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@rusxlka
Roe deer/rÄdjur.
Being quiet.
Journals, articles, books & texts, on folklore, mythology, occult, and related -to- general anthropology, history, archaeology.Â
Some good and/or interesting (or hokey) âexamplesâ included for most resources. tryin to organize & share stuff that was floating around onenote.
Journals (open access) â Folklore, Occult, etc
Culutural Analysis - folklore, popular culture, anthropology â The Mythical Ghoul in Arabic Culture
Folklore - folklore, anthropology, archaeology â The Making of a Bewitchment Narrative, Grecian Riddle Jokes
Incantatio - journal on charms, charmers, and charming â Verbal Charms from a 17th Century Manuscript
Oral Tradition â Jewish Folk Literature, Noises of Battle in Old English Poetry
Journal of Ethnology and Folkloristics â Nani Fairtyales about the Cruel Bride, Energy as the Mediator between Natural and Supernatural Realms
International Journal of Intangible HeritageÂ
Studia Mythologica Slavica (many articles not English) â Dragon and Hero, Fertility Rites in the Raining Cave, The Grateful Wolf and Venetic Horses in Straboâs Geography
Folklorica - Slavic & Eastern European folklore association â Ritual: The Role of Plant Characteristics in Slavic Folk Medicine, Animal Magic
Esoterica - The Journal of Esoteric Studies â The Curious Case of Hermetic Graffiti in Valladolid CathedralÂ
The Esoteric Quarterly
Mythological Studies Journal
Luvah - Journal of the Creative Imagination â A More Poetical Character Than Satan
Transpersonal Studies â Shamanic Cosmology as an Evolutionary Neurocognitive Epistemology, Dreamscapes
Beyond Borderlands â tumblr
Paranthropology
GOLEM - Journal of Religion and Monsters â The Religious Functions of Pokemon, Anti-Semitism and Vampires in British Popular Culture 1875-1914
Correspondences - Online Journal for the Academic Study of Western Esotericism â Kriegsmannâs Philological Quest for Ancient WisdomÂ
â History, Archaeology
Adoranten - pre-historic rock art
Chitrolekha - India art & design history â Gomira Dance Mask
Silk Road â Centaurs on the Silk Road: Hellenistic Textiles in Western China
Sino-Platonic - East Asian languages and civilizations â Discursive Weaving Women in Chinese and Greek Traditions
MELA Notes - Middle East Librarians Association
Didaskalia - Journal for Ancient Performance
Ancient Narrative - Greek, Roman, Jewish novelistic traditions â The Construction of the Real and the Ideal in the Ancient Novel
Akroterion - Greek, Roman â The Deer Hunter: A Portrait of Aeneas
Greek, Roman and Byzantine Studies â Erotic and Separation Spells, The Ancientsâ One-Horned Ass
Roman Legal Tradition - medieval civil law â Between Slavery and FreedomÂ
Phronimon - South African society for Greek Philosophy and the Humanities â Special Issue vol. 13 #2, Greek philosophy in dialogue with African+ philosophy
The Heroic Age - Early medieval Northwestern Europe â Icelandic Sword in the Stone
Peregrinations - Medieval Art and Architecture â Special Issue vol. 4 #1, MappingsÂ
Tiresas - Medieval and Classical â Sexuality in the Natural and Demonic Magic of the Middle Ages
Essays in Medieval Studies â The Female Spell-caster in Middle English Romances, The Sweet Song of Satan
Hortulus - Medieval studies â Courtliness & the Deployment of Sodomy in 12th-Century Histories of Britain, Monsters & Monstrosities issue, Magic & Witchcraft issue
Annual of Medieval Studies at CEU
Medieval Archaeology â Divided and Galleried Hall-Houses, The Hall of the Knights Templar at Temple Balsall
Medieval Feminist Forum â multiculturalism issue; Gender, Skin Color and the Power of Place ⊠Romance of Moriaen, Writing Novels About Medieval Women for Modern Readers, Amazons & Guerilleres
Quidditas - medieval and renaissanceÂ
Medieval Warfare
The Viking Society - ridiculous amount of articles from 1895-2011
Journals (limited free/sub/institution access)
Al-Masaq - Journal of the Medieval Mediterranean â Piracy as Statecraft: The Policies of Taifa of Denia, free issue
Mythical Creatures of Europe - article + map
Folklore - limited free access â Volume 122 #3, On the Ambiguity of Elves
Digital Philology -  a journal of medieval cultures â Saracens & Race in Roman de la Rose Iconography
Pomegranate - International Journal for Pagan Studies
Transcultural Psychiatry
European Journal of English Studies â Myths East of Venice issue, Esotericism issue
Books, Texts, Images etc. â Folklore, Occult etc.
Magical Gem Database - Greek/Egyptian gems & talismans [x] [x]
Biblioteca Aracana - (mostly) Greek pagan history, rituals, poetry etc. â Greater Tool Consecration, The Yew-Demon
Curse Tablets from Roman Britain - [x]
The Gnostic Society Library â The Corpus Hermeticum, Hymn of the Robe of Glory
Grimoar - vast occult text library â Grimoires, Greek & Roman Necromancy, Queer Theology, Ancient Christian Magic
Internet Sacred Text Archive - religion, occult, folklore, etc. ancient texts
Verse and Transmutation - A Corpus of Middle English Alchemical Poetry
â History
The Internet Classics Archive - mainly Greco-Roman, some Persian & Chinese translated texts
Bodleian Oriental Manuscript Collection - [x] [x] [x]
Virtual Magic Bowl Archive - Jewish-Aramaic incantation bowl text and images [x] [x]Â
Vindolanda Tablets - images and translations of tablets from 1st & 2nd c. [x]
Corsair - online catalog of the Piedmont Morgan library (manuscripts) [x] [x]
Beinecke rare book & manuscripts â Wagstaff miscellany, al-Qur'Änâ1813
LUNA - tonnes from Byzantine manuscripts to Arabic cartography
Maps on the web - Oxford Library [x] [x] [x]
Bodleian Library manuscripts - photographs of 11th-17th c. manuscripts â Treatises on Heraldry, The Worcester Fragments (polyphonic music), 12 c. misc medical and herbal texts
Early Manuscripts at Oxford U - very high quality photographs â (view through bottom left) Military texts by Athenaeus Mechanicus 16th c. [x] [x], MS Douce 195 Roman de la Rose [x] [x]
Trinity College digital manuscript library â Mathematica Medica, 15th c.
eTOMEÂ - primary sources about Celtic peoples
Websites, Blogs â Folklore, Occult etc.
Demonthings - Ancient Egyptian Demonology ProjectÂ
Invocatio - (mostly) western esotericism
Heterodoxology - history, esotericism, science â Religion in the Age of Cyborgs
The Recipes Project - food, magic, science, medicine â The Medieval Invisible Man (invisibility recipes)
Morbid Anatomy - museum/library in Brooklyn
â HistoryÂ
Islamic Philosophy Online - tonnes of texts, articles, links, utilities, this belongs in every section; mostly English
Medicina Antiqua - Graeco-Roman medicine
History of the Ancient World - news and resources â The So-called Galatae, Gauls, Celts in Early Hellenistic Balkans; Maidens, Matrons Magicians: Women & Personal Ritual Power in Late Antique Egypt
ÎÎčÎżÏÎŻÎŒÎ±Â - Women & Gender in Antiquity
Bodleian Library Exhibitions Online â Khusraw & Shirin, Hebrew Manuscripts as a Meeting-Place of Cultures
Medievalists â folk studies, witchcraft, mythology, science tags
Atlas Obscura â Bats and Vampiric Lore of PĂ©re Lachaise CemeteryÂ
Reblogging for info
nautical vibes: damaris goddrie for zara ss17
I dance. I ripple. I am thrown over you like a net of light. I lie quivering flung over you.â
Virginia Woolf, from The Waves. (via xshayarsha)
Balaji Ponna (Indian, b. 1980), Silence is also conversation, 2017. Acrylic on canvas, 84 x 60 in.
via jareckiworld
Can you explain the Wild Hunt to me? I'm really curious about it. I keep seeing different people talk about it in different ways and I'm a bit confused.
youâre in luckâi actually spend a solid chunk of time earlier today explaining the wild hunt in my group chat. iâm going to paste that explanation here for you!
the wild hunt is a common folkloric archetype across most of europe which has also been brought over to the americas (mainly the united states). various different hunts have presence all across the celtic world, in germanic folklore, northern european folklore, spain, france, and many other places. the key feature of what makes a wild hunt a wild hunt is that they ride through the skies and on the wind and are usually in or accompanied by a storm. generally i have found that there are three main traits that characterize individual hunts: who the leader is, who the members are, and what its purpose is.
some classifications Iâve identified, with some examplesânot every possible one, just something to give you an idea of what the descriptors mean:
the leader might be:
a deity (manannĂĄn mac lir, woden, gwyn ap nudd)
a folkloric hero (fionn mac cumhaill, king arthur, herne the hunter)
a legendary ruler or a real ruler who was mythologized (herla, theoderic the great)
the devil
a saint
or there may be no leader, and the hunt be composed of a mob. if there is a leader, they are nearly always male, but not entirely always.
the members of the hunt might be:
faeries
the restless dead
sinners specifically
demons and/or devils
the company of its leader (fionnâs fianna, king arthurâs knights)
a company of legendary heroes, saints, or folkloric figures
the purpose of the hunt might be:
rounding up the souls of the past yearâs dead
warning of the dead to come in the next year
actually just hunting otherworldly game
hunting humans to steal away to the otherworld
collecting the souls of sinners and the damned
punishing its members by forcing them to ride eternally with no rest
literally just roaming around killing people
for the most part the wild hunt isnât a mythological group, itâs folkloricâthat is, not legends or myths or written literature, but the oral folk traditions and tales of the common people. this is what the american version of the wild hunt isâif youâve ever heard the song ghost riders in the sky, itâs a piece of cowboy folklore that is fairly obviously derived from the wild hunt.
thatâs the historical and folkloric information; the rest of this post is heavily upg-based, and entirely about my own experiences.
i deal with the irish hunts, which are largely faeries and/or the restless dead, and led by deities or mythological/otherworldly heroes. my personal perspective of the way the hunt works is that there are âlocal chaptersâ all around the world wherever faeries are found, and that the leader of each different hunt is a sort of âultimate authorityâ over all hunts of that variety, and he chooses a new one to ride with each year.
i see most of the hunts as being a sort of unit of each local courtâthere are some fey who belong to the hunt and form the core of it, and then there are others who ride with it for a shorter period of time (a year, or seven years, or the like) who get the chance to join the hunt in recognition of some service or great deed.
my hunts are manannĂĄnâs, which is faeries and/or the restless dead collecting up the souls of the past yearâs dead and warning of death to come, and sometimes taking people to the otherworld; nuada airgetlĂĄmâs, which is the tuatha dĂ© danann and the aos sĂ hunting otherworldly game, and sometimes taking people to the otherworld; and the sluagh, a leaderless mob of faeries and/or the restless dead who just roam around the skies indiscriminately killing, maiming, and generally causing mayhem. manannĂĄnâs and nuadaâs hunts are connected with the courts, while the sluagh Iâve always sort of thought of as being outside the courtsâtheyâre exiles and solitaries and otherwise too antisocial to belong to a troop.
i hope that was helpful to you, and if you have any further questions feel free to ask!
Atonement (2007)
Peace like a river snowfall ~ Eileen Kitayama 2018
one thing I find both ridiculous and saddening is this great love for âtraditional valuesâ many, especially in pagan communities, have, while actually⊠not having any.
it is of course just nicely veiled racism, and bigotry, and nationalism, and homophobia, and hatred toward women - nearly none of them share the actual values we should all share, no matter if deemed âtraditionalâ or not.
and there are âtraditionalâ values that are dear to me - which might surprise all those against me, who think that progress is somehow an enemy - values that should be respected, cherished, and especially by pagans:
- respect your land, protect your land: not against ârefugees and immigrantsâ but against destruction at the hands of powerful companies, at the hands of government, at the hands of your own fellow men. protect the graves of those before you from corporate greed. treat the ground you walk on with respect, you exist thanks to it and youâll end up in it soon enough.
- respect life and other people: treat them with the respect they deserve, help those who need help, be a good host, do not demand rewards and fame for your good deeds. do no harm to those innocent. protect those weaker than you.
- respect your elders: do not blindly follow and worship those in position of power, but care for the elderly, treat with respect those older and wiser than you, always remember that youth passes quickly and you would not be here if it wasnât for someone before you. if they donât respect you, bite back.
- family: love and respect your family and protect them, teeth and rage if necessary - but not just because someone is related to you, family is much more than that, both of blood and of bond. if someone in your family is hurting you and others, destroy them. you donât owe anyone love if they hurt you.
but protect those you love. never give up on them. if someone wrongs your friend, stand up for them. always take care of the children, they are the future of our world.
- honour: do not break a promise youâve given, do not lie and do not spread hatred, always be faithful to the truth, accept when youâre wrong, learn to fix your mistakes, learn to be humble when itâs necessary and a raging storm when that is needed. do not cheat, do not slander, always aspire to justice.
- sacrifice: give more than you take. volunteer. do something for others even if no one did anything for you lately. give up on something unnecessary to give to those who need help.
- strength and endurance: but not only physical, have a strong spirit and a strong mind. love fully and powerfully, support others, do not give up in the face of hardship and struggle. do not allow others to walk all over you or those you love. be strong enough to ask for help. take no shit. carry your burdens and destroy them once you can.
and thereâs many more than that, and might gods strike all those who talk of âvaluesâ while being a scum with no truth in their heart, and might they fester and rot with their hatred.
if there is a light then i am going to swallow it. if there is a god then iâm going to make him cry.
s. osborn, from âblasphemies at the 5th street station,â published in The Rising Phoenix Review (via lifeinpoetry)
Yamal, Siberia
no no no no
So the story behind this song, is heart breaking and heart warming at the same time. Brian May, the guitarist for Queen, wrote this song for the 1991 Queen album Innuendo. The song was written about how even though Freddie Mercury was slowly dying from AIDS, he was still doing shows, writing, and making music with the band. When they were recording the song, they were worried the Freddie would not have had the strength to do the vocals, because it was getting much worse, and was bed ridden, but he recorded it, and killed it. There will be no one like Freddie Mercury. I donât care what anyone says, Queen was and still is the best band ever to exist.
The Show Must Go On by Queen
âIâll fucking do it, darlingâ he said and killed it in a single take thatâs something you need to remember. This is a song that was a single continuous take for his vocals. No misses. No re-records. Not on this, not for Freddie.
The blood moon is framed by the statues of Hera and Apollo in Athens, 27 July 2018 (x)