not a guy or a girl but a secret third thing (smallishbeans viewer)
ojovivo
$LAYYYTER
let's talk about Bridgerton tea, my ask is open
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oozey mess
PUT YOUR BEARD IN MY MOUTH

tannertan36
Cosimo Galluzzi
DEAR READER

⁂

@theartofmadeline
occasionally subtle
Alisa U Zemlji Chuda
Sweet Seals For You, Always
Misplaced Lens Cap
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Three Goblin Art
2025 on Tumblr: Trends That Defined the Year

titsay
he wasn't even looking at me and he found me

seen from Singapore
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seen from United States
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seen from United States

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seen from United States
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seen from Malaysia
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seen from Türkiye
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seen from Singapore
@ridh-bm
not a guy or a girl but a secret third thing (smallishbeans viewer)
… call you but your telephone busy
the failure(s); the many loves of the vampire lestat
prints • insta • twt
i love polyamory i love aromanticism i love QPRs i love communal child rearing let’s all get weirder forever
No more silly Philly !
the past three months be like
Jam for GQ Hype!
How long have we waited for an editorial fashion spread?! This is a moment!
LOOK. AT. THEM. 🫠💀♥️🔥
*sobs*
Anderson is the first Black actor to portray Louis, who’s written in the books and movie as a white 18th-century Louisiana plantation owner; the AMC show is also the first adaptation in which the romantic relationship between Louis and Lestat is explicitly stated. In the television adaptation, Louis’s race and sexuality inextricably inform the way he moves through the world across decades; his story becomes that of a man who was battling prejudice on the margins of mainstream society well before he was turned into a vampire. For Anderson, one of the joys of playing Louis comes from the fact that he’s allowed to be as nuanced and messy and antagonistic as any white character on the show, or any white Louis from past adaptations. “The myth of representation is that all representation should be good representation,” he says. “I think one of the exciting things about this show is that [non-white characters] Louis and Claudia and Armand are imperfect characters. They are incredibly rich characters and there is space to explore how problematic they are but also how beautiful and elegant and wonderful they are, but they don’t always have to make the right decisions. I think that’s something to celebrate. And it’s not something that’s that easy to come by now, particularly at the moment. I feel like some of that’s backtracked in the industry, generally.”
thank you Jacob
whenever i reblog a serious feminist post in the middle of silly things
sparkles
Femme Machete-Wielding Armand? Sign me up !!
Louis in An Inside Look at The Vampire Lestat
And I’ve always said that.