my friend made me do this
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pixel skylines
Xuebing Du
Not today Justin
i don't do bad sauce passes
hello vonnie

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will byers stan first human second
$LAYYYTER

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Cosimo Galluzzi
noise dept.
he wasn't even looking at me and he found me
Misplaced Lens Cap
DEAR READER

ellievsbear

Love Begins
Cosmic Funnies
Three Goblin Art

Discoholic 🪩
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@rig-nea
my friend made me do this
Batman animation yayy 🙌👍
YOOOOOOOOOOO!!!!!!!
about mydei's hair
33550336
started p3r recently
adding onto the last part
Hnmm
fullmetal alchemist art i promised i would post 🙏
(dungeon meshi narrator voice) fullmetal alchemist
What do you all study when you're doing art studies??
Heeeeeyyy, I love me a good fucking STUDY
for environments:
shot deck is a massive database of film shots searchable by grading, tod, shot type, characters and content! Studying from films really helps improve your values and composition as the shots are usually very carefully constructed! It helps you find ways to maintain realism while still packing mood and narrative into your work!
master paintings! I recommend the orientalists like Jean Leon Gerome in particular their environments had great compositions and throw around a ton of colour and light! I like the modern artists Craig Mullins and Richard Schmid also, as there is so much impressionist lost detail and simplicity yet the environments feel so real.
The 1960s era disney background artists like eyvind earle are a masterclass in stylisation and simplification and make a wonderful choice for studies. (That being said modern disney visdev artists like Nathan Fowkes are just as fantastic to study for the same reason)
architectural photography can be a great resource too- I love to look for work by urbEX people!
thumbnailing and comp studies- trying to break down a photo into as few values as possible and still have it be readable- this really helps train your brain in the relationship between light exposure and local value.
Im begging you if doing it in colour is too hard to start with just do it in black and white!!!!! Greyscale painting is an essential step in learning to paint and understand lighting scenarios!! Colour is hard!!!
there is no substitute for going outside and doing some plein air painting- really looking first hand at how the light effects different materials and objects, how it bounces around, what edges your eye naturally loses in certain lighting scenarios. Just go outside and draw and try to notice stuff.
for characters:
figure studies!!!! from life if you can but if you cant there are a ton of great resources out there- personally I love croquis cafe and posespace, but if you can afford it (and are interested in intense anatomy study) then scott eaton has a site called bodies in motion which is fantaaaastic. I think by now everyone knows nyx and senshistock, I also use a lot of grafit studio photorefs to study more complicated poses!!
Master studies (again). I particularly like to study the work of John Singer Sargent, Joaquin Sorolla, Edwin Austin Abbey, Alphonse Mucha (his le pater compositions are out of this world), any of the New Rochelle artists (e.g rockwell, tom lovell, those 1950s illustrators REALLY knew their shit).
I literally have a resin skull on my desk that I've used to do quick studies with different lighting, just 10 mins a day back when I was doing it and it levelled up my skill a lot!.
Material studies are essential to leveling up your character painting!!! Look at fur, look at metal, look at the way something embroidered reflects light vs tooled leather!!
gesture studies! Look at a dynamic pose and see how you can exaggerate the motion in away that captures the sense of movement. This is tricky to start with but its really worthwhile especially when you combine it with other exercises. Mixamo is a cool library to look into for this kind of thing as you can pause and rotate the models in the middle of their actions!
breakdown the work of artists you admire- it's ok to study other living artists (and try to reverse engineer how they are making their decisions) it's a very effective learning tool! Really figure out what it is about that persons workflow you like, and how you might incorporate that element into your own. Obviously, dont post studies of living artists work!
The most important thing is that when you do a study you go into it knowing what you want to learn. Dont try to do everything at once! It's ok to focus on the muscle structure and not give a damn about the gesture. It's ok to focus on the texture of the fur and completely ignore the characters face.
The best way to keep doing studies is to find refs you like- things you are interested in and that capture your imagination! Follow your curiosity and remember that just a tiny little bit a day makes a huge difference.
Gunna take a sec to recommend the tutorials of Devin Korwin. He talks about how to study and how to breakdown art fundamentals in a way that is at once both very advanced but also digestible. I highly recommend his pdfs!
Hello, yes, the Gotham Knights cutscene where Jason was trying out his new “rubber bullets” on dummies and Tim stepped right into the line of fire and dared Jason to shoot if he really thought the bullets were soft enough to be non-lethal and Jason recoiled in horror?
I still think about that at least once a day. 🥺✨
anyway this hhgu uu hhh this fic
(@moipale I'm sorry I drew fanart before even leaving a comment but that's just how possessed I was)
jason todd and never being enough. jason screaming and fighting to figure out why not one parental figure wants to stay in his life, why not a single one of them will nurse him with a warm touch and even warmer smiles. jason todd and his belief that something must be intrinsically wrong with him, even before he came back to life, because even when he begs for someone to prove him wrong nothing has ever changed. nobody will ever put him first, not willis or catherine or sheila or bruce. he must be fundamentally unloveable.
jason todd and coming back to life, seeing with his own eyes that life can and will go on without him. he is a mere placeholder in people’s lives that can easily, quickly be filled again with something better, more permanent. the worst thing is that he understands it. he carries a never ending anger with him because its true. its cruel and unfair, but its true.
jason todd and losing both the family that he came from, the family he tried to find, and the family that he wished he could go home to.
instead of wanting to kill Tim for replacing him, Jason just wants to piss him off a little to keep him on his toes. he does this by changing his name and getting a degree in teaching, and then becoming Tim's English teacher at Gotham prep.
Tim is losing his mind because he swears on his life that his predecessor is literally his english teacher and is literally failing him- and nobody fucking believes him.
Jason thinks it's the funniest shit he's ever managed to pull off. it gets funnier when while on patrol, Red Hood runs into the bats, and instead of helping the others fight him, Red Robin throws down his bo staff down and screeches at the top of his lungs 'STOP GIVING ME FUCKING DETENTION'
Complete based on this
This scene plays out exactly two days after this:
Cough*
Jason’s design……
Next time I’m going to go ham with platforms on him like 👀
Not really a design I app for him. I feel like he’s not gonna go all out he’s just vibing idk. He set the makeup being the most prominent thing. His theme is dead boi
He does actually have the scars but I figure paint them all glowey and no one questions it?
He has fun being the zombie on stage and watching his family squirm when they see him in all the makeup lol
Blue lips cold skin wrecked fingernails
Bruce would have an attack 🤣
I don’t really know what to do with Jason’s designs and I’m open to any ideas fr
Official secret band AU!!!
Steph is drummer. Tim singer. Jason guitarist
I’m debating adding another but it won’t be batfam 🤷‍♀️