality-and-genius-andy-warhol-and-kanye-west-150497.
Holymoly we won!!!! today I am celebrating you Pablo Thomas, Gabriel Ralls, and Renan Fabio Rizzi!! Thank you Accolade Global Film Competition feeling so so grateful, especially my creative soulmates. Wish we were all in the same country to celebrate ! whoooooa. #magic #love #music #art @accoladecomp i
I haven’t felt this excited about connecting with awesome people from all corners of the world, musictechfest you are special.
Coffee in hand, I’m starting my #MTFScandi now, all 3 days worth ;). If you missed my Skype chat with Phonat you can watch it here: https://goo.gl/YTqyBj. We couldn’t hear much during our chat, just heard about our new young producer and all the shoutouts, so awesome!
(Note to self: USE THE MUTE BUTTON).
With all the excitement around Hackathon and Trackathon running at the same time, contestants pleaded for an extension after learning more about the digital release of this EP that will go towards charity. Especially after hearing how much everyone wanted to participate in both competitions, the deadline has now been extended to one week. The first ever Music Tech Fest EP, are we excited? Receiving submissions yesterday morning put the biggest smile on my face, I was gleaming the entire day. Thanks to all the keen people, your messages, excitement, and support means a lot. I can’t wait to deliver this awesome EP for you.
More details coming, stay tuned.
#MakingMagic
Thanks to Phonat & Pascal Guyon, I got to capture them providing some thoughts about what it means to be a bedroom producer. Check out the video above, I can't wait to hear what comes out of this. I'm dedicating this to every single conversation I've had with everyone I’ve talked to battling mental health, especially my fellow musician friends. We've had a lot of chats throughout the last year.
The best tracks from this trackathon will be released as a digital EP with all proceeds going towards a mental health charity: http://www.mentalhealthexcellence.org/. Full details of trackathon here. This means a lot to me on many levels. This special competition allows producers to work in a social environment with mentoring and support throughout the competition making it a 1st of its kind meaningful and fun event. I'll also be having a quick chat with Phonat onstage sometime this weekend (follow me on twitter for RT updates). I'm really grateful to be part of this, so many ways to celebrate, support, and stay connected. Please feel free to spread the news and invite all your musical friends in Sweden. We'll be celebrating transatlantically ;).
Music Tech Fest - Toontrack #Trackathon
Thanks to Music Tech Fest, I’m really excited about co-creating this awesome music competition for their upcoming event in Umea, Sweden.
What is a trackathon? It’s a competition that invites music producers to create a track in 24 hours with a set of sounds donated from Toontrack, Phonat, Pascal Guyon, and other prominent musicians from around the world. Check it out here, it’s free to register (you do need to get yourself to Umea, Sweden though): http://musictechfest.org/trackathon.
This event means a lot to me as the proceeds of this digital EP will go towards a mental health charity. Music Tech Fest supports this initiative and I’m really happy MTF has accepted this collaboration. This topic: ‘mental health of musicians’ is something I’ve been addressing through countless conversations with my musical friends and other creative minds. In fact, I think it’s better to address the mental health of creative minds in general because it doesn’t really matter what your actual creative output is. Each creative activity has its own set of mental challenges. But for the sake of being specific, we are focusing on the creative activity of being a music producer.
My latest research has been surfacing an insane amount of complexity around this sensitive topic. So before I continue, I want to make it super clear that what I say is all subjective. These are my thoughts and opinions but in no way am I campaigning for a specific way to go about things. Everyone has their own take and ways of doing things (and so they should). I can only share my own experiences based on my own personal journey and others around me. I personally don’t think it’s a ‘one size fits all’, but I do believe the problems and answers are really simple. I know my last statement opens up an intense journey of conversations.
I’ll be discussing a few issues about this topic with Phonat projected onstage between May 29-31 (more details coming). Phonat has been wanting to give back in some way for awhile which is how this charity EP idea happened. The whole point of this initiative is to identify the main mental challenge of being a bedroom producer and seek a way to solve it. The problem: isolation. Solution: interaction. Celebrate the simple notion of creating a lively event for this specific type of musicians (bedroom producers) who would normally not be given this kind of platform to engage socially and participate in this awesome interactive way.
I’m so grateful to be part of Music Tech Fest’s ongoing amazing events. If you have any musical friends in Sweden, help spread the word!
Remember - it’s all about love for music, connecting, and having fun. I can’t wait to hear what comes out of this!
#StayConnected
Me and Jay Z battled in school, speed rapping. He had finessed the speed rapping phenomenally at that time and I was new with the speed rapping. I got to give it up. He was so ill and his arsenal was so long that he had more than what I did. But losing that speed battle to Jay is what made me one of the most dangerous speed rappers today.
Busta Rhymes speaking on his and Jay-Z’s infamous cafeteria battle at George Westinghouse High School, which Hov won. (via
aintnojigga
)
Wow
(via shlomolikesthis)
Genius + Tea Takes
Time and money. They’re like bread and butter, or oil and vinegar.
I’ve become so much more aware of time with major life adjustments happening. Here’s my concept of time during recording: ‘by the end of this cup of tea, I’ll nail this take’....8 cups of tea later. Hi. It’s a weird thing, aiming to be the best I can possibly be has proven it takes more than 1 take. Sometimes it takes quite a few. Like...my rania.kim website still yet to go live. I am loving this new challenge, though started feeling overwhelmed with everything I'd love to do. To try and connect all these dots have been an interesting journey, I can't wait to share with you.
Lately, I’ve been celebrating creative limitations. My closet and I have become pretty close (my makeshift vocal booth). It’s like walking through Narnia’s wardrobe with a mix of adventure, fear, and excitement all at once. I can't help but laugh sometimes, especially to think in London, people would pay a fortune to have a closet big enough to stand in with a microphone, and still have space to lie down. There’s something about uncomfortable and limited situations I love. I've heard it from lots of other creatives. I’m all for making lots of somethings out of nothing.
This amazing genius Ma Tan Berkowitz is making incredible somethings, introducing the 1st ever music hackathon for special needs:
Passing through LA next week, can't wait to hear about all his latest happenings!
LA Music Tech
Last night, I attended Hypebot’s quarterly Music Tech meetup at Rosewood Tavern in LA. It was interesting to sense the different vibe compared to Europe’s take on music tech, and to not meet a single hacker/musician. Had some interesting conversations and people starting up new social platforms for artists. We’re definitely living in the era of social currency being used in interesting ways. This movement fascinates me, I’m curious to see how this trend will affect the monetisation chain for all parties involved as it evolves.
Also interesting to know, there is nothing like Music Tech Fest in LA. Sad to hear about the nonexistent music hack groups. I think it’s time to reignite with a transatlantic twist ;). Will continue my search for fellow music techies and hackers to make my leapmotion project alive.
While I continue to connect with other bright minds, I’m keeping mine in an intensive production hole. I never knew what creative exhaustion felt like until now. That feeling of urgency to get things out, the constant cycle of churning out this intensely has been sometimes insane but overall fulfilling. I can’t wait to share more with you soon.
#album making list so far: 24 and going. This is what keeps me up til 5am most days; awoken at 9am to keep going. Draining but loving it. #love #music #addicted
Celebrating Failure
Today, I’m celebrating failure. Why? When people aim for success, they strive for perfection, but being human means we’re naturally by default imperfect. That means it’s impossible to never fail, but no one ever congratulates failure.
People love talking about success and aiming/planning for it. I’ve witnessed 2 types of success:
1. People who enjoy the journey 2. People who dislike/ignore the journey
The difference between these 2 are really interesting. Pocket 1 people seem to be much wiser, happier, and fulfilled than pocket 2. People in pocket 2 achieve their success but I’ve noticed are less happy and feel empty compared to pocket 1. I’m personally more interested in the failures before success, how people overcame, conquered, and moved forward - the more specific the better. This isn’t even just about me as a musician/singer/songwriter, but my genuine interest in the most general sense. And every success/failure is important - big and small.
As I’m adopting a new mindset and releasing old habits, it really does feel like being reborn. Being aware of every single thought and action, it’s exhausting but so interesting to understand how my own mind and body work independently and together (harmoniously vs contradictory).
I’m acknowledging my hardest challenges: being my own worst critic, my voice is what I criticise the most. A singer/songwriter friend of mine who has perfect pitch commented ‘you being classically trained on piano has become your best and worst enemy just as my perfect pitch has been for songwriting.’ He has a valid point. His observation of having perfect pitch in singing, he admits when writing, he paid less attention to his own style until now as he treated his voice as a guaranteed crutch. I tried for the longest time to sing awkwardly in a way I thought I could sing ‘ok’.
Unlike my piano training, I never took private vocal classes until last year, being stubborn my whole life thinking I could figure it out. It was also because I was trying to move out of classical way of approaching music...trying to define my own style. So I went through a long phase of ignoring any kind of lesson. Unfortunately, I don’t have perfect pitch, but have met amazing mentors to help. My UK instructor recommended John Henny and our first session made me feel so much better. That’s where a chunk of the little money I have left has gone towards, but I see it as a priceless investment. Writing and recording my EP was awesome to see how I developed and where to improve. Taking myself to stage is a whole different ballgame since I won’t have the luxury of recording multiple takes if I screw up. Though I’ve been performing on and off most of my life, I’m ready to boost my confidence levels up a notch. Can’t wait for rest of my sessions with John then hit stages properly. Why am I doing all this? Because when I sing well, there’s no better feeling. John made a great comment ‘even professional singers have bad singing days. You just want to get to a level where even your bad days are ‘ok’ but not bad.’
Whether it’s at school or work, when we fail at doing something, we’re instantly reprimanded (or ignored depending on the level of passive aggressiveness - another topic I want to address but not now). If lucky, we get some form of constructive feedback on how to improve ourselves. But, how about adding another element to this mix of acknowledging failure as 1. kudos for trying (at least you’re trying), 2. make a decision about what to do with it next to prevent the same mistake (e.g. trying something new to see if you like/dislike? or maybe this failure is a lot more meaningful as you keep trying to succeed with a specific goal), and 3. each failure is another step closer to succeeding.
I know all this is dispersed all over the interweb, but this is just me consoling myself as a singer. In the past, my relationship with my voice stopped me before even trying. I’m celebrating failure today because hearing my own developments make me feel excited about continuously growing. In the past, if I performed badly, I’d focus so much on the failure to the point of not wanting to get back onstage ever again. But when I did well, it was the most incredible feeling. So, overall the successes are by far millions worth more than any failure. Celebrating my failures have actually helped me let them go.
New happening of the day: I’m starting to actually enjoy the feeling of failing while it’s happening + simultaneously look forward to improving. It’s an interesting sensation, can’t really articulate what it feels like. I think being in this state is actually making me improve faster. I might have to invent a new word...Sailure? Faleed? Hm...
All the weird and challenging stages from 2003 up to now: solo and band gigs in LA to old pubs in London with gritty old men shouting nonsense to The Scala. They’ve all had their quirks - some great, some horrible. It’s been awhile since I’ve performed in LA properly. Can’t wait to embrace it all.
Happy Monday :)
BOH music video making- experimenting with #cymatics