rose roleplays

an indie, semi-selective, multimuse, multiverse, and multiship roleplay account / this account is currently a work in-progress.

[plotlinehotline]

Ive thought about writing a book about a girl finding out she was kidnapped. I don't have an idea to start it off with. Could you help me? Thank you so much for your time in reading this. ❤

NaNoPlaMo - National Novel Planning Month

I’ve been wanting to post about novel prep in anticipation of November’s NaNoWriMo and this seemed like the perfect opportunity to do it. We have an anon with a vague idea that they’re looking to build off of. How perfect!

*If you’ve never heard of NaNoWriMo, read up on it!

The Building Block Method

I’m going to preface the rest of this post by saying that I drew a lot of inspiration from The Snowflake Method. Sarah did a post a while back where she gave us a brief overview of this process. It was originally developed by Randy Ingermanson, and I have to say that this man is my hero. If this method sounds too intense for you, I’m going to simplify it using the building block metaphor. 

Building blocks are a great way of thinking about story planning because each plot element you plan needs support in order to have impact. Starting with a good foundation allows you to build up an impressive structure. And of course, when you’re frustrated, it’s easy enough to tear it down and start again.

Choose Your Blocks

Our anon has a couple story details to start with, but we’re going to backtrack as if we have nothing. To get started off on the right foot, construct your first five blocks. 

Protagonist

Antagonist

Conflict

Setting

Genre

Make sure you have an idea for each block before you start delving deeper into others. Our anon already has 3 blocks figured out.

Protagonist = the girl that is kidnapped OR the kidnapper

Antagonist = the girl who is kidnapped OR the kidnapper

Conflict = the kidnapping

See, I left the protagonist and antagonist open because it’s all a matter of perspective. Does the kidnapper have to be the antagonist? Not necessarily. The important thing is that the writer knows which is which. This leaves us with the setting and the genre. 

Setting = where and when does this story take place, for example: 2018; New York City

Genre = fantasy, science fiction, romance, literary, mystery, ect.

Don’t overthink your genre at this point. You don’t need to define it in specific terms just yet, but it’s a good idea to at least know if your story will be grounded in reality or not. 

Build Each Block

A block has 6 sides, yes? Each of the blocks we defined will need 6 sides to complete it. Start wherever you want with this process. For each side, make sure that each description is no longer than one sentence. Notice that the sides for protagonist and antagonist are the same, because well, they’re both characters. 

Protagonist/Antagonist

Name

Age

Gender

Ethnicity

Sexual Preference

Top priority

*For top priority, think of vague ideas: creative expression, professional advancement, family relationships, financial stability, self acceptance. 

Conflict

Who/what sets conflict in motion?

What will happen if the conflict is not acted upon?

What will be gained?

What will be lost?

Who are the players?

Who will survive?

I’m going to break this down by using the anon’s story as an example. Remember our conflict is the kidnapping. Who/what sets the conflict in motion? The kidnapper. If we know more at this stage, we can provide more as long as we keep it under a sentence. For example, an organization looking to exploit the protagonist’s superpowers may be behind the kidnapping, and therefore, sets the conflict in motion. 

What will happen if this conflict is not acted upon? The girl has been kidnapped, so what will happen if she is not un-kidnapped (i.e., saved)? This will help you define the stakes of your story. If the organization is looking to exploit her powers, the answer to this question could be whatever they look to do with those powers (the world is destroyed) or it could be a personal consequence (the girl is killed, the girl is corrupted). 

What will be gained? Now we’re looking at how the story will actually play out. Think in terms of your protagonist. If the kidnapped girl is our main character, what will she gain from begin kidnapped? This is a tough question to answer, but more often than not, the responses here will have to do with how that person changes as a result of the story’s conflict. If you’ve already completed your protagonist block, it may be as simple as pulling from the top priority side. Perhaps her top priority is self acceptance, and she gains it by going through this ordeal. Or maybe it’s family relationships, and this situation enables her to establish a better bond with a family member.

*What is gained does not have to be the character’s top priority, but it’s a good place to start if you’re stuck on this one. 

What will be lost? Again, we’re talking about what will actually happen in the story. What does our kidnapped girl lose from being kidnapped? She may suffer physical or psychological traumas that change her life. She may literally lose a friend, whether that is because the friend dies in trying to rescue her or because the friend betrays her. Maybe she loses her home because she can’t return there, even after she’s freed from her prison. 

Who are the players? Think basic. We’ve obviously got our kidnapper and our kidnap-ee, but who else is involved? Start with the protagonist’s and antagonist’s allies. For example, who assists the protagonist in obtaining her freedom, or who ultimately rescues her? Who assists the antagonist in carrying out their goal (the henchmen)? Again, you don’t need specifics. Brainstorm ideas for additional characters at this stage. 

Who will survive? Decide upfront if there will be deaths, whether on the good side or the bad side. Planning a character death can help you construct your ending and build to it, so the death feels more integrated into the story and less a matter of shock value. This is especially good for horror stories or murder mysteries where there will likely be a lot of death. 

Setting

Real or fictional? 

Accurate or inaccurate?

Static or variable?

New or familiar?

How is the setting changed?

How does the setting compel change?

Real or fictional is whether you made up the location or whether you based it off of somewhere that’s real. Accurate or inaccurate expands on real locations/time periods to determine if you’re taking liberties or attempting to tell an accurate portrayal. Static or variable refers to the amount of times the setting or time period changes. If a character is on a long journey, you’ll likely have a variable setting that changes constantly. Same with time travel. New or familiar should tell you if your character is going somewhere new, of if they’re facing challenges in an environment they feel comfortable in. 

How the setting changes depends on how the conflict influences it. A barren wasteland may be made fertile again based on the outcome of the story. A violent country may become peaceful. This gets you thinking about big picture goals for your story’s universe. 

How the setting compels change is the opposite. What does the setting do to your character? Does it force them to develop new survival techniques? Does it make them examine aspects of their life they used to ignore?  

Genre

Genre is structured a bit differently. Instead of basing each side on a particular idea, list six concepts or adjectives that will describe your story. These can be more detail about the genre (urban fantasy, psychological thriller, young adult), they can be themes or tropes (coming-of-age, chosen-one, grief) or world-building details (magic, time travel, serial killers) or even types of people or species (fairies, vampires, astronomers, middle-class). 

Think of six words or phrases that you find fascinating. Imagine how you’d complete the sentence: “I’ve always wanted to write about ______.” This will help you develop a story that intrigues you and holds your interest. 

Start Building

Now comes the fun part. You have all your blocks, with 6 sides each. Now you can start making connections. Make notecards for each side (maybe different colors for each block), and then randomly draw 2 or 3 at a time. Look at the items on the notecards and see if you can connect them with new threads. 

For example, say we draw our “who are the players” side, along our protagonist’s age. This gives you an opportunity to consider the ages of the other players, and how they’ll relate to the protagonist. Remember we referred to potential players as the protagonist’s allies? Are they older than her or younger than her? Does this lead to domineering or submissive relationships? Is someone protective of someone else? Does someone look up to someone and think them indestructible? 

Each time you make connections, you’re starting the construction of a new block. These second tier blocks will be more dynamic because they pull in pieces from your five foundation blocks.

Don’t Be Afraid to Knock It Down

As you’re building, you may run into things that no longer work or that just don’t interest you anymore. It’s okay to tear down the tower and start constructing something new, whether you come up with new foundation blocks or attempt to use your existing ones in a different way.

Things may not seem crystal clear during this process, and you may run into some speed bumps along the way, but don’t let it discourage you. The whole concept behind this method is play. You’re developing a story from the ground up and that takes a lot of patience, and a considerable amount of trial and error. Cut yourself some slack and just enjoy the process. 

-Rebekah

[plotlinehotline]

Hey all, it’s Rebekah. No, I have not stepped off the face of the earth. Things have been weird lately, and to be honest, I was a little afraid to come back. I thought there’d be resentment that I disappeared. But I’m still here, still plugging away.

Over the summer, I took a big step and left my full-time job at the library to pursue freelance writing. I’d already picked up work before quitting, and I was preparing for the big move, saving up money and working out how I’d cut down on expenses to make it work. This meant months of writing around my day job, getting up earlier than usual and staying up until all hours of the night to meet deadlines. Now that I’ve committed to it 100%, it’s changed the way I view writing and as a result, it’s changed my writing habits in regard to fiction. 

But I promise, my first post in months is not going to be a self indulgent tell-all of how I got here. I’m going to share some lessons I’ve learned so far in writing for work and adapt those lessons into building better writing habits.

Building Writing Habits

1. When you have the opportunity to write something nonfiction, write it.

I’m not talking about whole nonfiction books, but anything really. Blogging, work emails, instruction manuals, technical reports, book reviews…write. Especially if you are going through a hellish time of writer’s block with your fiction. Find a way to put pen to paper in some way. Even if it’s only for your eyes, it’s good practice.

When you get yourself into a writing mindset, it becomes difficult to turn it off. You finish writing a note to somebody and you think, “Okay, I need to write something else.”

If you don’t have opportunities to write things like this, or you’re just not sure how to even go about it, then sit down and recap your day before you go to bed. You can’t get writer’s block when you know exactly what happened, and the act of stringing together words will become a habit that’s tough to break.

2. Always have a book in-progress.

I’m talking about reading, not writing. Whether it takes you months to get through it, have a book somewhere in your home with a bookmark in it. If it’s been a struggle getting it read, it might be time to bail on it and find a new book. Or else your brain has forgotten what’s it like to always be reading something. If that’s the case, work on reading a page every day and build up the habit.

I’ll admit, in recent years I let life keep me from being a good reader. But when I think back to all the times I got excited about writing fiction, it was around the time I’d just finished an amazing book. You’ll probably go through some books that don’t thrill you, but it’s not difficult to move on from a bad book. Anything else will be amazing in comparison.

I’m reading much more than I was before. What I’ve discovered is that constantly escaping into fictional worlds gets me even more excited to escape into my own.

Writing while uninspired is a chore. Sometimes it has to be done, but when you can, work yourself up to inspiration. Reading a book is an efficient way to do that.

3. Understand your writing associations.

When we write, we often form associations with the exact place we were or what we were doing in life when we wrote it. I can think back to scenes I wrote over a decade ago and remember exactly where I was when I wrote that scene. Whether or not the scene was any good doesn’t matter. It’s a time when I was writing and enjoying it. So when I think of that particular place and time, I feel warm and nostalgic. It’s a positive association.

If you’re like me, your bed is a place of introspection. You think about everything you’ve done wrong, and you make plans to change. Though change is good, the beneficial realization that things need to change is often tainted by doubt and insecurity. I’ve noticed that when I write in bed, I don’t usually get very far. My brain is used to overthinking things in bed, which means every word I write is up for judgement. Do you have a place like this? If so, stop trying to write under those conditions. Unless you can change the association, you have to avoid it.

Try to evaluate your moods and attitudes towards different places and times of the day. Write when and where you feel your best. Before long, you’ll start making associations between feeling good and writing. It’ll then be easier to write in new places. You can build on this foundation so you’re able to write anytime, anywhere.

Examine where and when you’re writing and how you feel when doing it. These associations can be key in helping you develop better writing habits.

It’s possible I could go on for days and days, but I’ll wrap things up and come back around to similar topics later on. I need to address a few blog related things:

1. I’ve got a couple guest posts in the queue that I’ll be posting over the weekend. I was a terrible, terrible person who accepted work from someone and then never did anything with it.

2. I don’t even know what’s in the inbox right now. I need to look and assess where we’re at.

3. I need to get in touch with the admins, and we need to make some decisions.

4. Above all, I need to post! We missed camp nano, but November will be here before you know it guys. I want us all to be ready.

But anyways, I’m back. I’m ready. Let’s do this!

-Rebekah

[rpmemesandasks]

If I follow you:

[capricornwrites-deactivated2018]

rpmemesandasks‌:

It means I like your writing

It means I like your muse

It means I would like to write with you

It means I like the potential between our muses

It means I would like to talk to you

It means you can at any point IM me

It means you can at any point interact with me

It means I think you’re an awesome person

[capricornwrites-deactivated2018]

rwby-sisters‌:

Listen. 

Sometimes I don’t want to rp.

Sometimes I only want to rp selectively because a certain thread intrigues me at a time.

It’s not me being a bitch.

It’s me being the average human that has interests and moods.

[artofroleplaying]

pls don’t reblog pLS give me more m/m plots i’m begging you 

‘so you’re the new kid in school wait why are you so cocky and arrogant don’t you know i’m the king of this school wait all of my worshipers love you this is not happening stop taking my popularity i hate you also you’re hot shit did we kiss omfg-’ 

‘so i wanted to apply for a job and oh shit you’re the ceo of course i remember you from high school i used to date your sister and tease you for being gay also by the way i’m gay too now yeah you’re no longer the nerdy shy guy???? also you’re hella hot in a business suit shit i want you’ 

‘listen i know you’re getting married to a woman but i’ve been your best friend for years and i love you pls love me back shit you left her at the altar bc you were unsure??? time for me to lay my traps on you ahaha’ 

‘listen i’m the basketball team captain and the most popular kid in all of school and you’re get straight a’s and you’re in fucking debate team, elocution team, mathaletes andfuck why are you so smart and you’re pretty popular too but we hate each other mainly because you hate basketball and we’re both sarcastic as fuck who thought it was a good idea to make-out????’ 

like this or hmu pls i’m crying-

[writeworld-blog]

SYNONYMS FOR WORDS COMMONLY USED IN STUDENTS' WRITINGS

[capricornwrites-deactivated2018]

highschoolmd‌:

writeworld:

by larae.net

Amazing- incredible, unbelievable, improbable, fabulous, wonderful, fantastic, astonishing, astounding, extraordinary

Anger- enrage, infuriate, arouse, nettle, exasperate, inflame, madden

Angry- mad, furious, enraged, excited, wrathful, indignant, exasperated, aroused, inflamed

Answer- reply, respond, retort, acknowledge

Ask- question, inquire of, seek information from, put a question to, demand, request, expect, inquire, query, interrogate, examine, quiz

Awful- dreadful, terrible, abominable, bad, poor, unpleasant

Bad- evil, immoral, wicked, corrupt, sinful, depraved, rotten, contaminated, spoiled, tainted, harmful, injurious, unfavorable, defective, inferior, imperfect, substandard, faulty, improper, inappropriate, unsuitable, disagreeable, unpleasant, cross, nasty, unfriendly, irascible, horrible, atrocious, outrageous, scandalous, infamous, wrong, noxious, sinister, putrid, snide, deplorable, dismal, gross, heinous, nefarious, base, obnoxious, detestable, despicable, contemptible, foul, rank, ghastly, execrable

Beautiful - pretty, lovely, handsome, attractive, gorgeous, dazzling, splendid, magnificent, comely, fair, ravishing, graceful, elegant, fine, exquisite, aesthetic, pleasing, shapely, delicate, stunning, glorious, heavenly, resplendent, radiant, glowing, blooming, sparkling

Begin - start, open, launch, initiate, commence, inaugurate, originate

Big - enormous, huge, immense, gigantic, vast, colossal, gargantuan, large, sizable, grand, great, tall, substantial, mammoth, astronomical, ample, broad, expansive, spacious, stout, tremendous, titanic, mountainous

Brave - courageous, fearless, dauntless, intrepid, plucky, daring, heroic, valorous, audacious, bold, gallant, valiant, doughty, mettlesome

Break - fracture, rupture, shatter, smash, wreck, crash, demolish, atomize

Bright - shining, shiny, gleaming, brilliant, sparkling, shimmering, radiant, vivid, colorful, lustrous, luminous, incandescent, intelligent, knowing, quick-witted, smart, intellectual

Calm - quiet, peaceful, still, tranquil, mild, serene, smooth, composed, collected, unruffled, level-headed, unexcited, detached, aloof

Come - approach, advance, near, arrive, reach

Cool - chilly, cold, frosty, wintry, icy, frigid

Crooked - bent, twisted, curved, hooked, zigzag

Cry - shout, yell, yowl, scream, roar, bellow, weep, wail, sob, bawl

Cut - gash, slash, prick, nick, sever, slice, carve, cleave, slit, chop, crop, lop, reduce

Dangerous - perilous, hazardous, risky, uncertain, unsafe

Dark - shadowy, unlit, murky, gloomy, dim, dusky, shaded, sunless, black, dismal, sad

Decide - determine, settle, choose, resolve

Definite - certain, sure, positive, determined, clear, distinct, obvious

Delicious - savory, delectable, appetizing, luscious, scrumptious, palatable, delightful, enjoyable, toothsome, exquisite

Describe - portray, characterize, picture, narrate, relate, recount, represent, report, record

Destroy - ruin, demolish, raze, waste, kill, slay, end, extinguish

Difference - disagreement, inequity, contrast, dissimilarity, incompatibility

Do - execute, enact, carry out, finish, conclude, effect, accomplish, achieve, attain

Dull - boring, tiring„ tiresome, uninteresting, slow, dumb, stupid, unimaginative, lifeless, dead, insensible, tedious, wearisome, listless, expressionless, plain, monotonous, humdrum, dreary

Eager - keen, fervent, enthusiastic, involved, interested, alive to

End - stop, finish, terminate, conclude, close, halt, cessation, discontinuance

Enjoy - appreciate, delight in, be pleased, indulge in, luxuriate in, bask in, relish, devour, savor, like

Explain - elaborate, clarify, define, interpret, justify, account for

Fair - just, impartial, unbiased, objective, unprejudiced, honest

Fall - drop, descend, plunge, topple, tumble

False - fake, fraudulent, counterfeit, spurious, untrue, unfounded, erroneous, deceptive, groundless, fallacious

Famous - well-known, renowned, celebrated, famed, eminent, illustrious, distinguished, noted, notorious

Fast - quick, rapid, speedy, fleet, hasty, snappy, mercurial, swiftly, rapidly, quickly, snappily, speedily, lickety-split, posthaste, hastily, expeditiously, like a flash

Fat - stout, corpulent, fleshy, beefy, paunchy, plump, full, rotund, tubby, pudgy, chubby, chunky, burly, bulky, elephantine

Fear - fright, dread, terror, alarm, dismay, anxiety, scare, awe, horror, panic, apprehension

Fly - soar, hover, flit, wing, flee, waft, glide, coast, skim, sail, cruise

Funny - humorous, amusing, droll, comic, comical, laughable, silly

Get - acquire, obtain, secure, procure, gain, fetch, find, score, accumulate, win, earn, rep, catch, net, bag, derive, collect, gather, glean, pick up, accept, come by, regain, salvage

Go - recede, depart, fade, disappear, move, travel, proceed

Good - excellent, fine, superior, wonderful, marvelous, qualified, suited, suitable, apt, proper, capable, generous, kindly, friendly, gracious, obliging, pleasant, agreeable, pleasurable, satisfactory, well-behaved, obedient, honorable, reliable, trustworthy, safe, favorable, profitable, advantageous, righteous, expedient, helpful, valid, genuine, ample, salubrious, estimable, beneficial, splendid, great, noble, worthy, first-rate, top-notch, grand, sterling, superb, respectable, edifying

Great - noteworthy, worthy, distinguished, remarkable, grand, considerable, powerful, much, mighty

Gross - improper, rude, coarse, indecent, crude, vulgar, outrageous, extreme, grievous, shameful, uncouth, obscene, low

Happy - pleased, contented, satisfied, delighted, elated, joyful, cheerful, ecstatic, jubilant, gay, tickled, gratified, glad, blissful, overjoyed

Hate - despise, loathe, detest, abhor, disfavor, dislike, disapprove, abominate

Have - hold, possess, own, contain, acquire, gain, maintain, believe, bear, beget, occupy, absorb, fill, enjoy

Help - aid, assist, support, encourage, back, wait on, attend, serve, relieve, succor, benefit, befriend, abet

Hide - conceal, cover, mask, cloak, camouflage, screen, shroud, veil

Hurry - rush, run, speed, race, hasten, urge, accelerate, bustle

Hurt - damage, harm, injure, wound, distress, afflict, pain

Idea - thought, concept, conception, notion, understanding, opinion, plan, view, belief

Important - necessary, vital, critical, indispensable, valuable, essential, significant, primary, principal, considerable, famous, distinguished, notable, well-known

Interesting - fascinating, engaging, sharp, keen, bright, intelligent, animated, spirited, attractive, inviting, intriguing, provocative, though-provoking, challenging, inspiring, involving, moving, titillating, tantalizing, exciting, entertaining, piquant, lively, racy, spicy, engrossing, absorbing, consuming, gripping, arresting, enthralling, spellbinding, curious, captivating, enchanting, bewitching, appealing

Keep - hold, retain, withhold, preserve, maintain, sustain, support

Kill - slay, execute, assassinate, murder, destroy, cancel, abolish

Lazy - indolent, slothful, idle, inactive, sluggish

Little - tiny, small, diminutive, shrimp, runt, miniature, puny, exiguous, dinky, cramped, limited, itsy-bitsy, microscopic, slight, petite, minute

Look - gaze, see, glance, watch, survey, study, seek, search for, peek, peep, glimpse, stare, contemplate, examine, gape, ogle, scrutinize, inspect, leer, behold, observe, view, witness, perceive, spy, sight, discover, notice, recognize, peer, eye, gawk, peruse, explore

Love - like, admire, esteem, fancy, care for, cherish, adore, treasure, worship, appreciate, savor

Make - create, originate, invent, beget, form, construct, design, fabricate, manufacture, produce, build, develop, do, effect, execute, compose, perform, accomplish, earn, gain, obtain, acquire, get

Mark - label, tag, price, ticket, impress, effect, trace, imprint, stamp, brand, sign, note, heed, notice, designate

Mischievous - prankish, playful, naughty, roguish, waggish, impish, sportive

Move - plod, go, creep, crawl, inch, poke, drag, toddle, shuffle, trot, dawdle, walk, traipse, mosey, jog, plug, trudge, slump, lumber, trail, lag, run, sprint, trip, bound, hotfoot, high-tail, streak, stride, tear, breeze, whisk, rush, dash, dart, bolt, fling, scamper, scurry, skedaddle, scoot, scuttle, scramble, race, chase, hasten, hurry, hump, gallop, lope, accelerate, stir, budge, travel, wander, roam, journey, trek, ride, spin, slip, glide, slide, slither, coast, flow, sail, saunter, hobble, amble, stagger, paddle, slouch, prance, straggle, meander, perambulate, waddle, wobble, pace, swagger, promenade, lunge

Moody - temperamental, changeable, short-tempered, glum, morose, sullen, mopish, irritable, testy, peevish, fretful, spiteful, sulky, touchy

Neat - clean, orderly, tidy, trim, dapper, natty, smart, elegant, well-organized, super, desirable, spruce, shipshape, well-kept, shapely

New - fresh, unique, original, unusual, novel, modern, current, recent

Old - feeble, frail, ancient, weak, aged, used, worn, dilapidated, ragged, faded, broken-down, former, old-fashioned, outmoded, passe, veteran, mature, venerable, primitive, traditional, archaic, conventional, customary, stale, musty, obsolete, extinct

Part - portion, share, piece, allotment, section, fraction, fragment

Place - space, area, spot, plot, region, location, situation, position, residence, dwelling, set, site, station, status, state

Plan - plot, scheme, design, draw, map, diagram, procedure, arrangement, intention, device, contrivance, method, way, blueprint

Popular - well-liked, approved, accepted, favorite, celebrated, common, current

Predicament - quandary, dilemma, pickle, problem, plight, spot, scrape, jam

Put - place, set, attach, establish, assign, keep, save, set aside, effect, achieve, do, build

Quiet - silent, still, soundless, mute, tranquil, peaceful, calm, restful

Right - correct, accurate, factual, true, good, just, honest, upright, lawful, moral, proper, suitable, apt, legal, fair

Run - race, speed, hurry, hasten, sprint, dash, rush, escape, elope, flee

Say/Tell - inform, notify, advise, relate, recount, narrate, explain, reveal, disclose, divulge, declare, command, order, bid, enlighten, instruct, insist, teach, train, direct, issue, remark, converse, speak, affirm, suppose, utter, negate, express, verbalize, voice, articulate, pronounce, deliver, convey, impart, assert, state, allege, mutter, mumble, whisper, sigh, exclaim, yell, sing, yelp, snarl, hiss, grunt, snort, roar, bellow, thunder, boom, scream, shriek, screech, squawk, whine, philosophize, stammer, stutter, lisp, drawl, jabber, protest, announce, swear, vow, content, assure, deny, dispute

Scared - afraid, frightened, alarmed, terrified, panicked, fearful, unnerved, insecure, timid, shy, skittish, jumpy, disquieted, worried, vexed, troubled, disturbed, horrified, terrorized, shocked, petrified, haunted, timorous, shrinking, tremulous, stupefied, paralyzed, stunned, apprehensive

Show - display, exhibit, present, note, point to, indicate, explain, reveal, prove, demonstrate, expose

Slow - unhurried, gradual, leisurely, late, behind, tedious, slack

Stop - cease, halt, stay, pause, discontinue, conclude, end, finish, quit

Story - tale, myth, legend, fable, yarn, account, narrative, chronicle, epic, sage, anecdote, record, memoir

Strange - odd, peculiar, unusual, unfamiliar, uncommon, queer, weird, outlandish, curious, unique, exclusive, irregular

Take - hold, catch, seize, grasp, win, capture, acquire, pick, choose, select, prefer, remove, steal, lift, rob, engage, bewitch, purchase, buy, retract, recall, assume, occupy, consume

Tell - disclose, reveal, show, expose, uncover, relate, narrate, inform, advise, explain, divulge, declare, command, order, bid, recount, repeat

Think - judge, deem, assume, believe, consider, contemplate, reflect, mediate

Trouble - distress, anguish, anxiety, worry, wretchedness, pain, danger, peril, disaster, grief, misfortune, difficulty, concern, pains, inconvenience, exertion, effort

True - accurate, right, proper, precise, exact, valid, genuine, real, actual, trusty, steady, loyal, dependable, sincere, staunch

Ugly - hideous, frightful, frightening, shocking, horrible, unpleasant, monstrous, terrifying, gross, grisly, ghastly, horrid, unsightly, plain, homely, evil, repulsive, repugnant, gruesome

Unhappy - miserable, uncomfortable, wretched, heart-broken, unfortunate, poor, downhearted, sorrowful, depressed, dejected, melancholy, glum, gloomy, dismal, discouraged, sad

Use - employ, utilize, exhaust, spend, expend, consume, exercise

Wrong - incorrect, inaccurate, mistaken, erroneous, improper, unsuitable

This is great

[damselwrites]

Words to use instead of “said” organized by emotion/intention

[capricornwrites-deactivated2018]

damselwrites‌:

[ferngulied-blog]

NOT TO BE LAME, but i really just really want a typical, everyday life sort of plot! just two characters living in a city, trying to navigate whatever life throws at them. would include cute things like: karaoke nights, a multitude of lovable NPCs that are basically always around, aND fire escape talks because? along with actual challenges that people… face in life, cause those are important!!

[damselwrites]

Color Synonyms

White

also: pale; blanched; sallow; pallid; waxen; spectral; translucent; albino; 

Grey

also: dust; stone; pepper;  

Black

also:  coal; slate; dusky; ebon; shadow; murky; 

Tan

also: flesh; khaki; cream; tawny; 

Brown

also:  henna; russet; sepia; chestnut; cocoa; drab; bronze; 

Red

also: terracotta ; rouge; carmine;  fire-engine; ruddy

Orange

also:  pumpkin ; rust ; 

Yellow

also: sunny; amber; saffron; hay; straw; platinum; 

Green

also: viridescent; grass; jade; forest; 

Blue

also: turquoise; cyan; ultramarine; royal; aqua; aquamarine;

Purple

also: berry;  amaranthine;

Pink

also: flushed; candy; cherry blossom; petal pink ; 

—– source: http://ingridsundberg.com/

—–additional synonyms added by me

[amphyria]

COLOORRRRRRRRRR

[missgoal-deactivated20180714]

I don’t even care if this shit is cannon, I just love the rainbow bitchslap I just received.

[blackberry-angel-deactivated201]

//Omg! I found it!!!

[humunanunga]

See also: these three pages

[voidchangeling]

I NEEDED THIS!!! Reblogging this to help others who might need this!

[forever-lonely-stars]

me when I do terrible things to my innocent ocs:

me when I watch my friends do terrible things to their innocent ocs:

[fanfictionwriter101]

Rereading your writing

[paar-pahlok]

unpopular opinion but that post that’s like “I don’t consider fantasy world building complete until you can tell me about common grammar mistakes in your conlang and what books are popular now verses in the past” is a bad post. 

When you’re world building, you should really, really stick to the stuff that’s going to be relevant to your story. You should NOT throw in details into a story that are unnecessary to that plotline. A dedicated fan of your series might really want to know more about the humor of your world’s people, but generally speaking that’s where they start to fill in the blanks themselves. 

I don’t know a damn thing about toy production in Lord of the Rings or common grammar mistakes in Dovahzul. I don’t want to know about how people in Narnia get an education or what people in Westros read for fun. It isn’t important. DONT waste your time developing these things when you can be spending your time actually writing your story. 

[brynprocrastinates]

Including interesting tid bits of world building because they’re something the character pointing them out would definitely memention in that moment of plot: Immersive and good.

Including interesting tid bits of world building at random or forcing conversations about them to arise outside the plot: Not so interesting anymore.

[time-to-write-and-suffer]

Some dingdong: If you don’t know the molecular structure of this made-up species of potato growing in this made-up region of your made-up world, are you really a fantasy writer? Can you even call this worldbuilding?

Me, a tired word peasant: B-blease writer daddy, I just want to write about pretty magical boys who have nothing to do with agriculture

Same dingdong, face red with fury: I’M A POTATO SCIENTIST AND YOUR FANTASY POTATOES MAKE NO SENSE AND I’M DISGUSTED AT YOUR LACK OF CARE AND RESEARCH

[taz-writes]

speaking as someone who loves overbuilding worlds and picking around the details… most of it is fascinating to know, and might inform characterization, and can even help you over plot hurdles, but most of it also doesn’t need to be in the final manuscript. it’s super tempting when you make these cool interesting deep fantasy worlds to go on and on about them, but I really think it’s better to trim it when you can? otherwise you drag down your pacing and lose more easily distracted readers. 

(ofc if heavy worldbuilding is your jam, no one can stop you, just keep in mind that you may lose a certain audience demographic with it!)

[delusioninabox]

Daily #1,984! Let’s see how much I remember later. (*still has not written anything down*)

[fandomslash]

SprayBae

[fandomslash]

[vanessamorgandaily]

Vanessa Morgan and Madelaine Petsch behind the scenes of Riverdale 3.03.

[capricornwrites-deactivated2018]

pridefulmorningstar‌:

how to ship with me

tag me in ship things

say “this them”

scream at me about headcanons