Say Their Names New Yorker, June 22, 2020
Artwork by Kadir Nelson
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@recordroom
Say Their Names New Yorker, June 22, 2020
Artwork by Kadir Nelson
Not to sound too millennial but who the fuck would get off a plane to their dream job in Paris for Ross fucking Geller
Everyday is just an existential nightmare
https://www.instagram.com/p/BluoZexAjra/
Source.
Flowers put a smile on a womanās face | flowerslovers.ru
Vie de château | mjcskye
Vie de château | mjcskye
This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more.
This picture breaks my heart everytime it appears in my dash. Itās a fear tactic, alright butā
The first one in the left corner: Itās a first communion rosary, and itās not cheap.
The black one in the first line: Thatās a widow rosary and itās old.
The white one in the second line:Ā is a commemoration rosary. It has a miniature picture in the round part. I havenāt seen that since the 70ā²s.
In the third line, multicolor one: Itās an Anima mundi, I have only seen those in the hands of Rosary ministeryās old ladies. The oldest ones are from the 80ā²s after Juan Pablo II came to Mexico for the first time. Itās one of the old ones, I know because the crucifixes are different.Ā The third one on the fourth line: Red and gold. The style is old, the metal is dark, thatās a 50ā²s rosary, probably a quinceaƱera one (or itās maybe older, from the 40ā²s when the brides carried red roses with their offerings).
The fifth one on the fourth line: Itās a quinceaƱera rosary with Ignatiusās tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young. The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesnāt look new. The fifth one on the fifth line: Thatās a 90ā²s wedding rosary. Black and white patterns were popular on that date. The fourth one on the last line: Thatās a first communion rosary from the 30ā²s. Itās delicate and most probably silver. The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But thoseĀ I described are much more.
Those are motherās rosaries.
Those are not just rosaries. Those are mementos, thatās the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families. Itās not a fear tactic. Call it like by its name. Itās dehumanization.
This broke my heart.
Itās 2018 and I still have no clue how CDs work. Itās a shiny disc, how do they get data on that, let alone that much?? Magic
Like a vinyl disc, where a physical groove is marked into the vinyl, a laser marks the ink of a CD in a similar manner. A laser (your disc drive) can then look at the pattern in the ink and understand it.
Thereās no grooves on a CD tho???
Theyāre just really tiny, hence the laser. The smaller grooves means that more info can fit on a disc of the same size.
Man how the fuck did they figure out how to make that
āWhat if we replaced the Diamond needle of a record player with a laser?ā
itās only comparable to the grooves on a vinyl record in the sense that a spiral is the best way to store a track of data on a rotating disc. the truth is far more impressive than any of you have let on
Audio is translated into an electrical signal by a device that produces alternating current at the same frequency and intensity (voltage) as the sound waves hitting it, a microphone.
The voltage of that analogue audio signal is measured 44,100 times per second on a scale from -32,768 to 32,767 and stored as binary.
That binary does not go onto the disc directly as burnt area = 0, as many sources will tell you. The change from a pit to a land or vice-versa is what signifies a 1. It is also modulated to allow the player to read it more easily and encoded in a way so that the disc can still be read even if there are many bits that cannot be read due to a reasonable degree of scratches or dirt.
That finalized set of binary instructions is fed into a laser that etches the pits into a glass disc coated with a polymer that falls off glass discs easily when hit directly by a laser. It is then put in a vacuum chamber, coated with nickel, and a negative copy of that is grown by the complicated process of electrodeposition.
That negative copy is used to mold a disc of clear plastic with all the pits and lands. After it is molded it is coated with aluminum and another layer of plastic on top of the aluminum.
You put it in the CD player and the sensor that measures how much light is reflected by the laser sends that data to a little computer that reverses those modulations and error-correction encoding and sends that data to a circuit that takes the now-raw binary data and turns it back into an analogue signal that is amplified and sent to a speaker.
So itās like a vinyl record?
yeah kinda
Wow! canāt relate.
Albert Camus
one of the oldest and arguably the most important museum in Brazil is burning to the ground as we speak. home to the portuguese royal family from 1808 to 1821, the Museu Nacional stored fossils, meteorites, pre-historic human skeletons and a variety of artefacts related to natural history. it holds two centuries of latin & brazilian history and now itās all gone.
some of the things that are now lost forever: the largest collection of egyptian artefacts in latin america; the skeleton of the largest flying reptile ever found in Brazil; the oldest human fossil ever found in the country, named āLuziaā (over 11.000 y.o) and other 20 million extremely important relics and researches just burned to the ground. never to be seen again.
thanks to our government, of course, who didnāt want to pay the museum the necessary funds to make the essencial maintenances since 2014 (which by the way, costed less than a supreme federal court judgeās sallary: R$520 in a year).
another sad instance where the stateās indifference towards culture and history becomes painfully obvious. this is a massive blow to our cultural legacy.
all that in our independe week. happy independe for us, brazilians, who just lost our history and culture in a fire caused by ignorance and indifference.
in case youāre wondering, this is what the museum used to look like:
this is what it looks like now:
thousands of years of culture lost. happy independence week.
āAuthorities say the fire lasted for six hours, causing irreparable damage. To put it bluntly: itās all gone. A meteorite, that can sustain incredibly high temperatures, was found intact. But other than that, there are apparently no other pieces left. It would not be an understatement to call the Museu Nacional the Brazilian equivalent of the Louvre or the British Museum.ā
here is a thread of wonderful pictures taken before the fire started, so you can see details of the museum that now is lost forever.
here is some of the international news saying on this, because most articles and videos are all in portuguese, u can check some of the news in english: (here *new york times*) (here *bbc news*) (here *le monde* for french speaking readers) (here *shorouk news* for people who speak arabian) (here *azteca news* for spanish) (here *corriere della sera* for italian).
it was a natural science and historic museum, there were all sorts of important researches and relics. all burned. this was our culture. our history. the first human fossil found in brazil (mentioned above, Luzia) was so important for science, since it proved that way before indigenous tribes existed in Brazil, there were black people.
this is the place where our first constitution was made and the declaration of independence was signed. our independe day is this friday. heartbroken.
Holy mother of godā¦
Wait. Black people existed in Brazil BEFORE indigenous tribes?? Iām so confusedā¦