Here's a good question I'm sure 90% of everyone who follows you deals with; Outlining. For the past 6 years, I just threw together ideas, and went with it. So now I'm trying to outline my plot before I start. My point is, how should I do it? Write down the plot in a document, for example?
How to Outline a Book/Series:
What do you want your story to be at its heart? What are you trying to say? Think of what you think needs to be heard. Put up a mirror to society and figure out what you would change.
Maybe you are asking a question without an answer, maybe you have solid thoughts, maybe you just have interesting parallels to draw from human evolution. It should be able to be said in a few words.
For example, I just watched The Hateful 8 recently, and the theme was clearly “civilization.” For CRBD I might say it’s “acceptance through diversity” or “family.” It’s hard to suss them out, but it is important as a guiding arrow to lead you through your outline.
Just get it all out. All the ideas you’ve been holding in, the characters, the scenes, the settings, the color schemes, the world. All of it. It’s going to be an amazing giant mess. I myself do this all into a word doc.
No matter how well you outline a story, you’re still going to have ideas pop up as you go along. What I do is keep four fluid documents for each book that I can flood with ideas like I mention in the next step. Once I get a big idea I have to address, I go through and plug those ideas into the corresponding solid plot documents for each book.
Organize these details chronologically. Since CRBD is a series, I go through and separate out each element into the four different books/loose docs.
You might be confused about how to incorporate certain ideas, but if you want them in your work, they have to enter sometime. Even if it’s an obscure line of dialogue, a hair style, or world element, it all has to have a home. Figure out where it will be introduced.
From there, transfer each idea from the loose doc to the solid plot doc in order. Delete each idea as you use it from the loose doc so you can keep it clear for new ideas and elements.
4. Flesh it out or cut it.
Work out what you want in this story. Your brain dump might not have had enough details or too much. Figure out what can be recycled or thrown away. Chances are, you need to add.
This process might take a little bit–you brain dump was probably weeks in the making so don’t be too hard on yourself. Keep this story in mind and recognize the spots where your story is weak and needs more reinforcement. Add them as you can and strengthen the plot.
Make sure your plots/subplots are easily identified. Each character should have growth or arc with each book or plot. Anything sticking out funny should be scrutinized for relevancy. There should be clear conflict as well as cause and effect.
You want to be able to take each of these threads and see how they pull at other elements (characters, world, other plots). If you’re writing a series, there should be elements in each book even if it’s just paving the way.
This might mean friends, family, an SO, or CP. They will help you take your story in the direction you want it to go and make sure it’s clear. Im sure at this point you’ll be chomping at the bit and already have been talking their ears off.
This part of outlining is pretty pervasive in all of the steps, but it’s most important once you have it all together. It’s always good to have feedback and on what you’re doing before you start.
It’s hard for writers, because oftentimes these are the people they want to experience their book as a reader. The problem is that you need one or two people with no secrets or fear of spoilers between you. It will be much easier on you to make plot changes at this stage than after you’ve written the whole thing and have to do rewrites.
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