hancesolo @reallyhancesolo - Tumblr Blog

📸: Adam Lazzara, Frank Iero and Bert McCracken by Brendan Donahue.

https://www.instagram.com/kirgott/

Legally changing my name tomorrow so just wanted to introduce the few of you left to Mx Eliott Hance, if you're on spacehey my url is just Eliott and the platform is growing.

#enby #non binary #nb #spacehey #selfie

rottinglace

extrasad

inferior

It was midnight and she was shinning By Sofia Nalepa

I'm more or less off this now but for anyone still watching I've come out as non-binary and my name is Eliott

#nb #non binary #they them #selfie

clownboybebop

me: to really understand Frankenstein, we have to take into account that Mary Shelley was surrounded by creative men who really didn’t take her seriously, so in addition to sci-fi horror, it can also be read as an exploration of female creative frustration and-

The burglar that broke into my house: bodily autonomy?

me: exactly. Now,

my-gender-is

My gender is gerard way in the Blood video, but also gerard way in the Desolation Row video

trashboat

terezbian

i think it's important to get deeply emotionally unironically involved in a bad piece of media whilst fully aware that it objectively sucks ass. like for your health or whatever

twelvemonkeyswere

madatmost

san antonio, tx page 1

moroccanmanga

I do appreciate what Cathy Hay has been doing of late. Her last video made me really emotional.

She has been trying to recreate the Peacock dress, designed by Worth and worn by Mary Curzon in 1903. It's a 10 pound chiffon dress of woven silver and gold thread.

Frankly, the embroidery is far more beautiful than its design.

But she's found it difficult to recreate, to say the least. The embroidery was done in colonised India, when The British Empire controlled and took credit for everything. And let me tell you, some of these Indian ateliers had a lot of people working on a single piece, because the designs are so intricate and elaborate.

And so, recently she's been more outspoken of the fact that British colonisation really enables these wealthy western Europeans to wear gowns that almost look impossibly beautiful, but rightful credit was of course never given to the people who made it. Cathy started talking about this during the height of media coverage of the ongoing Black Lives Matter protest. She said she was reflecting on her position in the world and the lens through which she saw the Peacock dress.

So Cathy Hay has been researching it's history. And she eventually found out the name of the man who owned the work shop that made it. Kishan Shand from Delhi. It was a firm owned by Manick Chand. And more importantly, she found a sketch of the men that worked there, around the period the embroidery probably would have been done. It was most likely those very same men.

And I just felt this lump in my throat. I always wonder about the craftsmen behind so much of history's most beautiful art. They're never named because the one who commissions the work, the patron, is usually given all the undue credit. We still don't know the individual names, but we have a sketch of their faces.