The Venn diagram is not a circle, but it's really, really close.
🩵 avery cochrane 🩵
taylor price
Lint Roller? I Barely Know Her

if i look back, i am lost
Misplaced Lens Cap

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Sade Olutola
Cosmic Funnies
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Xuebing Du

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titsay
macklin celebrini has autism
cherry valley forever

@theartofmadeline
The Bowery Presents

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official daine visual archive
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@returnoftheborle
The Venn diagram is not a circle, but it's really, really close.
candace flynn is THE most teenage girl character of all time. she is at level 100 anxiety 24/7. she shows her love for her brothers by trying to get them in trouble constantly. her neck is as long as her forearm. she features on a blues album after having an allergic reaction. she has a shrine to her boyfriend in her room. she can't live without her phone. she has a panic room in the basement. she plays 20 instruments that all start with the letter B. she read all of sherlock holmes in one night. she's seen their platypus running around as a secret agent more than once, assumed she was hallucinating each time, and moved on with her life while telling no one. she likes wrestling video games. she was rutabaga princess. she has a billion people to email memes to but when she's trying to think of friends she can only think of four people and one of them is her mom. most animals hate her except monkeys. she invented grilled cheese flavored ice cream. she pretended to be irish for a week. she's autistically obsessed with her universe's version of barney. she writes marvel fanfiction. she does parkour. there's an entire archive of her voice actress screaming just in case her voice ever gave out while recording. she sees her brothers build time machines and rollercoasters every day but doesn't believe in santa. when she starts scheming the wicked witch of the west theme starts playing in the background. she was elected queen of mars. she won a "mayor for the day" essay competition. there's a random person in town who's been avoiding her to the point she doesn't know he exists. she learned how to parallel park by driving a monster truck. she thinks the plural of moose is "meese." she tracks her mom with a GPS. she doesn't know her little brother's full name. she's scared of heights, spiders, and the number seven. when her boyfriend told her he'd call "soon" she started doing complex math to try and figure out when exactly that would be. her first thought upon seeing her royal doppelganger was to go to the laundromat and fill all the dryers with cheese. she earned 50 not-girl-scout patches in one day through sheer determination. she can run fast enough to catch up to moving cars. she can sense when ground is broken in the backyard and when people are judging her. one time she got her face caught in the sink. her brothers carved her into mount rushmore. every now and again a magical zebra appears, calls her kevin, and then disappears again. she killed 99% of an alien invasion with a t-shirt cannon. in an alternate universe she's leading a regime-destroying resistance at the age of 15. she's being accidentally gaslit every day of her life.
no comment
im hilarous
Mood post Superman
Superman isn't woke. You're just so evil that you see a man doing acts of kindness and you think it's a targeted political agenda
Chat gpt you will never be her
If I had a nickel for every time Russell T. Davies created a Companion of color with medical knowledge who then gets sidelined by the wider narrative, I'd have two nickels. Which isnt a lot but it's FUCKING AGGRAVATING that it's happened twice
love shakespeare. did a hamlet run tonight, looked someone dead in the eye to say “am i a coward?” during a speech and the fucker shrugged and nodded
we literally ruined society when we invented the fourth wall. let’s bring back call and response. heckling, even. fuck you hamlet you dumb piece of shit kill your uncle or shut up
"When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side… there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.”
And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."
Oskar Eustis on ArtBeat Nation
I was in the front row of a Hamlet performance where the "Am I a coward?" was directed at me and I, being a no-impulse-control gremlin, hollered back "Yes!!" (they'd primed us ahead of time that audience interaction was encouraged). Hamlet got right up in my face as he kept talking and just kept going until I gently pushed him back; I forget what line it was on when it happened but he took the direction of the push and reeled away across the stage.
This meant that I had marked myself as someone willing to be fucked with, and so during the graveyard scene later he approached me again. "Here hung those lips that I have kissed--" he booped my mouth with the skull's "-- I know not how oft."
I have stories related to me from those at Blackfriars, the American Shakespeare Center (they play in a replica of the original Blackfriars, with modern safety conventions like lightbulbs in the chandeliers, but a great dedication to the way structure shaped the original work in the original Blackfriars. Their house is only about 45 ft deep (roughly 15 m I think), which is about the max distance two sighted people can be from each other and still make eye contact. They play with the stage and house equally lit, they talk to the audience, they enter from the audience, they whip up crowds from within the audience. It’s fantastic. But anyway, on to the stories.)
Hamlet. There’s a scene where Hamlet sees Claudius praying and debates whether to kill him now or wait (because if Claudius dies praying he will automatically go to heaven). The actor playing Hamlet was genuinely asking the audience the questions in the speech, and when he got to “and should I kill him now?” someone in the audience shouted “YES KILL HIM HE NEEDS TO DIE!” Hamlet took the entire rest of the monologue to that person, enumerating his reservations so persuasively that they started to nod in agreement.
Romeo and Juliet. In this production, the fight between Mercutio and Tybalt happens in several rounds, of which Mercutio won the first. Mercutio’s actor made the choice, upon his victory, to run down the audience with his hand out for high-fives. He decided this in rehearsal, so he had time to plan for the three responses people would probably give him: a) a high-five back; b) being stunned and not reacting; and c) the old “oops too slow.” What this Mercutio did not prepare for was the audience member who panicked and deposited their handful of M&Ms into his open palm. The way I heard it, Mercutio was still processing this when Benvolio came up beside him and stole the M&Ms out of his hand to eat them.
King Lear. Edmund has a speech in which he asks whether he should marry “Goneril? Regan? Both? Neither?” Again, the actor was legitimately asking the audience, and again he’d prepared for the audience to respond in favor of any of those choices. What makes it even cooler was that the next line is “Neither can be enjoyed while both remain alive,” which works as a response to any of those options. One night, though, Edmund got his answer as “KILL THEM BOTH AND TAKE THEIR MONEY!” To which he gleefully agreed, “Neither can be enjoyed while both remain alive!!”
fun fact: i’m the one who shouted “kill them both and take their money!”
i was there as part of ASC’s summer camp program and we had multiple chances to see the shows for free that year. i’d already seen king lear once so i Knew that moment was coming (the night before nobody had responded so the actor just sort of shrugged and went on with the scene). i had 24 hours to think of what i wanted to say and then when i got there i was seated in the center of the front row which just made everything better. when i finished speaking the entire house started laughing and the actor was visibly trying not to break while he just stared me down.
another fun fact: apparently that was also the night they recorded archival footage so that moment is preserved forever lol
My controversial (?) take is that I don’t think Spirk ever got together. Sure I’ll draw them kissing but I don’t think they did that. I’m not even convinced they ever realised they were in love with each other. Instead I think it went like this:
Now BONES though… Bones realised.
Puppet history is just one big intricate ritual to put Ryan in situations.
This too shall pass but like holy fuck
franz liszt? is that you? @wearewatcher
the fact that so much happened in this episode that i barely even clocked the professor missing a c dogs joke is insane
im so unwell