Stranger Things
dirt enthusiast
todays bird
YOU ARE THE REASON
he wasn't even looking at me and he found me
Peter Solarz

Love Begins

祝日 / Permanent Vacation
No title available

#extradirty

@theartofmadeline

roma★

Discoholic 🪩

Origami Around
Misplaced Lens Cap
occasionally subtle

No title available

blake kathryn

Kaledo Art
ojovivo

seen from Costa Rica
seen from Canada
seen from Canada

seen from South Korea
seen from United States
seen from United States
seen from Türkiye

seen from United States

seen from Malaysia

seen from Russia

seen from United States
seen from Russia
seen from Switzerland
seen from Peru
seen from Peru
seen from United States
seen from United States
seen from United States
seen from United States

seen from Russia
@s1nsat1on
Bizarre Magazine covers from 1946-53.
Launched in the mid-1940s by British-born illustrator, photographer, and self-styled fetish visionary John Willie, Bizarre emerged from the shadowy correspondence networks of corset devotees, shoe worshippers, bondage enthusiasts, and readers who rarely saw their private desires reflected in public culture. Presented with the elegant camouflage of a “fashion fantasia,” the magazine combined photographs, letters, illustrations, advice, and Willie’s celebrated Sweet Gwendoline cartoons, carefully avoiding explicit nudity while creating a visual language charged with restraint, ritual, theatrical danger, and impossible glamour.
Its cultural impact reached far beyond its modest underground circulation: Bizarre helped transform isolated fetishes into the beginnings of a shared subculture, influenced later artists such as Eric Stanton and Gene Bilbrew, and established many of the silhouettes, costumes, poses, and power dynamics that still shape fetish photography, fashion, comics, and popular culture. What began as a secretive mail-order publication became one of the foundational documents of modern erotic iconography.
Lydia lunch 1988
Man and Woman, (1912-1915),Edvard Munch
The World of Interiors, January 2020. Photo - Roland Beaufre
Pam Grier circa (1973)
Yilan Hua by Bohdan Bohdanov for Vogue Netherlands Summer 2026.
josef honzik
Parchment holes in manuscript repaired using embroidery circa 1417, currently in University Library Uppsala, Sweden
What wait WHAT
I love seeing parchment / vellum mended with stitching! Here are some more.
Some of Eiko Ishioka’s set designs made for
'Mishima: A Life in four Chapters' (1985)
Scanned from the book Regards sur le Niger; 1978; Michel Renaudeau & Ide Oumarou