If you're wondering why the relatively tame article above got scrubbed from GQ, that's because it's the revised version of the article. This is a version that was captured 5 hours earlier from what I can tell:
Highlights include (emphasis mine):
Zaslav presided over "Discovery’s transition from educational programming to reality slop—which is, of course, a much more lucrative business model."
"But Zaslav did himself no favors, and did little to blur that binary, when announcing the merger of the HBOMax and Discovery+ streaming services in a quarterly earnings call—which included a much-derided infographic deeming HBOMax’s scripted programming as “male skew,” “appointment viewing,” and “lean in” (?), while Discovery+’s unscripted shows were “female skew” “comfort viewing,” and thus ”lean back” (?!?)."
"And while they insisted Zaslav had assured them “that TCM and classic cinema are very important to him,” subsequent reporting indicated that TCM’s staff had been cut from 90 employees to a skeletal 20."
"Nearly lost in the hullabaloo was yet another of the company’s exhaustive attempts to squeeze a profit from its assets: a $500 million deal to sell around half of their film and TV-music library. In a perhaps too-good-to-be-true detail, the sale would reportedly include “As Time Goes By” from Casablanca—the musical fanfare that plays before every Warner Bros. feature film."
"Barely a month ago, Graydon Carter was hosting a party in Zaslav’s honor at Cannes, all but crowning him as the heir apparent to Jack Warner. But there’s a crucial difference between Zaslav and the old-school moguls he’s attempting to emulate: They loved movies, and cared about filmmakers. Zaslav sees movies as “content,” sees filmmakers as “content creators,” and is only interested in maintaining, preserving, and presenting “content” that can make him and his stockholders a quick buck. Anything that doesn’t, he’ll happily gut. He’s closer to Logan Roy than Jack Warner and there is a genuine, understandable fear that his bean-counting represents not just shrugging indifference but outright hostility to cinema and its rich history."
"In Pretty Woman, Richard Gere stars as Edward Lewis, a corporate raider who buys companies “that are in financial difficulty” and sells off their pieces. “So it's sort of like stealing cars and selling them for the parts, right?” asks call girl Vivian (Julia Roberts), when he explains what he does, and it’s hard not to think of Lewis when looking over Zaslav’s reign at Warner Bros Discovery, stepping into the distressed conglomerate and stripping it for parts.
Edward Lewis, however, is at least honest about what he does. “You don't make anything,” Vivian notes, and he agrees; “You don’t build anything,” she continues, and he concurs with that as well. And perhaps that’s why David Zaslav is earning a concerning reputation so far. He’s out here carrying on like a mogul, but based on his performance to date, he’s only good at breaking things."
Gee, Tumblr would probably really hate it if you shared and spread this damning article … To the surprise of absolutely none of Tumblr’s LGBTQ users, it turns out the independent NYC human rights agency Commission on Human Rights (CCHR) found that Tumblr’s ham-fisted adult content ban in December 2018 disproportionately targeted LGBTQ users. The CCHR’s investigation revealed Tumbler’s moderation algorithms is demonstrably biased against queer content. As part of the settlement, Tumblr was obligated to review their prejudicial anti-gay moderation policies. Even more mortifyingly, they’ve also had to hire an expert on sexual orientation and gender identity (SOGI) issues and provide unconscious bias training to their moderators. I frankly doubt Tumblr has learned a thing from this humbling experience. Just recently the Tumblr algorithm flagged three ancient posts of mine as violating their terms. All three “offenders” were vintage homoerotic beefcake images (softcore by modern standards) roughly 50 – 65-years-old by Bruce of Los Angeles, Bob Mizer and Tom of Finland. (These are of course pioneering queer artists who routinely faced censorship and imprisonment in the fifties and sixties. Plus ca change!). They've been visible on my page - corrupting viewers - for years at this point. I appealed all three immediately. Only the Tom of Finland one was approved. The other two are now hidden. So, they haven't learned much. Apparently, Tumblr – who loves to declare how hip, youthful, inclusive and progressive their values are - wants to restore trust with their queer users. I’d recommend we remember their hypocrisy when Pride rolls around and Tumblr splashes rainbow flags everywhere and attempts to pink wash their image.
Hey all! Instead of a normal Bloodborne Kart dev post I wanted to show off a full 5-minute playthrough of the Gascoigne boss fight.
I do think it's a bit lengthy and drags in the second phase, so I'll definitely be tweaking some dials when I get to polishing. That being said, it's really exciting to have a full boss fight fully playable, albeit in an unpolished state 😁
Now he has the opportunity to pester the group (in a less lethal manner).
[ it is important to note that I am heavily referencing OverlySarcasticProductions’ style, as they served as an inspiration. These are not the actual events of the story, and I do not claim their work as my own! ]
So I reblogged this exactly a week ago because I thought it was funny and uh lo and behold, a family friend wrote me a big ol’ check just to help me out of a tough financial spot AND my bank refunded me $32 for fees they’d originally taken out. SO UH YEAH. Reblogging this again in hopes that it brings equally good fortune to my followers.
Sadler’s Notes: The reason Tart remained in human form for the majority of the series is due to the fact it was difficult for the animators to draw her as a bird.
turnnoffyourmind
yousharknotpass
dededos
areudirty
romaincrisis
origamiaround
titsay
