cursing my name, wishing i stayed

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@redswiftie13
cursing my name, wishing i stayed
It’s been one year since we escaped the real world together and imagined ourselves someplace simpler. With tall tall trees and salt air. Where you’re allowed to wear lace nightgowns that make you look like a Victorian ghost every day & no one will side eye you cause no one is around. It’s just you and your imaginary cabin and the stories you make up to pass the time. To say thank you for all you have done to make this album what it was, I wanted to give you the original version of The Lakes. Happy 1 year anniversary to Rebekah, Betty, Inez, James, Augustine, and the lives we all created around them. Happy Anniversary, folklore. 🌿
https://taylor.lnk.to/thelakesoriginal
I've told you my stories for years now. Some have been about coming of age. Some have been about coming undone. This is a story about coming into your own, and as a result... coming alive.
-1989 Taylor’s version cover concept-
I can’t believe I get to work with Aaron Dessner. When Aaron came into my life, I was ushered into his world of free-flowing creativity where you don’t overthink, you just make music. His generosity of spirit and humility bleeds into every part of his life, and that’s why so many artists have jumped at the chance to be a part of his collaborative project, Big Red Machine. A song we wrote (which also features ⚡️Justin Vernon✨) is out today! It’s called Renegade. Thanks Aaron for asking me to show up at your party. bigredmachine.jagjag.co/renegade
I’ve always said that the world is a different place for the heartbroken. It moves on a different axis, at a different speed. Time skips backwards and forwards fleetingly. The heartbroken might go through thousands of micro-emotions a day trying to figure out how to get through it without picking up the phone to hear that old familiar voice. In the land of heartbreak, moments of strength, independence, and devil-may-care rebellion are intricately woven together with grief, paralyzing vulnerability and hopelessness. Imagining your future might always take you on a detour back to the past. And this is all to say, that the next album I’ll be releasing is my version of Red.
Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I’m not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way.
Sometimes you need to talk it over (over and over and over) for it to ever really be… over. Like your friend who calls you in the middle of the night going on and on about their ex, I just couldn’t stop writing. This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long.
Red (Taylor’s Version) will be out November 19.
https://taylor.lnk.to/RedTaylorsVersion
I can’t believe I get to work with Aaron Dessner. When Aaron came into my life, I was ushered into his world of free-flowing creativity where you don’t overthink, you just make music. His generosity of spirit and humility bleeds into every part of his life, and that’s why so many artists have jumped at the chance to be a part of his collaborative project, Big Red Machine. A song we wrote (which also features ⚡️Justin Vernon✨) is out today! It’s called Renegade. Thanks Aaron for asking me to show up at your party. bigredmachine.jagjag.co/renegade
I’ve always said that the world is a different place for the heartbroken. It moves on a different axis, at a different speed. Time skips backwards and forwards fleetingly. The heartbroken might go through thousands of micro-emotions a day trying to figure out how to get through it without picking up the phone to hear that old familiar voice. In the land of heartbreak, moments of strength, independence, and devil-may-care rebellion are intricately woven together with grief, paralyzing vulnerability and hopelessness. Imagining your future might always take you on a detour back to the past. And this is all to say, that the next album I’ll be releasing is my version of Red.
Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I’m not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way.
Sometimes you need to talk it over (over and over and over) for it to ever really be… over. Like your friend who calls you in the middle of the night going on and on about their ex, I just couldn’t stop writing. This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long.
Red (Taylor’s Version) will be out November 19.
https://taylor.lnk.to/RedTaylorsVersion
⩟ × ᴘʟᴇᴀsᴇ, ʟɪᴋᴇ/ʀᴇʙʟᴏɢ ɪғ ᴜ sᴀᴠᴇ ᴏʀ ᴜsᴇ » × ͏ᴍʏ ᴏᴛʜᴇʀ ᴛᴜᴍʙʟʀ: @sᴛᴜғғsᴡɪғᴛɪᴇ
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TAYLOR SWIFT I was born in Reading, Pennsylvania, on December 13, 1989. (insp.)
My dad watched this interview and said ‘Zane Lowe knows you maybe even better than you know yourself’. So while I spend years processing that possibility, here’s the video of our chat!
Apple Music’s Songwriter of the Year, Taylor Swift, has been one of music’s preeminent and most decorated songwriters for more than a decade
One of my favorite parts of directing music videos is the daydream/prep phase: writing up a treatment, a shot list, and working with an animator to storyboard it out ahead of time. Thanks to illustrator Vincent Lucido, we can check off our shots as we go. Here’s a video showing the before and after of the willow video 🧙🏻♀️🔮🎶
Life was a willow, and it bent right to your wind They count me out time and time again Life was a willow, and it bent right to your wind But I come back stronger than a ‘90s trend
Wherever you stray, I follow.
Wherever you stray, I follow.