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@rosfieldj
Joshua Rosfield | Grand Duchy of Rosaria
#rosfieldj * The second son of the Archduke of Rosaria and Clive's younger brother by five years. Joshua awoke as the Dominant of the Phoenix soon after his birth. Appointed heir to the ducal throne by virtue of his awakening as the Dominant of the Phoenix.
ⁱ About . ⁱⁱ Pinterest . ⁱⁱⁱ sc .
A STUDY IN : death & rebirth, brotherhood, wayward sons, ruling a fallen kingdom, chronicled fables and story
Guidelines:
&. 𝐬𝐨𝐟𝐭 𝐚𝐧𝐝 𝐬𝐰𝐞𝐞𝐭 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.
( various fluffy dialogue prompts so soft, so sweet, just for you! )
❛ i just wanted to make sure you’re okay. ❜
❛ there it is, there’s that smile! ❜
❛ you got me flowers? ❜
❛ i’m not afraid of you. ❜
❛ aw, did you miss me? ❜
❛ you’re lucky that you’re cute. ❜
❛ wait, you think i’m cute? ❜
❛ you’re not alone. you never were. ❜
❛ i don’t think i’ve ever seen you smile. ❜
❛ good morning, sleeping beauty. ❜
❛ it’s better with you here. ❜
❛ don’t worry, i’m staying right here. ❜
❛ you’re welcome to stay, if you want. ❜
❛ don’t be a stranger, okay? ❜
❛ i haven’t laughed like this in a long time. ❜
❛ hold still. this might sting a little. ❜
❛ you can hold my hand, if you want. ❜
❛ i knew you would be here. ❜
❛ i just wanted to say thank you for protecting me. ❜
❛ before you do anything, try this and tell me what you think. ❜
❛ wow i really can’t speak, huh? must be because of how pretty you look. ❜
❛ we can order pizza, watch a movie, whatever you want. ❜
❛ what, am i not allowed to look at you? ❜
❛ i’m not giving up on you. ❜
❛ is that my shirt? ❜
❛ this is a good look for you. ❜
❛ pinky promise? ❜
❛ c’mere, you. ❜
❛ honey, i’m home! ❜
❛ you remembered? ❜
❛ you’re my family too. ❜
❛ let’s go somewhere, just you and me. ❜
❛ i’m here for you. don’t forget that. ❜
❛ you’re the only thing that matters. ❜
❛ was that your first kiss? ❜
❛ i was worried something happened to you. ❜
❛ your heart is beating so fast right now. ❜
❛ relationships are built on trust, and i trust you. ❜
❛ you always see the good in people. even me. ❜
❛ do you think the moon is jealous of how pretty you are? ❜
❛ nope, puppy dog eyes aren’t going to work this time! ❜
❛ thanks to you, i know what it means to love again. ❜
❛ how about a kiss before i go? ❜
❛ i’m just glad you’re okay. ❜
❛ here we are, home sweet home. ❜
❛ thanks for being here with me. ❜
❛ seeing you happy is all that matters. ❜
❛ keep it. it looks better on you. ❜
❛ i couldn’t stop missing you if i tried. ❜
❛ you feel like home to me. ❜
it's been years since i drew smth ok
𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 . ( a collection of 100 nonverbal action prompts . mature and potentially triggering themes are present . add “ + reverse ” to swap assigned roles . )
∗ o1﹕ sender tucks hair out of receiver’s face . ∗ o2﹕ sender offers receiver a bite from their fork . ∗ o3﹕ sender places their feet / legs in receiver's lap . ∗ o4﹕ sender offers receiver an earbud to share their music . ∗ o5﹕ sender comforts receiver in the aftermath of a nightmare . ∗ o6﹕ sender gives receiver company in the hospital . ∗ o7﹕ sender wraps their arms around a hysterical receiver to calm them . ∗ o8﹕ sender shows up at receiver’s home late at night . ∗ o9﹕ sender falls asleep leaning against receiver . ∗ 1o﹕ sender wields a [ gun / knife ] at receiver . ∗ 11﹕ sender runs their fingers through receiver’s hair . ∗ 12﹕ sender invites receiver to dance . ∗ 13﹕ sender takes a [ picture / video ] of receiver . ∗ 14﹕ sender places their head in receiver’s lap . ∗ 15﹕ sender and receiver make eye contact across a busy room . ∗ 16﹕ sender pushes receiver against a wall to kiss them . ∗ 17﹕ sender and receiver cook together . ∗ 18﹕ sender comes to receiver after being injured . ∗ 19﹕ sender sits in receiver’s lap . ∗ 2o﹕ sender lifts receiver's chin , invoking eye contact . ∗ 21﹕ sender overtakes receiver in combat . ∗ 22﹕ sender finds receiver [ injured / bloodied ] . ∗ 23﹕ sender straightens an article of receiver’s clothes . ∗ 24﹕ sender crawls into bed with receiver . ∗ 25﹕ sender rolls their eyes at receiver . ∗ 26﹕ sender lights receiver’s [ cigarette / joint ] . ∗ 27﹕ sender is caught wearing receiver's clothes . ∗ 28﹕ sender strikes receiver with a pillow . ∗ 29﹕ sender writes a note on receiver’s skin : [ note ] . ∗ 3o﹕ sender wraps a blanket around receiver’s shoulders . ∗ 31﹕ sender runs and jumps into receiver’s arms . ∗ 32﹕ sender shoves receiver out of anger . ∗ 33﹕ sender hovers over receiver’s shoulder as they complete a task . ∗ 34﹕ sender is found by receiver somewhere they shouldn’t be . ∗ 35﹕ sender curls up against receiver in their sleep . ∗ 36﹕ sender is found drunk by receiver . ∗ 37﹕ sender throws an item of sentiment bitterly at receiver . ∗ 38﹕ sender joins receiver in the shower . ∗ 39﹕ sender is caught following receiver . ∗ 4o﹕ sender traces one of receiver’s [ scars / bruises ] . ∗ 41﹕ sender twines their fingers with receiver’s . ∗ 42﹕ sender barges into receiver’s home unannounced . ∗ 43﹕ sender kicks receiver’s shin beneath a table . ∗ 44﹕ sender aggressively shoves past receiver . ∗ 45﹕ sender kisses receiver’s [ forehead / cheek ] . ∗ 46﹕ sender pulls receiver out of harm’s way . ∗ 47﹕ sender is found sobbing by receiver . ∗ 48﹕ sender locks receiver out of their room . ∗ 49﹕ sender brings receiver [ coffee / tea ] in the morning . ∗ 5o﹕ sender rests their forehead against receiver’s . ∗ 51﹕ sender plays a song for receiver that reminds them of them : [ song ] . ∗ 52﹕ sender takes a [ punch / stab / bullet ] meant for receiver . ∗ 53﹕ sender buys receiver a drink at a bar . ∗ 54﹕ sender needs receiver’s help getting in the bath . ∗ 55﹕ sender and receiver cross paths in the kitchen late at night . ∗ 56﹕ sender twists receiver’s arm behind their back . ∗ 57﹕ sender winks at receiver . ∗ 58﹕ sender is found collapsed by receiver . ∗ 59﹕ sender prevents an injured receiver from getting up . ∗ 6o﹕ sender claps a hand over receiver’s mouth to silence them . ∗ 61﹕ sender cages receiver against a [ wall / the floor ] with their arms . ∗ 62﹕ sender storms away from receiver during an argument . ∗ 63﹕ sender is found by receiver sleeping in receiver’s bed . ∗ 64﹕ sender [ applies / touches up ] receiver’s makeup . ∗ 65﹕ sender throws receiver into a wall during combat . ∗ 66﹕ sender dances sensually with receiver . ∗ 67﹕ sender strikes receiver across the face . ∗ 68﹕ sender places their hand on receiver’s leg while driving . ∗ 69﹕ sender pulls a chair out from under receiver . ∗ 7o﹕ sender catches receiver’s wrist when they turn to leave . ∗ 71﹕ sender leaves an intimate mark on receiver . ∗ 72﹕ sender beats receiver in a video game . ∗ 73﹕ sender and receiver stand in stunned silence after a fight . ∗ 74﹕ sender cares for receiver while they’re sick . ∗ 75﹕ sender and receiver go on a hike . ∗ 76﹕ sender is caught snooping in receiver’s things . ∗ 77﹕ sender and receiver cuddle while watching television . ∗ 78﹕ sender throws something aggressively at receiver . ∗ 79﹕ sender creeps up behind receiver to scare them . ∗ 8o﹕ sender and receiver go shopping together . ∗ 81﹕ sender helps receiver [ dye / style ] their hair . ∗ 82﹕ sender draws receiver into a kiss by the back of their neck . ∗ 83﹕ sender is discovered having a panic attack by receiver . ∗ 84﹕ sender accidentally injures receiver during sparring . ∗ 85﹕ sender grabs receiver roughly by the hair . ∗ 86﹕ sender brings receiver to their knees during combat . ∗ 87﹕ sender shows receiver evidence of a lie they told . ∗ 88﹕ sender winks [ seductively / mockingly ] at receiver . ∗ 89﹕ sender yells at receiver to put their hands in the air . ∗ 9o﹕ sender helps receiver patch up a wound . ∗ 91﹕ sender holds receiver as they cry . ∗ 92﹕ sender silently and angrily points receiver towards the door . ∗ 93﹕ sender gestures for receiver to sit down . ∗ 94﹕ sender pulls receiver into their lap . ∗ 95﹕ sender cradles receiver’s face . ∗ 96﹕ sender tackles receiver out of the way of danger . ∗ 97﹕ sender has hidden an injury from receiver , and receiver finds out . ∗ 98﹕ sender confronts receiver about their unhealthy behavior . ∗ 99﹕ sender proposes to receiver . ∗ 1oo﹕ sender has just died , receiver finds out .
joshua 'do you like long romantic walks because i don't have a chocobo' rosfield
@rosfieldj || 𝐿𝐼𝒦𝐸𝒟 for a 𝒮𝒯𝒜𝑅𝒯𝐸𝑅
Moments stolen away from the worries of the present and the future to spend, instead, in only the company of a star-scattered sky were treasured immensely. How soothing it was to simply sit and allow honeyed eyes to glance upward, hands splay back 'pon the uneven terrain to support his half lounged recline; the softness of a warm breeze tousling through hair just as welcoming. Moments of peace were rare and simply basking within them while they poised as present helped soothe the pains deeply embedded within ones soul.
It astounded him that even now, so far away from his dainty youth as he was, that he could recall all of the names of the constellations from books he oft had his nose within. A fascination with the stars may have lead him towards the life of an astrologian or something of the sort had Bahamut not decided to select him as his champion. And he wonders, sometimes, how different things may have been if life had turned that way.
Nowadays, he simply looked towards the stars as hope - as something he could whisper his worries and concerns to and know that they would never be repeated. A silly comfort, if naught else, but one he clung to nonetheless even when other such solace was available. Blankets, warm fires, quietness; none seemed to compare.
Finally, he chose to lay back into the terrain behind him and truly gaze upward, able to see such a wider spread of stars so far beyond ones reach and he refuses to resist reaching his hand up - the perspective making him at least feel closer.
'T was at such a time, however, that he takes note of a flash of red through his periphery and with his head turning swiftly and a vague flush of embarrassment to the apples of his cheeks does the prince nigh choke upon a sound of surprise;
"Joshua, I--" He stares for a few heartbeats ere returning his gaze to the heavens; "--I'm sorry, I didn't know you were there." A pause, a heartbeat; "-- How long have you been stood there?"
He’d not feel more like himself than he did in the solitude of nights, unbothered, unspoiled, and untainted by human’s ambition for greed; an excess of want fuelled by crystals and other desires that he didn’t value, not when there was just enough to be found in Valisthea's grace. The warm breeze scenting the night with the wildflowers in bloom near the edge, the horizon lit up with stars plenty, a reminder that not all was lost to the blight. He doesn’t know how long he had idled in the fields, his reading fire long burnt out and in his arms, he idly stroked the leather-bound Diary of Moss. Ruminating and enjoying the splendour around was a sentiment that was shared when he spots a flash of blond in the distance, settling down not too far off from him.
It’d be rude to not go over to greet the Prince, wouldn’t it? Ruder still then to leave him without company. Rising from his place of rest, he wanders over to Dion, careful as not to intrude the air of relaxation he seemed to be lost in. A small smile curling onto his features when the other lays down.
"It doesn't seem fair to keep track of time when gazing 'pon the heavens," he bows his head formally, instinctual habit kicking in when in Dion's presence. As though casually, to sooth any err that may have been done to disrupt his moment of reprieve, Joshua stays mild-mannered. There was naught to be sorry for. "It commands your entire attention, I find. 'Lest you miss that single moment, that one star which shoots across the sky like a fleeting promise. " It's easy to lose himself in Valisthea's grace, easier still to appreciate it with someone else.
"I used to wish upon those when I was younger." A small smile as he looks back upon the prince with a wistful smile; a boy again, who'd not lost his kingdom, wishing upon stars. Seemed like a dream. As though remembering he was in Dion's company, he tilts his head again, "Might I keep you company, your Highness?" He asks, wondering if Dion even wanted the company when he sought such a quiet place. "While I can't promise you your wishes the way a shooting star cam, I can listen and keep them?"
“HAVE YOU FORGOTTEN ALREADY WHO I AM?“
. . . an indie joshua rosfield from final fantasy xvi as loved by rabbit. multi - everything, semi - selective, slight canon divergence.
sc .
Joshua’s the type to platonically say ‘I love you’ to his friends and mean it 100%
@eikonshiva * “are you finishing that or…?” and then she takes his carrots. prompt.
* He’d been mulling in his thoughts, pushing his food this way and that rather than eating it as he was bid to do so; ‘Think of your health, Joshua.’ He trusted in their good faith, noting it was said so out of care rather than admonishment as he was used to. A small curve of a frown graces his features, and he stares ever more at the carrots on his dish trying to find it in him to eat them. After all, he couldn’t be rude. When a fork reaches over and plucks one from the plate, he blinks, shocked that his dilemma was cut short by a most welcome friend. He has the good grace to not look too pleased, but he beams all the same, “ by all means. ” Taking each carrot one by one, he places them onto Jill’s plate, pleased.
five word prompts
[inspired by this]
“actually… i just miss you.”
“alright, i’ll leave you alone.”
“and slowly… i was forgotten.”
“and then everything just disappears.”
“and where do i go?”
“anyone could tell from here.”
“are you finishing that or…?”
“are you stupid or stupid?”
“anything, just call me, okay?”
“bitch better have my money.”
“bro… that’s so… not cool…”
“but did you do it?”
“call me now. it’s urgent.”
"can’t you listen to me?”
“cross that. don’t answer that.”
“don’t even think about it.”
“don’t you dare walk away.”
“do it. i dare you.”
“did you think i forgot?”
“eventually… you just move on.”
“even if you still do.”
“everything will fall into place.”
“fight me, you attractive stranger.”
“for once, i need you.”
“for once… i was right.”
“for once… i was wrong.”
“forget i even asked you.”
“forget it. you fucking suck.”
“fuck’s sake, what’s your problem?”
“fuck off. i mean it.”
“give and take. that’s life.”
“great. perfect. nice. fuck this.”
“have you lost your mind?”
“hello? it’s me. i was-”
“hey… that wasn’t so nice.”
“here’s a glass of whatever.”
“how about a hug, hm?”
“how about you make me?”
“i haven’t forgot you yet.”
“i can’t be around you.”
“i don’t need you, really.”
“i don’t need this now.”
“is this your first time?”
“it’s just a cut, really.”
“it wasn’t me, i swear!”
“i said i love you.”
“just don’t fuck it up.”
"just… come back alive, okay?”
“just make sure you’ve eaten.”
“kick his ass for me.”
“killed him? wait, what, literally?”
“life really sucks. feel better.”
“letting go hurts… a lot.”
“let me live, will you?”
“no, i don’t need you.”
“nothing can hurt me now.”
“nothing matters anymore to me.”
“okay it was me… so?”
“people lie all the time.”
“pipe the fuck down, asshole.”
“please, you can’t die now.”
“please don’t leave me alone.”
“quiet. they can hear us.”
“quick! give me your phone!”
“quicker, you freaking piece of-”
“quit it or i’ll bite.”
“quit staring! they’ll notice us!”
"really? do i look stupid?”
“real smooth, tripping over air.”
“rise and shine, sweet thing.”
“rise and fucking shine, motherfucker.”
“seriously? give me a break.”
“so… what are we now?”
“so… did you miss me?”
“so… can we go eat?”
“so… when’s the next flight?”
“so… how did everything go?”
“sometimes, i wish you died.”
“so what? you did it.”
“time passes slower without you.”
“then what do you suggest?”
“the fuck? who are you?”
“then you tell me why.”
“this is not working out.”
“this isn’t what i wanted.”
“this is all a fucking disaster.”
“when did it all happen?”
“who knew you’d be here?”
“why do i even bother?”
“why do i love you?”
“why didn’t you tell me?”
“you’re just… so, so stupid.”
“you can’t be here now.”
“you look like an accident.”
“you really need to go.”
“you know who to call.”
"zero fucks given. next please.”
FINAL FANTASY XVI — "You took her Eikon, didn't you?"
No, because the whole ‘I can see I’m not needed here’ scene with his dad was telling
Ifrit / Phoenix
* Old habits die hard or manifest differently when you’ve grown under stress your whole childhood; to be kept behind locked doors, and have the utmost regard to one's health given your virtue as The Dominant. Would it be such a crime to prefer being dead? Joshua certainly thought so, a sentiment he accepted when he primed that night and died. To the entirety of the Valisthea, the heir to Rosaria was gone, and the rest were scattered to be absolved into the other kingdoms. There was a freedom in no longer being tied to a home where he was under the thumb of their mother, and the disregard of their father; Joshua could take matters into his own hands, not as though doing his duty as the heir was something he took up in earnest right away.
* A boy of ten, bleeding out into Rosaria's soil, is deemed dead and gone the minute the rest of the bridge collapses alongside its kingdom. How he survived all those years remained a mystery, but the drive that compelled his search into Ifrit was evident in his search into the lore long hidden under pretense of ceremony. It wasn’t out of survival he conducted his research, nor was it out of duty, but it was instead out of love; for all those years, he’d hardly put Clive to blame for his ‘death,’ but instead sought for any other reasons for why he was attacked by him.
* Imagine his surprise and relief when he found out about Ultima. Understand that he could have chosen to seek out Clive after his death, but the damage was long done, one that was unconsciously felt and grappled with over the years, out of fear. He’d not be one to relay it, but the psychological damage was deep enough to leave him gasping in horror after a dream, and for a long time, there was a shame that followed; after all, Clive was his big brother, and there was none who looked up to him more than Joshua.
* The catalyst of change happened the minute he followed Clive to the first mother crystal, where he would meet Ultima for the first time; a confirmation of all his theories, and a startling fact that Clive was not to blame. It was a theory grasped out of desperation and love, one which fostered hope in him to be the better brother; to do his duty, as Clive said. Despite the fear and shame, he’d imprison Ultima inside him as an act of love and forgiveness.
Joshua Rosfield ,🌷❤️
