Prudence Flint, b. 1962, Australian artist
The Bath, 2022
hello vonnie
Game of Thrones Daily
NASA

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KIROKAZE

if i look back, i am lost

Andulka

shark vs the universe

JVL
Today's Document

@theartofmadeline
Xuebing Du

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PR's Tumblrdome

oozey mess
let's talk about Bridgerton tea, my ask is open

★
Lint Roller? I Barely Know Her
noise dept.
wallacepolsom

seen from Türkiye

seen from United States

seen from United States

seen from United States

seen from Belgium

seen from Tunisia
seen from United States
seen from United States
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seen from United States

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seen from Mexico

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@realboyclub
Prudence Flint, b. 1962, Australian artist
The Bath, 2022
Dustin Emory (American, 1999), Weight II, 2025. Oil, acrylic, gouache, pumice stone on canvas, 84 x 132 in.
Set of three Coiled Snakes, Bronze, possibly Spain or Germany, 1570-1629, detail. © The Wallace Collection
you construct the settler civilian so you can construct the settler civilized so you can define the settler colony as an inviolable space of civilization so you can designate the reintroduction of violence into the space as terrorism so you can paint the whole of the colonized subject as terrorists and, therefore, not civilians
when liberal democracy "civilizes" it is building town halls and district courts with rebar made from ore that the colonized and imperialized bled and died for. when it "educates" it uses textbooks printed with the wealth of the exploited that write of their barbarism and non-existence. when it raises hospitals and clinics for its own citizens it uses technologies that it coercively and fatally "tests" on the people it now puts up every wall to keep out. when those same people choose to throw themselves against the barricades rather than be made into foundation for "civilization" the liberal democracy knows it will be shown for the flimsy farce it is. "terror" here is just when the truth is brought home to where it was supposed to be rewritten and forgotten.
On the Green Table - Kenne Grégoire , 2024.
Dutch ,b. 1951 -
Acrylic on linen , 120 x 50 cm
Dutch genre painting forever..
Zeinab Abd El Hamid - Quartier Populaire.1956
watercolor aftermath
“And no power on Earth can take the weapon from my hand.” - PFLP (Popular Front for the Liberation of Palestine) poster, 2025🇵🇸
Fangophilia Taro: Full Arm Armor (2013)