Re//collect//tions

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Interesting light-bulb moment when he mentions the Johnson–Lindenstrauss lemma, and how it can be used efficiently to represent abstract association/relation between disparate embeddings by their proximity in high-dimensional vector space.

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tarāh, tarāh, tarāh

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Children cry for Castoria Yes they cry for Castoria Mother, relieve your constipated child Hurry, Mother! Even a fretful, bilious, feverish child loves the pleasant taste of Castoria Castoria, Castoria Oh gentle harmless laxative, which never fails to sweeten the stomach and open the bowels!

"It never cramps nor overacts Ask your druggist for genuine Castoria All the instructions are printed on the bottle" Children cry for Castoria

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In the year 2525, if man is still alive If woman can survive, they may find

In the year 3535 Ain't gonna need to tell the truth, tell no lie Everything you think, do and say Is in the pill you took today

In the year 4545 You ain't gonna need your teeth, won't need your eyes You won't find a thing to chew Nobody's gonna look at you

In the year 5555 Your arms hangin' limp at your sides Your legs got nothin' to do Some machine's doin' that for you

In the year 6565 You won't need no husband, won't need no wife You'll pick your son, pick your daughter too From the bottom of a long glass tube

In the year 7510 If God's a coming, He oughta make it by then Maybe He'll look around Himself and say Guess it's time for the judgment day

In the year 8510 God is gonna shake His mighty head He'll either say I'm pleased where man has been Or tear it down, and start again

In the year 9595 I'm kinda wonderin' if man is gonna be alive He's taken everything this old earth can give And he ain't put back nothing Now it's been ten thousand years Man has cried a billion tears For what, he never knew, now man's reign is through But through eternal night, the twinkling of starlight So very far away, maybe it's only yesterday

In the year 2525, if man is still alive If woman can survive, they may find

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Stunning voice

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... And if the ragged gypsy danced with the soldier Think of all the things the soldier could learn And think of all the things the doctor could tell the priest

There's a story to be told, Listen Sounds so new, in truth, its old, Listen

Hey, maybe we should give an open invitation We could have a friend from every single nation We could ask the friends to bring along a friend Anyone who wants to come will be welcome Anyone who wants to make with the music Is going to be allowed to play what he wants to Anyone who wants to sing us a song can bring us a song And sing it if he wants to Maybe we could hear the voices of China Sharing a harmony with Carolina Africa could take the bass with the Asians Melody promotes our east-west relations Russia and the USA would be singing Everybody's bells and hearts would be ringing We could get the song to go on forever If everybody in the world sang together etc.

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Chorus: Are you ready for that great atomic power? Will you rise and meet your Savior in the end? Will you shout or will you cry when the fire rains from on high? Are you ready for that great atomic power?

Do you fear this man's invention that they call atomic power? Are we all in great confusion, do we know the time or hour When a terrible explosion may ring down upon our land Leaving horrible destruction blotting out the works of man

(repeat chorus)

There is one way to escape and be prepared to meet the Lord Give your heart and soul to Jesus, He will be your shield and sword He will surely stand beside and you'll never taste of death For your soul will fly to safety and eternal peace and rest

(repeat chorus)

There's an army who can conquer all the enemy's great bands It's a regiment of Christians guided by the Savior's hand When the mushroom of destruction falls and all it's fury great God will surely save His children from this awful, awful fate

(repeat chorus)

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Akiri Non Stop She mani chi leave me go no poochi che tu tu teri fits true

Akiri Non Stop She me mona know has bees a moo ci che blu Aki vi è true

Ire's gora be ma peri loma tempor away Stareno day Sowa in atcho dinca

Akiri Non Stop Akiri Non Stop too shoo kay back non stop back non stop

Akiri Non Stop (Ma cosa dici?) She mani chi leave me go no poochi che tu (Non ho capito che vuoi) tu teri fits true (Dimelo, dimelo)

Akiri Non Stop (Che lingua parli?) She me mona know has bees a moo ci che blu (Secondo me questa è matta) Aki vi è true (Per me lei non sa, lei non sa)

Ire's gora be ma peri loma tempor away Stareno day Sowa in atcho dinca

Akiri Non Stop (Non è possibile) Akiri Non Stop too shoo kay back non stop (Sto impazzendo) back non stop (Dimmi cosa vuoi)

Si la sol la si la si la si la sol La mi ray dough ray me fa so fa so fa so fa mi ray Mi mi fa

Akiri Non Stop ba ba ra, ba ba ra baa ba ra ba raa ra ba, ba, baa ra ba ra ra baa raa raa raa ra

Akiri Non Stop ba ba ra, ba ba ra baa ba ra ba ra ba ra ba ba, ba, baa ra ba ra ra

ba ra ba ra ba ra ba ra

…

Sowa in atcho dinca

Akiri Non Stop

Fa mi ray mi fa mi fa mi fa me ray mi fa so si la so

la la la faa sii

Akiri Non Stop (Ma cosa dici?) She mani chi leave me go no poochi che tu (Non ho capito che vuoi) tu teri fits true (Dimelo, dimelo)

Akiri Non Stop (Che lingua parli?) She me mona know has bees a moo ci che blu (Secondo me questa è matta) Aki vi è true (Per me lei non sa, lei non sa)

Ire's gora be ma peri loma tempor away Stareno day Sowa in atcho dinca

Akiri Non Stop (Non è possibile) Akiri Non Stop too shoo kay back non stop (Sto impazzendo) back non stop (Dimmi cosa vuoi)

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This summer, walking through the fields of Hokkaido, I could not help thinking that my own thoughts have come to resemble the sidewalks of a city: rigid and calculated. Standing there in a field with an uninterrupted view for forty kilometers, I thought that the city, because of its very nature would some day become outmoded and abandoned as a passing phenomenon.