âEgo sum,â Spiritus inquit, âLarva Diei Christi Natalis Qui in Sententia Condicionali Futura Imperfectaque Nititur.
Nuntio quid futurum fuerit quod eventurum esset, si fuisset ut mores tuos mutaturus non esses.â
Monterey Bay Aquarium

tannertan36
Mike Driver
KIROKAZE
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Not today Justin

Andulka
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Kiana Khansmith
RMH
Cosimo Galluzzi

pixel skylines

Kaledo Art

Discoholic đȘ©
ojovivo

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sheepfilms

Product Placement
NASA

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@remaininlight
âEgo sum,â Spiritus inquit, âLarva Diei Christi Natalis Qui in Sententia Condicionali Futura Imperfectaque Nititur.
Nuntio quid futurum fuerit quod eventurum esset, si fuisset ut mores tuos mutaturus non esses.â
this random facebook comment just summed up my political alignmentÂ
I might just. stop using tumblr altogether like im almost there but iâve met several really cool people on here and even if we donât talk a ton i donât want to lose touch with yall, if you see this feel free to DM me for my sc, ig etc in case i Hit The Bricks
Plums
âAnd in my best behavior I am really just like him Look beneath the floorboards For the secrets I have hidâ
Iâm tired of girls trying to invalidate their own feelings during times of pain, especially to their friends. Your break up meant something. That friendship you lost was a hard blow. I understand why you feel tired this semester. Sometimes this âmodern womanâ stereotype is patriarchyâs last attempt; patriarchy disguised as feminism. You donât have to be âwise beyond your yearsâ; your pain and crying does not mean you are not intelligent. If you feel your friends demand justification for your pain and ordeals, theyâre not friends. Youâre strong but human. Remind yourself emotional space is part of liberation.
god, GOD Freddie Mercury was such a fucking badass
This doesnât do the moment justice. He took the swig of vodka, said âIâll fucking do it darlingâ, and then ABSOLUTELY NAILED IT in one fucking take
Olivia Hansson (@blackbirdandgoose)
Eyes as Big as Plates is the ongoing collaborative project between the Finnish-Norwegian artist duo Riitta Ikonen and Karoline Hjorth. Starting out as a play on characters from Nordic folklore, Eyes as Big as Plates has evolved into a continual search for modern humanâs belonging to nature. The series is produced in collaboration with retired farmers, fishermen, zoologists, plumbers, opera singers, housewives, artists, academics and ninety year old parachutists. Since 2011 the artist duo has portrayed seniors in Norway, Finland, France, US, UK, Iceland, the Faroe Islands, Sweden, Japan and Greenland. Each image in the series presents a solitary figure in a landscape, dressed in elements from surroundings that indicate neither time nor place. Here nature acts as both content and context: characters literally inhabit the landscape wearing sculptures they create in collaboration with the artists.
Freddie Mercury at his 40th birthday party, 1986 by Richard Young via @historycoolkidsÂ
Fang Lijun (Chinese, b. 1963), 1997.10.1, 1997. Acrylic on canvas, 46 Ă 51 cm.
Cosmos (2015), dir. Andrzej Zulawski