estrogen COULD have saved her (finished this)
if you like my art and my blog you can now tip me on ko-fi! 🩵
we're not kids anymore.

tannertan36

Love Begins
PUT YOUR BEARD IN MY MOUTH
Xuebing Du

祝日 / Permanent Vacation

#extradirty
Aqua Utopia|海の底で記憶を紡ぐ

★

ellievsbear
$LAYYYTER

Discoholic 🪩
taylor price
Today's Document

shark vs the universe

Origami Around
almost home

Kaledo Art
Claire Keane
2025 on Tumblr: Trends That Defined the Year
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@rhaegars-cervix
estrogen COULD have saved her (finished this)
if you like my art and my blog you can now tip me on ko-fi! 🩵
finally watching hbo girls and i regret to inform you all that i am a marnie
weird take about fiction: sometimes, actions that would be abusive in real life, hit different in a story. and sometimes i see people react very very strongly to those actions, and i totally get it, because like, that can be extremely triggering and ymmv on whether its handled well or not, but it always makes me a bit. hm.
like, i think the most obvious one is slapping/hitting. in real life, there is basically no situation where that is acceptable, unless you're actively defending yourself/someone else. but fiction is inherently larger than life, its about how it feels, subjectively, over what actually happens, literally. sometimes a character who has never before been violent will hit someone, and it's intended as like, an indicator of how fucked up everything is. that shit is going down. or, a character will trash a room, throwing things and destroying everything in their path. and then its never mentioned again, everything just continues as if they HADNT destroyed their own and other people's property in a frankly terrifying display, because it was just a cathartic moment to represent the storm of emotions the person was feeling. and when i see people like 'this character is an abuser, the story needs to address this,' i think maybe its actually okay for fictional characters to do shitty things and not have it framed as shitty, by the story itself or even on any sort of meta level, with the intended audience reaction. sometimes the point is just to resonate with your emotions, not to dissect the literal sequence of events.
like obviously ive been on the 'you can portray whatever you want in fiction, its all a pretend game' train forever. but i think the important thing to me here is that, you can also defend bad things in fiction. not just 'they did everything wrong and i love that,' but even 'they were 100% justified when they did [thing that would be extremely bad irl].' cause its like, ok, they did do that, but like it was the only way to tell the story well. dont worry about it.
DYKE UP OR DIE. #PRIDEMONTH.
my sons ranked from most to least hard to love
need to figure out a way to monetize having really good taste
👁️👁️👁️👁️
in a galaxy far, far away
mulholland drive (2001)
Melisandre of Asshai (WIP)
Inspo:
im exactly like alys rivers as far as wishing to get aemond high as fuck is concerned
the woe
THIS PARALLEL oooooooohhhhhhhhhh the mikamukai yuzumako implications…….
STAY IN LINE FOR YUZUMAKO
shaking makoto by the shoulders and begging screaming pleading with her to tell her best goddamn friend that the only reason she suggested yuzu get a boyfriend was because makoto wished she were someone who could ward off men with her presence alone
not him #confirming mika is mukai’s type
heheheheheheheehehhehrheeh