Françoise Duvivier - Collage
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Claire Keane
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Françoise Duvivier - Collage
Dawn Clements. Rable of Work: a Collaboration (Dawn Clements and Marc Leuthold) 2011, Mixed media (including sumi ink on paper, porcelain, stoneware, wood), 303 x 126 x 30 inches (with table & sculptures) courtesy the artists and Pierogi
Check out her interview with Benjamin Sutton at The L Magazine.
We're in a freefall into future. We don't know where we're going. Things are changing so fast, and always when you're going through a long tunnel, anxiety comes along. And all you have to do to transform your hell into a paradise is to turn your fall into a voluntary act. It's a very interesting shift of perspective and that's all it is... joyful participation in the sorrows and everything changes.
Joseph Campbell
Philip Guston, East Tenth, 1977. Oil on canvas, 203x255cms. Collection: Art Gallery of New South Wales
Philip Guston
Monument 1976
Dawn Clements
Hélène (les Dames du Bois de Bologne, 1944)
2010, Sumi Ink on Paper, 35 x 54 inches
Olivia Plender
http://www.saatchi-gallery.co.uk/artists/artpages/olivia_plender_drawings5.htm
8 1/2 Federico Fellini
1963
8 1/2 Federico Fellini
1963
8 1/2 Federico Fellini
1963
8 1/2 Federico Fellini
1963
“Ladies and gentlemen? Ladies and gentlemen. Thank you so much for visiting with us this evening. Now, I’ve traveled across half our state to be here and to see about this land. Now, I daresay some of you might have heard some of the more extravagant rumors about what my plans are; I just thought you’d like to hear it from me. This is the face. There’s no great mystery. I’m an oilman, ladies and gentlemen. I have numerous concerns spread across this state. I have many wells flowing at many thousand barrels per day. I like to think of myself as an oilman. As an oilman, I hope that you’ll forgive just good old fashioned plain-speaking. Now, this work that we do is very much a family enterprise- I work side by side with my wonderful son, H.W.- I think one or two of you might have met him already. And I encourage my men to bring their families, as well. Of course it makes for an ever so much more rewarding life for them. Family means children. Children means education. So wherever we set up camp, education is a necessity, and we’re just so happy to take care of that. So let’s build a wonderful school in Little Boston. These children are the future that we strive for and so they should have the very best of things. Now something else, and please don’t be insulted if I speak about this - bread. Let’s talk about bread. Now to my mind, its an abomination to consider that any man, woman or child in this magnificent country of ours should have to look upon a loaf of bread as a luxury. We’re going to dig water wells here. Water wells means irrigation, irrigation means cultivation. We’re going to raise crops here where before it just simply was impossible. You’re going to have more grain than you’ll know what to do with. Bread will be coming right out of your ears, ma’am. New roads. Agriculture. Employment, education. These are just a few of the things we can offer you, and I assure you ladies and gentlemen, that if we do find oil here, and I think there’s a very good chance that we will, this community of yours will not only survive, it will flourish.” - Daniel Plainview, There Will Be Blood (2007) Paul Thomas Anderson
nods knowingly.
Yorgos Lanthimos, Dogtooth, 2009.
Dogtooth 2009
dir. Giorgos Lanthimos
Aggeliki Papoulia
Mary Tsoni
Hristos Passalis
Dogtooth 2009
dir. Giorgos Lanthimos
Aggeliki Papoulia
Mary Tsoni
Hristos Passalis