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[saintmarc]

[thecarchitecture]

[thegikitiki]

1981, a time when the moon was apparently made of radioactive cheddar cheese and hovered menacingly close to the financial district. This photo radiates that specific "opening credits to a slow-burn detective show" energy, where a guy named Rick stares out the window, nursing a lukewarm scotch and wondering why his informant hasn't called. You can practically hear the saxophone solo and the click-clack of a thousand IBM Selectrics echoing from those illuminated windows. Every single light represents a middle manager in a brown suit staying late to smoke indoors and physically cut-and-paste a report together. It’s moody, it’s grainy, and it captures the exact moment the city goes to sleep, except for the people trying to meet a deadline before the morning fax.

[uroko]

兵庫 出石 // Izushi, Hyogo

[thomasmartinnutt]

Keiji Uematsu. Wave Motion I, 1976

[70sscifiart]

Bob Petillo, “Strata,” 1983

[aban0ub-deactivated20250712]

[atesbocegimezarligiii-deactivat]

eve teslimiyet.

[sverate]

[foxeia]

mariwka

[homosexualbarbie]

alexis doyle

[saintmarc]

[deathbysonder]

[sverate]

[perfectfeelings]

“Perhaps the problem is not the intensity of your love but the quality of the people you are loving.”

— Warsan Shire

[04k96]

[stua]

CURVES, CELEBRATED Today we bring you an inspiring image, a project for a single-family villa with an entrance area that leads to two galleries. The centrepiece of this entrance area is a round Petal table made from walnut wood. At STUA, we like curves to be the protagonists of our furniture, as they make it more organic, more fluid, and closer to people. PETAL: www.stua.com/design/petal

ELOGIO A LA CURVA Hoy os traemos una imagen que inspira, el proyecto de una villa unifamiliar que cuenta con una zona de entrada que da acceso a dos galerías. En esa entrada destaca como pieza central una mesa Petal redonda en madera de nogal. En STUA nos gusta que las curvas sean las protagonistas de nuestros muebles, ya que los hacen más orgánicos, más fluidos, más cercanos a las personas. PETAL: www.stua.com/es/design/petal

[humanoidhistory]

Blade Runner concept art by Syd Mead, as seen in Fantastic Films, June 1982.