Janaina Medeiros
JBB: An Artblog!
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Today's Document
almost home
祝日 / Permanent Vacation
he wasn't even looking at me and he found me
Jules of Nature
Origami Around
DEAR READER
Aqua Utopia｜海の底で記憶を紡ぐ
tumblr dot com
roma★
ellievsbear
Keni
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Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH
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seen from United Kingdom
seen from Malaysia
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from Belgium
seen from Sweden
seen from Malaysia
seen from Brazil
seen from Iraq
seen from United States
seen from Iraq
seen from United Kingdom
seen from Iraq
seen from India
seen from United States
seen from United States
seen from United States
@redweathertiger
sarah or vesper / she / 33 / dyke / librarian
psychological fiction
horror
world cinema
queer erotica
indie comics
disability
rope
currently writing fic for reservoir dogs.
i will block minors who follow me. nothing but love! i'm simply a thousand years old.
Ruth Stone, "Old Cars", What Love Comes To
not my pic but this is the cleanest Storrowing i've ever seen. hats and roofs off to this unknown rental truck driver for full sending it with 0 hesitation
RUTH STONE.
Perfume Genius, Hidetoshi Narita for NYLON JAPAN
they’re playing the first season of twin peaks, two episodes at a time, at our local theater. 🙌
Rosalie Lettau
all movies are for children because the moving image is inherently juvenile. to be entertained by it even moreso
Morgan Gwenwald, Butch/Fem Picnic.
Joan Nestle and Deborah Edel, the two subjects pictured here, were partners when Nestle started the Lesbian Herstory Archives project in 1974 out of their shared apartment.
Woodlands Dark and Days Bewitched: A History of Folk Horror (Kier-La Janisse, 2021).
“She drums her knuckles on my hipbone. Her teeth nip my neck. I gasp and arch up into her. “I’m part of you,” she whispers. “Right down in the core of you.” I pull myself back down and lie still, giving it up. “I know.” I push my face up. My mouth covers her, tastes her. Her tongue is bitter honey, sliding between my lips, filling my mouth, pushing my own tongue up to the roof of my mouth, expanding until I think I will choke. But I do not fight. I take her in. I want to swallow her, all of her. If she is a ghost, then why not? She could melt into my bones. We could be the same creature.”
— Dorothy Allison, “Demon Lover” in Trash
handgargling:
Holland, 1945 at 8kbps.
wow……. the mp3 compression really enhances the listening experience of this!!
John T. Irwin once wrote an interpretive tome on Faulkner’s work called Doubling & Incest/Repetition & Revenge (1975) that was cited extensively in Maitland McDonagh’s seminal Argento analysis Broken Mirrors/Broken Minds (1990). The title of Irwin’s book alone is a tidy way of encapsulating what is going on in Possession. But its intended application as a Faulkner reader shows just how universal the concept of doubling as a means of righting past wrongs really is. This is something that all people do, whether they are conscious of it or not. We all create doubles, and some of them are monsters.
kier-la janisse, house of psychotic women
got a tattoo right before swimming hole season started. 😞
Poppy De Havilland
Rope sketch from a recent tie by @swannofswords
