No. 14 (White and Greens on Blue), Mark Rothko, 1998, Oil on Canvas, 90.2 × 69.9 cm

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No. 14 (White and Greens on Blue), Mark Rothko, 1998, Oil on Canvas, 90.2 × 69.9 cm
Chol Mabior at Robert Wun Couture FW 2026
Weather camera self portraits (2012— )
Tatu Gustafsson
/ Herbert List, Baltic Sea, Germany, 1930s
Robert Adams, Summer Nights, Walking: On the Colorado Front, 1976 - 1982
Amazing
nightmusic.
Untitled from 88 Maps, Matt Mullican, 2010.
Graphite rubbing with screenprint from an illustrated book with twenty-eight graphite rubbings, fourteen with screenprint additions [MoMA]
Here are the lastest whole sketches pages I made in San Francisco. Most of them were drew in Japantown, especially in the Saint Francis square cooperative. It’s the last pages I got of the US and I must thank all of you for the reception of them all along of my posts. Thank you !
Design for one of H.R. Giger’s Tarot printed in black on metallic silver.
Unicorn print carved from a 3x4 rubber stamp. I'm quite pleased with how she came out :)
SIGINT #7414 from GPS III-SV05 (Q CLEARANCE) 1. Volcano Shrine 2. Tired Hyperobjects 3. Invisible Ham Sandwich Landfill
“That’s how you get deathless, volchitsa. Walk the same tale over and over, until you wear a groove in the world, until even if you vanished, the tale would keep turning, keep playing, like a phonograph, and you’d have to get up again, even with a bullet through your eye, to play your part and say your lines.”
— Baba Yaga, Deathless, by Catherynne M. Valente
"Diver," 2026. Photo transfers onto cotton, freshwater pearls, fish hook, thread, colored pencil, gloss medium, gloss gel. dimensions: slightly smaller than my hand :)