ajan avaruudessa rekalla

Se oon minä, (etunimi, sukunimi)!! Tavanomainen nuori"aikuinen" suoraan avaruudesta :^) Saa sanoo hassusti jos haluu.

[geee13]

[crabussy]

just saw a chair so photogenic I had to reevaluate my feelings towards plastic furniture

[crabussy]

do you see this. beyond ridiculous

[crabussy]

what are our thoughts

I understand your feelings for the chair robin crabussy

unpost this right now you strange strange man

Voting ended onAug 12

[crabussy]

I hired a wizard to cast png on it. effervescent

[hannahp0calypse]

watching Seven Samurai

[athena-cat-wizard-official]

i wonder how many they'll need

[butch-witches-deactivated202412]

i hesitate even to speculate

[pemprika]

time marches on 💫🥀

i love the high emotions and complicated dynamics in this series... watching sitara reclaim her life while journeying thru the harsh life under mongolian rule through her own brilliance is rly incredible 🥺

[yume-fanfare]

windows movie maker on the internet archive we are so back

[tree-whispering]

[galaxywarp]

WHAT WAS THAT?

@wishcrafted

[gmailconstruct]

primordial soup

[descole-dead]

[cogneartive]

can i please get more pictures like this. this how it feel

[cogneartive]

more examples

[pangur-and-grim]

my house is scary at night

[storyweavingspider]

Interpreted this initially not as shelves, but as your cat having erected defensive fortifications

[pmamtraveller]

UNHELD — Lina Poluna, 2026, Oil on canvas

[moldspace]

hungry critters

[chromaticabrasions]

caramel frappe give me the strength to clean my room

[chromaticabrasions]

caramel frappe PLEASE

[chromaticabrasions]

#this art is so evocative. it feels like a goya painting 

thank you so much this is the highest compliment

[tintheelvenking]

OP did a lovely job with this piece. The pose they picked is a difficult one to do correctly and dynamically- the doubling over is hard to illustrate without making it look weird or poorly drawn, the low seat of the “pelvis” making the figure dip down lower (to emphasize the clutching motion of the hands) is a hard perspective to imagine without a reference. I liked the way OP chose to draw the shoulders, evoking both the hunching of shoulders that would be present in a fleshier painting and drawing out the strong, dynamic curve of the body.

The blood, the desperate clutch, the crying and the pose all suggest something religious, making the post all the more impactful with its drawing- The caramel frappe does not answer the subject, just as God does not answer the subjects of paintings who depicted the same theme.

It’s also intriguing where OP chose to put details. In amostly minimalist creation, the (relatively) detailed frappe, hands, and face guides your eyes in a a dynamic way- from the frappe to the face, then follows the line of the body out to the end of the legs- making the art more interesting to the eye.

I have a theory about the colors that I’m not sure is true, but I think the subject being black and white separates it from the frappe, which is fully colored. The blood, neither frappe nor person colored, acts as a connector between the two– the only ways the two subjects can connect are through touch and sight, both of which causes the human subject pain. Then again, I may be reading into things too much idk

[chromaticabrasions]

okay this is my favorite comment on this entire post

[tiktoksthataregood-ish]

[1lluminae-files]

UNMUTE!!

[teaboot]

POV u are delicious

[weaseltotheface]

Everybody say "thank you south america" for the humble potato

[weaseltotheface]

Actually let's get specific with it

*checks wiki*

Everybody say thank you indigenous people of present-day southern Peru and extreme northwestern Bolivia from 7-10,000 years ago for the humble potato

[s-t-a-r-c-o]

im reading discworld and im on the third book and i only just realized they arent arranged like this

[sator-the-wanderer]

I raise it to

[sandpancakecat]

My mom thought it was an elephant standing on four turtles