Mia Hollow
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Mia Hollow
I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.
- Franz Kafka, The Metamorphosis
So I had to stop on episode 6. Gonna continue watching tonight. I just have one thing to say so far. People think a good adaptation is the one that follows the story of the original. It’s not. It’s the characters. The characters are the ones that made the original so good. And none of them are as fleshed out here. You cannot seriously tell me the katara you see in the original is the one you see in the live action.
The writers decided to take the struggle and the growth of the characters away. I’m on episode 6. So far, Aang had everything come so easy to him, he didn’t struggle at all. Kyoshi fought for him at Kyoshi island. He enters the spirit world so easily, he finds Roku so freaking fast, he immediately knows Hei Bai is the spirit of the forest, out of nowhere. He learns absolutely nothing through those 6 episode. I could talk for hours about how that scene with Gyatso was a cop out. Why should their main character suffer right? He shouldn’t. So they just make up a scene where Aang meets Gyatso and he just outright tells him there’s nothing he could have done so he shouldn’t feel guilty.
The OG never had that scene. Because the OG knew the audience was smart enough to realize it themselves. There was nothing Aang could have done if he hadn’t run away, he would have died. But Aang needs to realize this himself, he needs to confront his feelings, learn from his mistakes, forgive himself and move on. But these days, writers don’t want their characters going through a journey, nope, the characters are just perfect, from the beginning to end.
Same said for Zuko. The writers apparently decided to make him softer, have higher morals, not as angry or determined, because that would make Zuko complex and interesting. He was good at heart in the OG show too, but he was spoiled and angry and violent. He’s none of that here, he’s gentle and respectful to everyone and just wants to capture the avatar, but not too much though. Zuko doesn’t even give everything he has to capture Aang, he doesn’t hire pirates, he doesn’t hire June himself (Iroh has to convince him to do it), he doesn’t follow Aang into the fire nation, you don’t feel his desperation, his determination, just how much he wants to go home. How could his journey feel interesting when we don’t see the dramatic shift in his character? The most interesting character in the show is not as ineteresting when he doesn’t go from a spoiled angry hurt teenager to an honorable smart and compassionate young man.
Yes, the story is fine, the visuals are nice, but it’s all very surface level. Everything is just flat.
“Actually this is PURELY a misogyny thing, you can’t call it transandrophobia just because it affects you!”
Have you considered that this is a reductive as fuck take and that something can affect multiple groups at once and be described in different ways depending on who you’re currently drawing attention towards. Something can be multiple things at once.
Also that a core aspect of transandrophobia is misogyny directed at trans men because we live in a transphobic society that treats trans men as failed/broken/ugly women in need of correction. No shit some of what gets called transandrophobia affects women too.
It's such an anti-intersectionality take, too. Like it literally rejects Kimberle Crenshaw's original thesis on intersectionality, where she describes how a black woman was denied justice: she wasn't refused employment for being black, because the company employed black men. She wasn't denied employment for being a woman; the company employed white women. By only looking at her identities separately, there was no "discrimination" happening.
By saying transandrophobia is only ever misogyny OR transphobia, it is ignoring the way those things interact to create specific harm against transmasc people.
"I may think of you softly from time to time. But I’ll cut off my hand before I ever reach for you again."
//Arthur Miller, The Crucible: A Play in Four Acts
there’s a reason why the entire story of avatar the last airbender begins and ends with katara. there’s a reason why we are introduced to katara first before we are introduced to any other character. there’s a reason why katara is the narrator. there’s a reason why the creators have emphasized over and over again that katara is just as titular to the story as aang - she’s the other main character.
when you water down katara - remove her compassion, her ability to connect with others, her nurturing role, her ANGER and RAGE and DRIVE - you water down the very fundamentals of the story. you drastically and severely alter the core dynamics of the gaang, because katara was so important to the development of every single one of them. she was the rock and glue that held team avatar together.
katara was unlike any other character to ever appear on television; she was a young brown girl who took no shit from anyone, yet at the same time remained kind and compassionate and nurturing. katara was a force of nature; proud of her heritage and culture, burdened by the responsibility of being the last southern water bender of the water tribe, angered over the death of her mother and everything that the fire nation took from her, determined to help every single person in need, determined to change the world, angry and resentful because old men and rules and laws kept telling her what she could or could not do, thus, she was determined to restructure thousands of years of patriarchy that stood against her from accomplishing her goals and dreams.
watering down katara into at most 2-3 tangible characteristics, stripping her away of all her motivation and agency and nuance, telling the audience that she wants to help and change the world only to have her stand in the background with an air of grief, demonstrates that the writers of the live action fundamentally misunderstand the spirit of avatar. and that’s something so unforgivable. no matter how many changes they decide to make, or how much they decide to stay true to the original story in other areas, no matter how many flashy VFX fight scenes we get - if you fail to properly understand katara, you fail to understand the heart and soul of avatar the last airbender, everything that makes avatar such a timeless classic.
the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
I liked it better when Katara released Aang from his 100 year slumber through the pure unfiltered rage of a feminist rant at her brother
Ernesto Che Guevara, Letters From Afar: The Congo And Bolivia, To My Children
The thing about Katara is that she was angry.
She was angry that the Fire Nation killed her mother.
She was angry that her father left them.
She was angry that she was the only Waterbender left in the south pole.
She was angry that the only person her age was her brother, who constantly disregarded her interests and her role in the tribe.
She was angry that what little waterbending she knew, had to be self-taught and how she struggled with that.
she was angry that a twelve year old instantly picked up what had taken her a long time to learn.
she was also angry that her tribe wanted to kick that twelve year old into the wilderness over a mistake.
she was angry over the earth-benders the fire nation had captured and put into a metal box.
she was angry.
And she knew she was angry.
Because she knew her own anger, she was the first to empathize with Aang when he got angry.
And it was because of it she could tell Aang forcing himself to lock his emotions up was not the answer.
Because she knew her own anger, she kept herself under control in the dessert, when everyone else was a mess.
Her anger empowered her. where anger was a tool of self-destruction for firebenders, for her it was what helped her push forward.
It was her anger that freed Aang.
It was her anger that helped her stand to Pakku.
Her anger was her strenght.
She was angry. And this was neither a mistake, nor a writing flaw.
In trying to make ATLA "less sexist" they just ran in a circle right back into sexism. They made Suki seem boy crazy instead of giving both her and sokka a good storyline. Same thing with June and Iroh, what was the point of switching it from Iroh flirting and June hating it to June flirting and Iroh not caring??? It's just so Women Written By Men™.
"Make stuff cuz you have to make stuff. Make stuff to feel alive. Make stuff to make the world a Lil more fucking weird"
-Pete Wentz speech before heaven iowa 3/3/24
idk who Jasmine is but she really went off with that rice
And the tea