In God We Trust by Winshluss
cherry valley forever

tannertan36

izzy's playlists!
Monterey Bay Aquarium
"I'm Dorothy Gale from Kansas"
Fai_Ryy
The Bowery Presents
occasionally subtle
he wasn't even looking at me and he found me
d e v o n
Today's Document
Noah Kahan
let's talk about Bridgerton tea, my ask is open
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bliss lane
Jules of Nature

blake kathryn

Origami Around

PR's Tumblrdome
Cosmic Funnies
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@safferion
In God We Trust by Winshluss
Dario Maglionico, Recent Work.
A selection of the marvelously surreal paintings by artist Dario Maglionico from the three years since I last featured him.
Don’t miss Supersonic Art on Instagram!
Donald Trump’s Star on the Hollywood Walk of Fame is destroyed by man carrying a pickaxe in a guitar case.
i honestly dont even know what to caption this one
… I’m happy to see the Don’t Hug me in Scared crew are now scaring kids on official networks.
me: I should do serious painting studies if I want to improve my art…
me to me: paint memes
Animation Effects: How They Created the Snowflakes in Fantasia
Herman Schultheis was an effects animator who worked on Fantasia. He kept a tight record of the effects they were creating from 1938-1941, and a photo display of how they were done.
Schultheis disappeared in 1954 while trekking through Central America, and the notebook was forgotten until his wife’s death in the early 1990s, after which it was discovered behind the couple’s bedroom wall. In 2014, Disney released this hallowed tome, this book of magic spells for aspiring animators as The Lost Notebook: Herman Schultheis & the Secrets of Walt Disney’s Movie Magic. It is AWESOME.
Shown above are a few of the steps Disney’s animation effects artists used to create those hypnotic spinning snowflakes.
Pics 1 + 2: The Ink and Paint Department traced scientific diagrams of real snowflakes onto a material slightly heavier that regular animation cels, then used a translucent white paint to fill them in.
Pic 3: The snowflakes were then cut out and attached to spinning gears.
Pic 4: The gears were affixed to wire ‘guide tracks’ (almost like toy train tracks) that mapped the snowflakes’ path of action.
Pic 5: Sheets of black velvet were used to hide the tracks from the animation camera.
Pic 6: The snowflakes were then filmed one frame at a time – stop-motion style – as they spun on their gears, ‘descending’ down the wire guide tracks.
Pics 7-9: The film footage of the snowflakes was then ‘burned’ over the multiplane background, where it was matched with the 2D animated fairies.
Voilà – movie magic!
Special thanks to MichaelSpornAnimation.com and D23.com for some of the pics and text.
yes, come in, take a seat. have a look at my shitty shitty sketchbook, i implore you
mmmmm
i wanted 2 post it here too bc i like the way all the pages look together (the higher res one is still here)
boo hoo :’(
my little OC >з>