Reel Talk

All Things Screen and Play

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Introduction

Welcome to Reel Talk! A website dedicated to thoughtful reviews, rankings, and analysis across movies, television, video games, and comics.

The goal of Reel Talk is simple. To explore what makes stories effective, memorable, and worth revisiting. Each piece focuses on breaking down key elements such as narrative, character work, and overall impact.

Current content includes (Movies, Video Games, Comics, Original Rankings, and Articles)

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Content is updated regularly, and I try to update whenever I have free time. If something stands out to you or there is a topic you would like to see covered, suggestions are always welcome.

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Nothing else in Indian cinema hits like this when it is firing on all cylinders. Our review of Baahubali: The Beginning looks at what Rajamouli gets right, where the film stumbles, and why the cliffhanger still holds up as one of the most effective endings in recent memory.

🔗 Read our full review here

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A bad ending can ruin a great film. A great ending can make it permanent.

Our ranking of the best movie endings looks at the final scenes that recontextualize everything before them, from the most shocking twist in cinema history to the four words that close the greatest neo-noir ever made. Full spoilers throughout. Watch these films first.

🔗 Read our full ranking here

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Art Spiegelman could have made something easier and more consoling. He chose not to.

Our review of Maus looks at why the animal metaphor is not a simplification, why Vladek Spiegelman is one of the most honestly drawn figures in any memoir, and why the second volume's most important pages are the ones where Spiegelman questions whether the book should exist at all.

🔗 Read our full review here

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The monster is not the point. There is less Godzilla on screen than almost any film in the franchise that followed, and that is exactly the right call. Our review of the 1954 original looks at what Ishiro Honda was actually making, why you should watch the Japanese cut, and what seventy years of franchise films still have not managed to match.

🔗 Read our full review here

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Most roguelikes send you back to the start. Hades makes you want to go back.

Our review looks at why dying in this game moves the story forward instead of resetting it, why the combat stays interesting across dozens of runs, and why the characters you meet on the way back to the House are the part nobody expects to care about and ends up caring about the most.

🔗 Read our full review here

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Star Wars is not science fiction. It never was.

Our latest article looks at why the franchise works as fantasy, what George Lucas was actually drawing from, and why a single biological explanation for the Force is still one of the most damaging creative decisions in the series.

🔗 Read our full article here

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Nobody who has seen this film has ever heard Nightcall the same way again. Our review of Drive looks at what Nicolas Winding Refn gets exactly right, what the commitment to cool restraint costs the film, and whether keeping the audience at arm's length is a flaw or the whole point.

🔗 Read our full review here

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Everyone who made a sigma edit out of this film missed the point entirely. Our review of American Psycho looks at why Mary Harron's film is a comedy first, what Christian Bale is actually doing in that performance, and why the business card scene deserves its own trophy.

🔗 Read our full review here

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No budget. No compromise. No excuses.

Eight films that could only have been made outside the studio system, ranked by how completely they justify their own existence. Moonlight at the top. Clerks at the bottom for exactly the right reasons.

🔗 Read our full ranking here

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You have already seen the film. The book is asking something the film chose not to ask.

Our review of V for Vendetta looks at why Alan Moore's V is genuinely difficult to root for, what David Lloyd's art is doing that most discussions of the book skip over, and why the sequence with Evey in the middle of the run is still one of the most morally contested things in comics.

🔗 Read our full review here

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Eighty years and it has not aged a day. Our review of Casablanca looks at why this film still works, what Claude Rains does that nobody gives him credit for, and why the ending is the most honest thing in classical Hollywood cinema.

🔗 Read our full review here

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Most people are still debating the wrong movie.

The wormhole, the physics, the ending. That is not what Interstellar is about. Our latest piece makes the case that it has always been a film about a father who leaves his daughter, and that the scene where he watches twenty-three years of video messages is the actual emotional center of the entire film.

🔗 Read our full article here

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They rode out to meet the invaders on the beach in open formation. The Mongols cut through them in minutes.

Our review of Ghost of Tsushima looks at why the wind navigation system is the best open-world solution the genre has produced, why Khotun Khan works as a villain, and why the question the game poses at the end has no correct answer and is not pretending otherwise.

🔗 Read our full review here

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Some films are made for children. This one is made for anyone who was ever a child and remembers it imperfectly. Our review of Spirited Away looks at why Miyazaki's approach to worldbuilding is worth studying, what No-Face is actually doing in the story, and why this film grows with you no matter how many times you watch it.

🔗 Read our full review here

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The decade that finally made science fiction interesting again.

Ten films ranked by how seriously they took their own ideas. Arrival at the top. Blade Runner 2049 is right behind it. And one film at the bottom that most people have never heard of, and absolutely should.

🔗 Read our full ranking here

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A game that opens on a funeral and earns every minute of what follows.

Our review of God of War looks at how the single unbroken shot changes the way you experience the story, why the Leviathan Axe never stops feeling satisfying to throw, and why the moment late in the game when the distance between Kratos and Atreus finally closes is the most effective two seconds this console generation has to offer.

🔗 Read our full review here