moved to @4sakens <33
Keni
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"I'm Dorothy Gale from Kansas"
almost home
YOU ARE THE REASON

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he wasn't even looking at me and he found me
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@revyrie
moved to @4sakens <33
local indecisive bri can’t make a decision to save her life
i know i haven’t done a lot on this blog despite having remade it like three months ago but would y’all hate me if i completely started over on a new blog ? idk why the presence of this one feels weird ( maybe it is because i went from friends only to not doing that and now i’m... y’know ) but i also just hate the aesthetic and everything about it. so. yeah -
somebody made a celia and evelyn playlist of t*ylor sw*ft songs but it’s their story in chronological order (4 hours and 17 minutes it is beautiful but i digress) and they had the AUDACITY to put the other side of the door followed by the very first night as if that wasn’t going to make me UNWELL and UNHINGED
MULTIMUSE ASK MEME
send ❔ and i’ll list a couple muses that i’d like to throw at yours!
... GOT-HEART ,
“ mom ? ” summer leaps up from her seat, finger now stitched and bandaged after suffering a piranha bite while studying their feeding behaviors. despite her viewing the response over the top, she moves in to hug @revyrie anyways. “ i told you i was fine. ” granted, facetime call abruptly ended hours ago with an ‘ i got bit by a piranha but i’m fine, gotta go ! ’ wasn’t exactly structured to ease a mother’s mind. “ how did you get here so fast ? did you teach yourself how to teleport ? ”
WORDS ARE JUST WORDS, UNTIL THEY’RE DANGEROUS, UNTIL THEY’RE WARNING BELLS IN YOUR EARDRUMS, UNTIL THEY’RE COMING FROM THE ONE WHO CALLS YOU MOM. * the horror these eyes of mine have seen is never ill-prepared. with haste, tires squealed on gravel. the road a one way destination. she did not have time to ponder what truth i’m fine held. where you are concerned it wouldn’t have made a difference. after all, i’m fine is code for not fine in many circumstances. ❝ oh, i know what you said——as you proceeded to hang up the phone, miss summer degler! what did you think, i wasn’t going to come ?! ❞ listen to her tone. it is home to the words she withholds: you should know better than that, young lady. brows knit. mien the personification of worry. ❝ i might have taken a note out of claire’s driving manual but ... if science has evolved that much and nobody has told me, i’m going to file a strongly worded letter. ❞ a few beats of momentary quiet as she studies her daughter. ❝ are you alright ? ❞
i have ... so many ... plotting dm’s and i swear i’m going to respond to every single one of them. <3 and i’m so excited. but i want to try and write a bit first so bare with me y’all. i’ll be back to all these beautiful oc and plot ideas very soon, mwah
MULTIMUSE ASK MEME
send ❔ and i’ll list a couple muses that i’d like to throw at yours!
𝑻𝑯𝑬 𝑶𝑻𝑯𝑬𝑹 𝑳𝑰𝑵𝑬 . ( a collection of texting prompts . receiver of the meme is implied to be the sender of the text . )
∗ o1﹕ a text sent late at night . ∗ o2﹕ a text asking for advice . ∗ o3﹕ a text sent out of worry . ∗ o4﹕ a text sent out of excitement . ∗ o5﹕ a text sent out of anger . ∗ o6﹕ a text containing a picture . ∗ o7﹕ a text to get back in touch . ∗ o8﹕ a text saying goodbye . ∗ o9﹕ a text containing a confession . ∗ 1o﹕ a cheesy text . ∗ 11﹕ a text sent from across the room . ∗ 12﹕ a text that wasn’t meant for the receiver . ∗ 13﹕ an intoxicated text . ∗ 14﹕ a text sent while half asleep . ∗ 14﹕ a text that was never sent . ∗ 15﹕ a text containing advice . ∗ 16﹕ a flirtatious text . ∗ 17﹕ a text during a breakdown / panic attack . ∗ 18﹕ a threatening text . ∗ 19﹕ a suggestive text . ∗ 2o﹕ a text containing an apology . ∗ 21﹕ a text to a group chat . ∗ 22﹕ a text regarding [ character name ] . ∗ 23﹕ a text containing a pick - up line . ∗ 24﹕ an angry text . ∗ 25﹕ an urgent text . ∗ 26﹕ an affectionate text . ∗ 27﹕ a text after first meeting . ∗ 28﹕ an embarrassing text . ∗ 29﹕ a supportive text . ∗ 3o﹕ a random text .
so … i’m working on making my oc multi slowly but surely (not currently because i’m at work but you feel me) and all i have to say is, if your muse needs a family member, friend, ex, lover, etc. or has anyone significant from their life that you want to interact with— hi. 🤍
spots to kiss. since y’all like kissing prompts—and who wouldn’t, honestly–so have a collection of places to press your lips to. many of these work perfectly fine for platonic or familiar affection while some are a bit steamier, though what counts as what is of course naturally dependent on the muses and the context. send ‘ SPOTS TO KISS + [number] ’ to kiss my muse there, or with # for dealer’s choice. context and description allowed and encouraged. feel free to use the last option ( 57 ) to give the kiss on any fantasy or scifi body parts not listed here.
a kiss on the top of the head.
a kiss to hair.
a kiss on the forehead.
a kiss on the space between eyebrows.
a kiss on the temple.
a kiss on the cheek.
a kiss on the eyelid or the undereye.
a kiss on the nose
a kiss on the ear.
a kiss on that space where jaw connects.
a kiss on the corner of the mouth.
a kiss on the cupid’s bow.
a kiss on the lips.
a kiss on the chin.
a kiss on the jawline.
a kiss on the back of the neck.
a kiss on the underside of the jaw.
a kiss on the throat.
a kiss on the side of the neck.
a kiss on where the back of the neck turns to shoulder.
a kiss above the collarbone.
a kiss along the collarbone.
a kiss on the space between collarbones.
a kiss on the shoulder.
a kiss on the bicep.
a kiss on the forearm.
a kiss on the elbow.
a kiss on the outside of the wrist.
a kiss on the inside of the wrist.
a kiss on the back of the hand.
a kiss on the palm.
a kiss on a finger. ( which one? )
a kiss on the side of the ribs.
a kiss on the shoulder blade.
a kiss on the space between shoulder blades.
a kiss along the curve of the spine.
a kiss on the upper back.
a kiss on the lower back.
a kiss on the sternum.
a kiss on a pec / breast.
a kiss under the breast.
a kiss on where the sternum ends.
a kiss on the stomach.
a kiss on the navel.
a kiss on the hipbone.
a kiss on the ‘v’.
a kiss on the front of the thigh.
a kiss on the back of the thigh.
a kiss on the inner thigh.
a kiss on the knee.
a kiss on the calf.
a kiss on the ankle.
a kiss on the heel.
a kiss on the foot.
a kiss on a toe.
a kiss on an nsfw body part not listed here. ( where? )
a kiss on a sfw body part not listed here. ( where? )
sexual tension prompts.
i deleted my old blog by mistake, so i’m revamping these!! if you want to reverse them, add a +, like so: [ PIN ] + and the roles will switch! these prompts are inspired by THIS MEME! they’re designed for all muses, regardless of whether they’ve interacted before or not!
[ PIN ] : sender pins receiver against a wall.
[ HANDS ] : our muses’ hands touch. (anything from grazing past or the hand holding content we all deserve.)
[ GAZE ] : sender watches receiver from across a crowded room.
[ GUIDE ] : in order to guide the receiver, sender presses a hand against the small of their back.
[ INVITE ] : sender asks receiver into a private room with nobody else present.
[ TOUCH ] : our muses touching one another discreetly but intimately in a public setting.
[ LICK ] : sender licks something from their thumb or lips in front of receiver.
[ SLEEVES ] : sender rolls up their sleeves to reveal their forearms.
[ SMIRK ] : while interacting with receiver, sender can’t resist a smirk.
[ NECKLACE ] : sender fastens a necklace around receiver’s neck, leaning in close to do so.
[ CLOSE ] : our muses are in a position which leads to the sender stepping intimately closer to the receiver.
[ UNBUTTON ] : due to heat or stress or other reasons, sender unbuttons the top of their shirt to reveal their neckline.
[ DANCE ] : our muses dance together in close quarters.
[ DEFEND ] : sender physically intervenes between receiver and a source of unwanted attention.
[ TEXT ] : sender texts intimate content to receiver.
[ PHONE ] : while on the phone with receiver, sender flirts teasingly during the call.
[ BEHIND ] : unexpectedly, sender arrives close to receiver from behind, taking them by surprise.
[ WET ] : our muses find one another in a torrential downpour of rain, both soaking wet.
[ LEAN ] : sender leans tantalisingly close to receiver to retrieve something or catch their attention.
[ LOOK ] : sender initiates intense eye contact with receiver.
[ ALONE ] : our muses find one another alone in an isolated setting.
[ ASK ] : sender asks receiver if they’re single.
[ WHISPER ] : sender leans close to receiver’s ear in order to whisper something to them.
[ BRUSH ] : sender reaches forward to brush a strand of receiver’s hair from their eyes.
[ STEADY ] : sender steadies receiver by placing their hands on their waist when the receiver almost falls against them.
[ SMILE ] : sender begins to grin at something the receiver is saying, like a big unstoppable grin.
[ PULL ] : sender pulls receiver into their side as they’re walking together.
[ STRADDLE ] : while sparring, sender gains the upper hand and pins the receiver in place, straddling their waist in the process.
[ BLADE ] : sender, having been enemies with the receiver, places a knife to their throat, but does nothing else.
[ STARE ] : while the receiver is speaking, the sender’s gaze drifts to their lips.
[ UNDERCOVER ] : while pretending to be a couple for the sake of a mission or other purpose, sender and receiver find themselves giving a Remarkably Convincing performance that leaves them questioning how platonic they really are.
[ AFTER ] : sender has just impulsively and passionately kissed the receiver without any warning nor apparent reason. how does the receiver respond?
[ REMARK ] : after someone passes a remark on what a cute couple the seemingly platonic sender and receiver are, the sender casts a meaningful glance at the receiver, expecting them to say something about it first.
[ PHOTOGRAPH ] : as someone volunteers to take a picture of them on a day out, sender instinctively wraps an arm around the receiver to steady them, holding them close for a photo that turns out to be more romantic than they were expecting.
[ CHALLENGE ] : after the receiver teasingly suggests that the sender is a terrible kisser, sender immediately and fervently proves them wrong with a long, passionate kiss that leaves the receiver taking back what they said.
[ LANGUAGE ] : sender begins to speak seductively and fluently with the receiver in another language.
[ CONSTANT ] : after days/weeks/months/years of endless flirting back and forth, sender finally dares the receiver to go beyond flirting and break the tensions between them properly.
so like ... who is going to be the carole to my goose ?
decided to put emily prentiss back here until the reboot because well ... im gay
𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 . ( a collection of 100 nonverbal action prompts . mature and potentially triggering themes are present . add “ + reverse ” to swap assigned roles .)
∗ o1﹕ sender tucks hair out of receiver’s face . ∗ o2﹕ sender offers receiver a bite from their fork . ∗ o3﹕ sender places their feet / legs in receiver's lap . ∗ o4﹕ sender offers receiver an earbud to share their music . ∗ o5﹕ sender comforts receiver in the aftermath of a nightmare . ∗ o6﹕ sender gives receiver company in the hospital . ∗ o7﹕ sender wraps their arms around a hysterical receiver to calm them . ∗ o8﹕ sender shows up at receiver’s home late at night . ∗ o9﹕ sender falls asleep leaning against receiver . ∗ 1o﹕ sender wields a [ gun / knife ] at receiver . ∗ 11﹕ sender runs their fingers through receiver’s hair . ∗ 12﹕ sender invites receiver to dance . ∗ 13﹕ sender takes a [ picture / video ] of receiver . ∗ 14﹕ sender places their head in receiver’s lap . ∗ 15﹕ sender and receiver make eye contact across a busy room . ∗ 16﹕ sender pushes receiver against a wall to kiss them . ∗ 17﹕ sender and receiver cook together . ∗ 18﹕ sender comes to receiver after being injured . ∗ 19﹕ sender sits in receiver’s lap . ∗ 2o﹕ sender lifts receiver's chin , invoking eye contact . ∗ 21﹕ sender overtakes receiver in combat . ∗ 22﹕ sender finds receiver [ injured / bloodied ] . ∗ 23﹕ sender straightens an article of receiver’s clothes . ∗ 24﹕ sender crawls into bed with receiver . ∗ 25﹕ sender rolls their eyes at receiver . ∗ 26﹕ sender lights receiver’s [ cigarette / joint ] . ∗ 27﹕ sender is caught wearing receiver's clothes . ∗ 28﹕ sender strikes receiver with a pillow . ∗ 29﹕ sender writes a note on receiver’s skin : [ note ] . ∗ 3o﹕ sender wraps a blanket around receiver’s shoulders . ∗ 31﹕ sender runs and jumps into receiver’s arms . ∗ 32﹕ sender shoves receiver out of anger . ∗ 33﹕ sender hovers over receiver’s shoulder as they complete a task . ∗ 34﹕ sender is found by receiver somewhere they shouldn’t be . ∗ 35﹕ sender curls up against receiver in their sleep . ∗ 36﹕ sender is found drunk by receiver . ∗ 37﹕ sender throws an item of sentiment bitterly at receiver . ∗ 38﹕ sender joins receiver in the shower . ∗ 39﹕ sender is caught following receiver . ∗ 4o﹕ sender traces one of receiver’s [ scars / bruises ] . ∗ 41﹕ sender twines their fingers with receiver’s . ∗ 42﹕ sender barges into receiver’s home unannounced . ∗ 43﹕ sender kicks receiver’s shin beneath a table . ∗ 44﹕ sender aggressively shoves past receiver . ∗ 45﹕ sender kisses receiver’s [ forehead / cheek ] . ∗ 46﹕ sender pulls receiver out of harm’s way . ∗ 47﹕ sender is found sobbing by receiver . ∗ 48﹕ sender locks receiver out of their room . ∗ 49﹕ sender brings receiver [ coffee / tea ] in the morning . ∗ 5o﹕ sender rests their forehead against receiver’s . ∗ 51﹕ sender plays a song for receiver that reminds them of them : [ song ] . ∗ 52﹕ sender takes a [ punch / stab / bullet ] meant for receiver . ∗ 53﹕ sender buys receiver a drink at a bar . ∗ 54﹕ sender needs receiver’s help getting in the bath . ∗ 55﹕ sender and receiver cross paths in the kitchen late at night . ∗ 56﹕ sender twists receiver’s arm behind their back . ∗ 57﹕ sender winks at receiver . ∗ 58﹕ sender is found collapsed by receiver . ∗ 59﹕ sender prevents an injured receiver from getting up . ∗ 6o﹕ sender claps a hand over receiver’s mouth to silence them . ∗ 61﹕ sender cages receiver against a [ wall / the floor ] with their arms . ∗ 62﹕ sender storms away from receiver during an argument . ∗ 63﹕ sender is found by receiver sleeping in receiver’s bed . ∗ 64﹕ sender [ applies / touches up ] receiver’s makeup . ∗ 65﹕ sender throws receiver into a wall during combat . ∗ 66﹕ sender dances sensually with receiver . ∗ 67﹕ sender strikes receiver across the face . ∗ 68﹕ sender places their hand on receiver’s leg while driving . ∗ 69﹕ sender pulls a chair out from under receiver . ∗ 7o﹕ sender catches receiver’s wrist when they turn to leave . ∗ 71﹕ sender leaves an intimate mark on receiver . ∗ 72﹕ sender beats receiver in a video game . ∗ 73﹕ sender and receiver stand in stunned silence after a fight . ∗ 74﹕ sender cares for receiver while they’re sick . ∗ 75﹕ sender and receiver go on a hike . ∗ 76﹕ sender is caught snooping in receiver’s things . ∗ 77﹕ sender and receiver cuddle while watching television . ∗ 78﹕ sender throws something aggressively at receiver . ∗ 79﹕ sender creeps up behind receiver to scare them . ∗ 8o﹕ sender and receiver go shopping together . ∗ 81﹕ sender helps receiver [ dye / style ] their hair . ∗ 82﹕ sender draws receiver into a kiss by the back of their neck . ∗ 83﹕ sender is discovered having a panic attack by receiver . ∗ 84﹕ sender accidentally injures receiver during sparring . ∗ 85﹕ sender grabs receiver roughly by the hair . ∗ 86﹕ sender brings receiver to their knees during combat . ∗ 87﹕ sender shows receiver evidence of a lie they told . ∗ 88﹕ sender winks [ seductively / mockingly ] at receiver . ∗ 89﹕ sender yells at receiver to put their hands in the air . ∗ 9o﹕ sender helps receiver patch up a wound . ∗ 91﹕ sender holds receiver as they cry . ∗ 92﹕ sender silently and angrily points receiver towards the door . ∗ 93﹕ sender gestures for receiver to sit down . ∗ 94﹕ sender pulls receiver into their lap . ∗ 95﹕ sender cradles receiver’s face . ∗ 96﹕ sender tackles receiver out of the way of danger . ∗ 97﹕ sender has hidden an injury from receiver , and receiver finds out . ∗ 98﹕ sender confronts receiver about their unhealthy behavior . ∗ 99﹕ sender proposes to receiver . ∗ 1oo﹕ sender has just died , receiver finds out .
OF ALL IN THE REVERIES IN HER MIND SHE RECALLS THIS ONE, MORE RANDOM DIALOGUE PROMPTS, WITH MAVERICK ( @scribde ) AND LOSES HERSELF IN IT ... “well, i guess that’s broken.”
THIS IS WHERE SHE IS REMINDED, IN THE CASCADING MORNING LIGHT, NAIVETY BIDDING REPOSE FOR ANOTHER DAY, THAT THE IMPOSSIBLE IS ALWAYS POSSIBLE. * i’m hungry for something i have yet to taste. arm stretches up, as if reaching for the blue sky, and glides along the wings sharpened edge above her head. there’s more to you, isn’t there, questions the thrum of my heart. adventure and adrenaline all wrapped up in a man. she doesn’t know what it is, but she thinks she’d like to know. thinks she would like to peel it back. the intrigue is momentary. and i’m scared to ask myself if everything is with you. reminder: her father always told her to live in the moment. a decorated admiral. (YOU NEVER KNOW WHICH ONE OF THEM WILL BE YOUR LAST!) a penny for her thoughts. she has a collection in her night stand & she opens it every night. ❝ well, how'd you fly it, pete ? ❞ her eyes narrow, brow raising. ❝ no, wait. let me guess. you flew it with grace ... like a swan. yeah, you seem like the gentle type. ❞ tune in to the curvature of her lips. there’s mischief and something a little too sultry in their twine.
EASY IS THE AIR AS LAUGHTER BRIMS, SOUNDS LIKE SLEEPLESS NIGHTS——AND THE BEST KIND YOU COULD EVER HAVE. * i hope home looks this way for everyone. the quiet glow of night, a group of souls, and the will to keep on fighting. is this how you continue to do what you do ? despite it all / in spite of it all. there is no sign of hushed whispers to be found in these walls. after all, life is for the alive, and each soul in that room feels the blood in their veins and their heart pounding like a caged animal in their chest in a way she admires. i admire you, too. (SEE IT IN HER EYES!) as she abandons the bar with a whip of a towel, lips gently graced by the presence of happiness, she slips into the opposite side of the deck bench with her back to the water. across from you. your eyes look like she’s staring out at it anyway. ❝ you can come inside, you know - ❞ makes it an offer, a choice. knows you don’t have many easy ones. ❝ but i wouldn’t blame you if you didn’t. this is my favourite view too. ❞ just the ripples of water against sand ... and the hum of the alive ... / ♡ , @admiced .