Paris Petridis. The Void and the Country |Terrace, Garden City, Cairo. 2010.
parispetridis.com +
Lint Roller? I Barely Know Her
wallacepolsom
occasionally subtle
Not today Justin

Janaina Medeiros
Misplaced Lens Cap

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
noise dept.

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sheepfilms

JBB: An Artblog!
art blog(derogatory)

Kiana Khansmith
Cosimo Galluzzi
Three Goblin Art

izzy's playlists!
Jules of Nature

No title available
Aqua Utopia|海の底で記憶を紡ぐ
seen from Mexico

seen from Germany
seen from United Kingdom
seen from Maldives
seen from Türkiye

seen from India
seen from United States

seen from Sweden
seen from Germany

seen from United States

seen from United States
seen from United States
seen from United Kingdom

seen from Finland

seen from Australia

seen from Malaysia
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seen from United States

seen from Argentina

seen from United States
@redlovewitch
Paris Petridis. The Void and the Country |Terrace, Garden City, Cairo. 2010.
parispetridis.com +
Addiction is a progressive narrowing of the things that bring you pleasure. A good life is a progressive expansion of the things that bring you pleasure. Btw
“…there are other worlds—remote, lonely, silent, far—of strange delicious life. Let us go.”
— Kahlil Gibran, in a letter to Mary Haskell, from Beloved Prophet: The Love Letters of Kahlil Gibran and Mary Haskell, and her private journal (via neuseks)
Dyke Deck by Cathie Opie
Early draft of "Lover, You Should’ve Come Over" from the book Jeff Buckley: His Own Voice.
― Anaïs Nin, From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934
some of my favourite cardiology themed postage stamps from the past
In 1909, the biologist Jakob von Uexküll noted that every animal exists in its own unique perceptual world — a smorgasbord of sights, smells, sounds and textures that it can sense but that other species might not. These stimuli defined what von Uexküll called the Umwelt — an animal’s bespoke sliver of reality. A tick’s Umwelt is limited to the touch of hair, the odor that emanates from skin and the heat of warm blood. A human’s Umwelt is far wider but doesn’t include the electric fields that sharks and platypuses are privy to, the infrared radiation that rattlesnakes and vampire bats track or the ultraviolet light that most sighted animals can see.
The Umwelt concept is one of the most profound and beautiful in biology. It tells us that the all-encompassing nature of our subjective experience is an illusion, and that we sense just a small fraction of what there is to sense. It hints at flickers of the magnificent in the mundane, and the extraordinary in the ordinary. And it is almost antidramatic: It reveals that frogs, snakes, ticks and other animals can be doing extraordinary things even when they seem to be doing nothing at all.
~ Ed Yong, NY Times Opinion, 6-21-22
““Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.””
— Brian Eno (via jessiethatcher)
Dotek motýla, 1972
“I walk with my dream unfurled, and lose myself in my own labyrinths, and the dream unfurled carries me.”
— Anaïs Nin | The Diary of Anaïs Nin, Vol. II (via showings)
by Kevin Moldenhauer
Hanif Abdurraqib, A Little Devil in America: Notes in Praise of Black Performance
Estrela Nua (José Antonio Garcia; Ícaro Martins, 1984)
Something was missing and then it hit me. THE NIPPLE PIERCING