taylor swift’s bio in 2013 taylor swift’s bio in 2021
art blog(derogatory)
RMH

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★
$LAYYYTER

oozey mess
let's talk about Bridgerton tea, my ask is open

Janaina Medeiros
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tumblr dot com
Today's Document

titsay

❣ Chile in a Photography ❣
Misplaced Lens Cap
Peter Solarz
d e v o n
PUT YOUR BEARD IN MY MOUTH

Origami Around
Lint Roller? I Barely Know Her

shark vs the universe

seen from Argentina

seen from Malaysia

seen from Russia
seen from United Kingdom

seen from United States

seen from Chile
seen from Chile
seen from Canada

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
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seen from United States
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@robindaughter
taylor swift’s bio in 2013 taylor swift’s bio in 2021
Fearless (Taylor’s Version)
folklore as an old storybook
@taylorswift @taylornation
part 1 | part 2
[please credit me if you repost]♡
folklore as an old storybook
@taylorswift @taylornation
part 1 | part 2
[please credit me if you repost]♡
𝙷𝚘𝚕𝚒𝚍𝚊𝚢 𝙷𝚘𝚞𝚜𝚎 𝚜𝚊𝚝 𝚚𝚞𝚒𝚎𝚝𝚕𝚢 𝚘𝚗 𝚝𝚑𝚊𝚝 𝚋𝚎𝚊𝚌𝚑
𝚏𝚛𝚎𝚎 𝚘𝚏 𝚠𝚘𝚖𝚎𝚗 𝚠𝚒𝚝𝚑 𝚖𝚊𝚍𝚗𝚎𝚜𝚜,
𝚝𝚑𝚎𝚒𝚛 𝚖𝚎𝚗 𝚊𝚗𝚍 𝚋𝚊𝚍 𝚑𝚊𝚋𝚒𝚝𝚜,
𝚊𝚗𝚍 𝚝𝚑𝚎𝚗 𝚒𝚝 𝚠𝚊𝚜 𝚋𝚘𝚞𝚐𝚑𝚝 𝚋𝚢 𝚖𝚎
𝚆𝚑𝚘 𝚔𝚗𝚘𝚠𝚜, 𝚒𝚏 𝙸 𝚗𝚎𝚟𝚎𝚛 𝚜𝚑𝚘𝚠𝚎𝚍 𝚞𝚙, 𝚠𝚑𝚊𝚝 𝚌𝚘𝚞𝚕𝚍'𝚟𝚎 𝚋𝚎𝚎𝚗?
falling by harry styles / cardigan by taylor swift
SURPRISE!! We have seen you speculating about TS8 coming in 2022….possibly in 2021…..but NOPE! Taylor is releasing her 8th album folklore TONIGHT at midnight eastern and we can’t even wait!!!! There are 8 deluxe CD editions, 8 deluxe vinyl editions, and a deluxe cassette edition of the album that you can get for one week at store.taylorswift.com, pre-order now!!! ♥️ ⭐️ 🌿
📷: Beth Garrabrant
Harry Styles and Lizzo at The BRITs 2020
Hey @taylorswift! I’m getting surgery! 🔪 As I’ve been going around to a bunch of different doctors for yet another surgery to remove my chronic endometriosis I’ve been thinking of your resilience and your persistence and the way you’re able to turn bad experiences into beautiful lyrics. I’m nervous about getting operated on again but I’ve been staying positive and strong and it definitely helps to watch you do 👏🏼 your 👏🏼 thing 👏🏼 during this post-ME!© promo tour! I’ll catch ya at your next tour 😉
So it ended up not being that easy.
The more opinions I got, the more unclear it became whether it would be beneficial to my physical, mental and reproductive health to get surgery again. Such is the life of living with a chronic condition that affects 1 in 10 women yet is completely, inexplicably, under-researched.
But after a week straight of crying and consulting loved ones and realizing I’m the only person in the world who could make this decision, I made up my mind. I’m going in for surgery on Oct. 11.
Meanwhile, I might get an offer for a new job and my current employer made changes to our insurance so there’s just a lot going on! But I wanted to thank you for #Lover; it came out at the exact moment when I needed it. It’s going to definitely keep me at least semi-sane (mostly by screaming “HE LOOKS UP GRINNING LIKE A DEVIL” on my commutes home) in the next month and a half 💞
Love, @robindaughter
srslycris:
I’m sorry, but this is HILARIOUS!
so I work in news and convinced my boss to write about taylor’s Equality Act petition mention @ the VMAs
this day turned into him asking me 20 questions about taylor and her political involvement and the YNTCD video and...i’m not mad about it??
us vogue // lover music video (insp)
honestly expected more Haylors to be out here making London Boy about Harry 🤷🏻♀️
Ranking in dollars and getting bitches and models
with you...
Rolling Stone: Taylor Swift Reaches For New Heights of Personal and Musical Liberation on ‘Lover’
Her epic seventh album is all about big moods, dreamy Eighties throwbacks and evolutionary freedom
By the time “It’s Nice to Have a Friend” arrives on Lover, her seventh and most epic album, Taylor Swift has entered uncharted territory. For one thing, it’s the 17th song here, and none of her previous albums have run more than 16 tracks. (Lover actually contains 18.) More importantly, it’s not about being 16 or 22 or even her not-insignificant current age, 29. It’s about being six or seven, and walking home from school in the snow: “Lost my gloves / You give me one / Wanna hang out? / Sounds like fun.” There’s no beat, no banjo, no metaphors or coded messages. There is, instead, deconstructed steel drum, horn and cooing voices — Animal Collective as interpreted by hip-hop-savvy pop-producers-of-the-moment Louis Bell and Frank Dukes, the song’s co-writers. It’s like the end of 2001: A Space Odyssey, where a long turbulent journey through outer (and, naturally, inner) space culminates in the sudden appearance of a planet-sized fetus. For two and a half minutes, Swift regresses past all the drama and heartache she’s cataloged since her teen years to curl up in a weird little pocket of beauty. Swift has always been vulnerable, of course. And just as obviously, that vulnerability has been her strength. Female pop stars since Madonna have been expected to constantly reinvent themselves, lest it seem like they’re aging — an impossible standard that vexed Swift contemporaries like Lady Gaga and Katy Perry. In sharing her actual feelings about relationships chronicled by the tabloids — and parrying the entire internet’s judgements of those feelings — Swift helped open up a space for Ariana Grande to directly address Sean, Pete, and Malcolm on “Thank U, Next” (to name one glorious example). When Swift went pop, that wasn’t so much a transformation as an annexation of new territory. Grande might’ve picked up something here, too, with her triumphant embrace of hip-hop-style surprise drops. If Ariana, Billie, Halsey and others seem so effortlessly themselves, it’s in part because Swift worked so hard at speaking her truth and smiting her enemies. Lover is, fittingly, evolutionary rather than revolutionary. But nevertheless it feels like an epiphany: free and unhurried, governed by no one concept or outlook, it represents Swift at her most liberated, enjoying a bit of the freedom she won for her cohort. Made mainly in collaboration with Jack Antonoff, female songwriting ally nonpareil, the album’s dominant sound is sleekly updated Eighties pop-rock. In a bonus making-of track destined for a Target edition of the album, Swift tells Antonoff she wants a “dreamy guitar-y throwback, but not camp throwback” sound for the title track, and that’s pretty much the vibe. (Think recent Carly Rae Jepsen, if she made actual hits.) Swift loads “Paper Rings” up with a “1-2-3-4,” a “hey! ho!” and a key change for a jittery bit of Cars-meets-Eddie Money-meets-Go-Go’s delight. On the terrific “Cruel Summer,” written with Antonoff and Annie Clark (a.k.a. St. Vincent), she tells a simple tale of tortured love in under three minutes of pure pleasure, with what sounds like a smattering of talk box. When she sings “Out the window / I’m always waiting for you to be waiting below,” there’s no question you’re supposed to picture John Cusack in Say Anything.
Swift adjusts her frame of reference as needed. She claims to be “In my feelings more than Drake” in “I Forgot That You Existed,” a pro forma, post-trop-house declaration of her “indifference” to the haters. Thankfully, that’s mainly it for the sassy, winking Swift. Instead, she mostly goes for the big moods. “False God” is as minor-key and seductive as anything by the Weeknd, with a chorus, well — I’ll just leave this here: “Religion’s on your lips / Even if it’s a false god / We’d still worship / We must just get away with it / The altar is my hips.” She zags into oblique political commentary with “Miss Americana and the Heartbreak Prince,” a high school parable where she sees “high fives between bad guys” and delivers “O! K!” interjections in her best cheerleader voice. Like Euphoria,the HBO teensploitation extravaganza, it’s dark, melodramatic and, against all odds, perfect.
There’s plenty more fodder for the Swifties, haters, and bloggers here. Leo takes a proverbial volleyball to the face on “The Man,” a usefully blunt indictment of double standards, and the dub-inflected “London Boy” counts all the ways she “fancies” her boyfriend Joe Alwyn. “Soon You’ll Get Better” was recorded with Dixie Chicks, but giving the country-radio exiles a feature isn’t the point — the song is note-perfect ballad for Swift’s mother, whose cancer returned earlier this year. Whatever there is to be read into these songs, they are for one person and one person alone: Taylor Swift. Finally.
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