Renrams @renrams - Tumblr Blog

museoprivado

"El valle", 1850-1875🖌️ Camille Corot (francés 1796-1875)

#camille corot #art #landscape painting #french art #makes me feel things #value #color #19th century

messsssmer

"Whimsy" is truly a wretched term. What maketh thee so carefree?

fireknightqueelign

thy mother

messsssmer

Art thou for fucking real

#funny games

jewfrogs

recently saw this screenshot in the wild and lost my mind because i knew it wasnt supposed to say girl. its ladykins. its get off the cross ladykins. i know this because ladykins is not something my brain could make up and i remember ladykins. and i was sincerely wondering if someone put in the work to censor ladykins for some inscrutable purposes but then i looked it up and

turns out that actually rupaul made the same tweet twice with 1 word changed 8 months apart. he meditated on this for 8 months and 5 days and the word ladykins came to him. i initially thought he copy pasted the first tweet but i dont think thats true anymore i dont think he was operating with any memory of the first tweet i think these words were always in him and will always be. second tweet did way worse by the way. the people did not respond to ladykins

#funny games

the1920sinpictures

1930 A Swedish girl and her teddy bear visit a Rune stone. It states "Sibbe and Tjarve had the stone raised in memory of Torkel, their father". From Awesome Attic, FB.

fiery-kitty

The Death of Emperor Ferdinand III as an Allegory of Transience (around 1660)

Daniel Neuberger (1621, Augsburg – 1680, Regensburg)

Kunsthistorisches Museum Vienna

This work is a memorial and allegorical devotional object dedicated to the death of Emperor Ferdinand III. In the 17th century, such compositions were used as meditative objects encouraging reflection on the transience of life (memento mori tradition).

Place of origin: Vienna (Wien)

Object type: devotional image (Andachtsbild); wax relief composition (Wachsbossierung)

Materials and Technique: Wax, lead, glass, shell, dried flowers, parchment; oak wood with ebony veneer (frame); spruce wood (core structure)

Dimensions: 25 × 34 × 11 cm (object), 37.2 × 47.5 × 17.5 cm (frame)

Inscription: Latin inscription: “VIVI”

Artistic Characteristics: mixed-media construction (wax combined with organic and fragile materials) creating a highly illusionistic scene; strong emphasis on detail and naturalism; intensive symbolic meaning related to death, decay, and the fragility of existence; characteristic Baroque dramatic visual language