Christo, Valley Curtain, 1970-1972

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Christo, Valley Curtain, 1970-1972
Ellsworth Kelly,High Yellow, 1960
Oil on canvas
80 3/5 × 57 4/5 in | 204.6 × 146.8 cm
Painter Ellsworth Kelly emphasized pure form, color, and spatial unity in a practice that majorly influenced Pop art, Minimalism, and hard-edge and color field painting—along with the development of American abstraction at large. His spare, often irregularly shaped canvases offered a crucial departure from the gestural abstraction that dominated American painting in the middle of the 20th century. In his best-known paintings, such as Colors for a Large Wall (1951), Kelly eschewed brushy flourishes in favor of spare lines and geometries, flatly painted in vivid color. He envisioned fine art as a compliment to modern architecture. Since his first retrospective in 1973, at the Museum of Modern Art, Kelly has been the subject of a number of high-profile solo shows at institutions including the Guggenheim, the Tate, and the Centre Pompidou. During his lifetime, he also featured at Documenta on four occasions and exhibited twice in the U.S. pavilion at the Venice Biennale. At auction, Kelly’s pieces regularly sell for seven figures.High auction recordUS$9.8m, Christie's, 2019EstablishedRepresented by industry leading galleries.Collected by a major museumMuseum of Modern Art (MoMA)|Centre Pompidou|Tate|Solomon R. Guggenheim Museum|Whitney Museum of American Art|The Metropolitan Museum of Art|Leeum - Samsung Museum of Art|National Gallery of Art, Washington, D.C.|Louisiana Museum of Art|Hirshhorn Museum and Sculpture Garden|Museum of Contemporary Art, Los Angeles (MOCA)|Dallas Museum of Art|Museo Reina Sofia|Art Institute of Chicago|Nasher Sculpture Center|MCA Chicago|Moderna Museet, Stockholm
Image provided by Blanton Museum of Art
Sheep Piece, 1971-72
[The Life of Henry Moore, Roger Berthoud]
Roller stamp. 800–1450 CE. Credit line: Gift of Timothy, Peter, and Jonathan Zorach, 1991 https://www.metmuseum.org/art/collection/search/316447
Karl Wilhelm Diefenbach (German, 1851–1913) - Capri's Faraglioni
Valery Slauk
TV, AGA, 1960s.
Drawings of overhead trolley bus wires
by Martial Richoz (Swiss, b.1963)
#BRUTgroup set of Stalker (1979) https://www.instagram.com/p/CZvWhH9qSqO/?igshid=NGJjMDIxMWI=
Barbican Complex, August 2025.
The Barbican Complex was built between 1965 and 1976 on a plot of 14ha in downtown London, heavily damaged by WW2. Designed by Chamberlin, Powell and Bon architecture company, The Barbican was never council housing in the conventional sense, since flats were targeted at professionals and let at higher rents, for prices similar to equivalent private homes in Central London. Barbican is a prominent example of British brutalist architecture and is Grade II listed since 2001.
Lukas Raeber - Apartments and workshop, Basel 2022. Designed with an idea of "urban mining;" all components are panelized/mechanically fastened with screws to allow for easy removal and reuse. Photos (C) Rasmus Norlander.
Outpost, Bellevue, Idaho - Olson Kundig
A collaborative global design practice whose work expands the context of built and natural landscapes.
High Court [1955] ////Le Corbusier
Jan van Eyck - Lucca Madonna. 1437
萩原 卓哉/Hagihara Takuya
Archive
“Terraced Dreams” by Tadao Ando at Awaji Yumebutai, 1995-2000.