never just a girl

[assiraphales]

I know padme’s friends were tired. oh so you’re marrying the hormonal teenage space monk who lives halfway across the galaxy that the you’ve seen a total of two months in the last ten years? are we sure this is love or do you just think he’s hot? bc you’re a queen turned senator and he’s emotionally stunted and in a cult. maybe we should at least wait until he cuts off that rat tail perchance?

[shattered-sky]

You’re so right 😂

[pintsandparapets]

A scrapped illustration for Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892).

[nerdygaymormon]

[saintcarlyon]

2 and 20

Thank you! From the Choose Violence Ask Game, fandom is Star Wars.

Q: 2

G-Canon: Leia is beyond such labels and limits. It's too constraining, when she has tyrannies to overthrow, people to save, and men to humiliate. So Leia is whatever she needs and wants for the moment.

Legends: Kyp Durron has never had sex, much less enough sex education to even know what this all means.

Disney: Reva's adult life has been all about building power, focused on a singular, selfish goal and hiding her vulnerability. She's not gonna bottom for anyone.

Q: 20

G-Canon: I struggled through the The Clone Wars, especially the Mortis arc. The stories could be compelling but I wished the episodes were more tightly paced.

Legends: The NJO generally is a struggle. I know the books especially started leaning more into the military aspect of Star Wars and that with the Yuuzhan Vong just doesn't appeal to me.

Disney: Rebels and for similar reasons as The Clone Wars.

[chronologyxxx]

star wars fans love to throw around the term unconditional love, but they actually hate it, just saying. padme and luke are the characters who embody unconditional love in the story, yet they are constantly called naive idiots, who didn't know what they were doing, especially padme

[ardellian]

atton rand

[yekokataa]

🔥 choose violence ask game 🔥

the character everyone gets wrong

a compelling argument for why your fave would never top or bottom

screenshot or description of the worst take you've seen on tumblr

what was the last straw that made you finally block that annoying person?

worst discord server and why

which ship fans are the most annoying?

what character did you begin to hate not because of canon but because how how the fandom acts about them?

common fandom opinion that everyone is wrong about

worst part of canon

worst part of fanon

number of fandom-related words you've filtered

the unpopular character that you actually like and why more people should like them

worst blorboficiation

that one thing you see in fics all the time

that one thing you see in fanart all the time

you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

there should be more of this type of fic/art

it's absolutely criminal that the fandom has been sleeping on...

you're mad/ashamed/horrified you actually kind of like...

part of canon you found tedious or boring

part of canon you think is overhyped

your favorite part of canon that everyone else ignores

ship you've unwillingly come around to

topic that brings up the most rancid discourse

common fandom complaint that you're sick of hearing

[some-triangles]

I have been watching the anime adaptation of Riyoko Ikeda's Oniisama E. Unfortunately I think this may be an important thing for people dedicated to Utena studies - Utenologists, if you like - to do, because it's led me to feel a kind of emotional kinship to Utena's director that I have never experienced before. I say unfortunate because the feeling I'm sharing with my imaginary Ikuhara tulpa is frustration, and unlike him I'm not in a position to do anything about it except post.

It's clear that Ikuhara straight up lifted a huge amount of Utena's visual language from the Oniisama E anime, which is, and I must stress this, beautiful. The manga is of course also beautiful; Ikeda was a generational talent, we all know this. The manga is an agonizingly stylish outpouring of inspiration and energy, stumbling over itself in its haste to get all its ideas onto the page. The anime, on the other hand, is the work of a professional nearing the end of his career (he directed most of the Rose of Versailles anime back in the 70s!) and it is assured, measured and a billion times more Art Film than it needs to be. You got your dutch angles, you got your heavy shadows, you got your divided frames and your narrowed fields of view and your abstract play of light on water. For Utena fans you also have very specific things like rapidly cutting away to some sports that are happening to punctuate the emotional impact of a conversation, or showing the same motion three times in a row (two quick one slow) for emphasis, or using an establishing shot of a particular piece of sculpture to establish that emotional conflict is about to take place, or asking the question "how many giant abstract stained glass windows can there possibly be at a girl's school", or. You get the idea.

This is all in aid of bringing us Asaka Rei, AKA Saint-Just-Sama, AKA The Angel of Death, AKA What If Arthur Rimbaud Was A Lesbian:

Our main character Nanako is a baby gay with a thing for tall women and Saint Just causes her brain to explode, as you might expect.

So: we watch our plucky young heroine falling in love with this group of magnificently fucked up women, most of whom play basketball. The manga is a frantically-paced three volumes and the anime stretches this out for three whole cours (13 episodes each.) As we get into the second cour things get even gayer, as we are shown events that are only alluded to or explained after the fact in the manga. We forget for a second, perhaps, how the manga ends. Despite our better judgement we are persuaded that things might go differently this time. Why not?

Then the men arrive.

Among many other things, Oniisama E is about socially inscribed bonds between people and what happens when they're not quite right - what happens when your brother isn't actually your brother, or if someone who isn't your sister is actually your sister, or if you're a girl and the person you're in love with isn't a boy. Nanako asks one of her cram school tutors if he'll be the big brother she never had (note, please, that she does not mean this in a romantic sense, even though everyone else assumes she does.) He is the titular Oniisama, to whom she recounts her adventures in the world of rich athletic crazy hot women in a series of letters. It turns out - and, spoilers for a 50-year-old manga from here on - that they do in fact share a father, but Nanako didn't know that when she asked him. This pattern ramifies out through the rest of the story, most critically in Rei's doomed romantic love for an older sister who refuses to acknowledge her.

So we have all these interesting questions on the table. What makes a real sibling? What makes a real love? What does blood have to do with any of it? And, most crucially: Lesbianism? Putting aside for a moment the fact that all these women are 17 at best and they're all having life-threatening romantic drama about events that happened when they were 12, some involving significantly older men, it's a rich thematic vein to be tapped. And how are these questions resolved?

Well, most of the women end up paired off with extremely boring men (including, unforgivably, butch basketball star and prince of the school Kaoru no Kimi. The still of her at the end in wife clothes bottle-feeding her new baby is diabolical.) The evil sadistic tall woman doesn't get a man, but that's because she's evil and the guy she was obsessed with all along ends up with someone else. The one definite lesbian kills herself. Our hero gets to have her brother - the gender of the romantic interest she meets to close out the story is, mercifully, left ambiguous, but you know how it's gonna go. This manga was written in 1974. What were you expecting?

In the manga, most of the buildup to the Extremely Heterosexual Ending happens offscreen, maximizing the amount of time we get to spend with the girls who are still allowed to be weird with it. In the anime, we get about halfway through and there the two of them are, taking up space. Henmi, the Oniisama, a man with a haircut for a personality. Takashi, Rei's elder brother, with his horrible white suit jacket. He looks nothing like Akio. He stinks of Akio. They appear as heralds of the non-apocalypse, vanguards of a stillborn revolution. And if I am Ikuhara watching this, there are ideas forming in my head.

Of course most of these ideas are incest-related, but that's Ikuhara for you. The important thing is that Shoujo Kakumei Utena patiently and thoroughly answers all the questions Oniisama E left dangling. No, the obsessive love you have for the person you imprinted on when you were a small child isn't romantic, it's a curse. No, the obsessive love you have for your actual brother or sister isn't romantic, it's a curse. No, the obsessive love you are ashamed of and won't admit to anyone even as it remains at the core of your being isn't romantic, it's a curse, even if it's gay. (Juri inherits her perfect french rolls from Miya-sama, queen of the obsessives.)

And at the end of 39 perfect, imperfect episodes: yes, the girls can love each other. Yes, they are allowed to escape this school. Yes, there is a place for them - someday, together.

Utena came out six years after the Oniisama E anime. It may be, in part, the greatest fix-it fic ever created. The Utena crew took this story and wrenched Rei's coffin open, pulling hard against every trope, every bit of social and cultural pressure. Maybe in a few years someone will do the same thing for Sarazanmai.

[disease-danger-darkness-silence]

[tronmike82]

I don’t mean to be rude; but I don’t think I’ve ever seen this, does anyone have any examples?

[darkshrimpemotions]

Supernatural

Doctor Who (Steven Moffat specifically)

Sherlock (Steven Moffat specifically)

Actually Steven Moffat is basically just this sentiment given human form.

A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.

Arguably Game of Thrones.

If we broaden it outside of television…I think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I can’t help but think of every band that’s ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.

In general, most white male creators seem to have this massively entitled mindset where they want–and think they deserve–the time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.

They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they don’t want us. And they don’t really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audience’s demographic makeup. They just want to be praised for whatever schlock they cough up.

And like any other spoiled brat, they will break their toys before they share them.

[pessimisticfanboi]

It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they won’t usually switch up the marketing and move them to the girl aisle. They cancel the show outright.

Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesn’t perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasn’t a huge part of the 1st launch says a lot already.

And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didn’t necessarily lash out, but they sure forgot how to behave.

Young Justice

Paul Dini: Superhero cartoon execs don’t want largely female audiences

#WhereIsRey (initial)

#WhereIsRey (ongoing)

'Star Wars: The Last Jedi' owes its box-office success to women

The older, male generation of 'Star Wars' fans may be losing interest in the franchise, but female fans are stepping up.

Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi

[drunkenhills]

You’re all sitting on the hot take of the decade tbh

[vbartilucci]

And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.

[jediorgana-deactivated20260403]

#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because he’s actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)

OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like “Hey folks, this girl’s getting us more viewers, let’s put her in more scenes!” It just doesn’t make sense to me. MEN don’t make sense to me.

[geraltcirilla]

The 100 too. I’ll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.

[annaknitsspock]

Star Trek from TNG on was also a boy’s club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, “Women don’t understand Star Trek, only smart men hur dur.”

[help-help-i-need-an-adult]

I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.

[nova-arcania]

Doesn’t stop it from boggling the mind

(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron … 🤔)

[ridleymocki]

Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isn’t the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.

Simply, they’re trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. It’s not just men wanting male attention and gatekeeping. It’s that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.

(anyway if anyone wants to read 35k words of philosophy about this, hmu)

[ridleymocki]

Hey folks, for anyone that was interested in the thesis (firstly thank you so much for reaching out I really appreciate the interest) the following is an open access link to download it. Please let me know if it doesn’t work for some reason. Comments are now restricted so can’t put it there, but I hope you see this if you were interested!

I’d also love to hear your thoughts, as I literally wrote it for communities like ours to read, so, thanks.

Fictions are a cornerstone of human cultures: they are created, shared, discussed, modified, and valued. Yet, philosophical accounts which p

[saintcarlyon]

Updated Vox link: https://www.vox.com/culture/2019/12/27/21034725/star-wars-the-rise-of-skywalker-last-jedi-j-j-abrams-rian-johnson

[cloudseeker7]

Star Wars actually unpopular opinion:

Dooku was wayy more delusional that Anakin/Vader ever was. And this is from someone who is very Anakin critical.

Look, I don't support Anakin in rots in any way but like from his perspective there was at least a reasonable chance that Palpatine would actually save Padme, so if you understand his motivation as 'wanting Padme to not die while not giving a fuck about the Jedi' it sort of makes sense not that it's right in any way but you know what I'm talking about

On the other hand, try applying just any motivation to Dooku and no matter what you try, his actions fall apart.

He wanted to expose the corruption in the Senate? Sure, let's work for the guy that is responsible for that corruption instead of, y'know, letting the Jedi/public/just about anyone know about it an remove him.

He wanted to reform the Jedi? Okay, let's work for the guy whose goal is to destroy the Jedi.

He wanted revenge for Qui-gon? I don't know how many mental gymnastics you have to do to justify this but. Dooku. literally worked for the guy who ordered him killed.

Wait, you mean that Dooku is actually evil and he wanted to put himself in power? Yeah, starting a galatic wide war and purposely losing it is definitely the way to do that.

Seriously, no matter what I make out to be his goal, he sabotages himself along the way.

[antianakin]

This is a really interesting way of looking at these two characters and their specific relationships with Palpatine and his offers/temptations.

HOWEVER, I do think we can poke some holes in the Anakin side of this. I think you're right about Dooku and how delusional he is and how much he is sabotaging himself, but I don't know if I totally agree that Anakin's motives are MORE reasonable.

For one, it's fairly clear from Anakin's dialogue that his motive is never JUST "save Padme from dying." Even when speaking TO PADME later, he makes it very clear that a major aspect of his choice is that he believes he can eliminate Palpatine and take over the Empire from him and become the most powerful person in the galaxy. And THAT'S Anakin's actual core motivation. What he ACTUALLY WANTS is to be more powerful than anyone else so that no one else can ever have power over him again, and "saving Padme" was just the excuse he needed to justify what was necessary to ACHIEVE his actual goal.

But even if we ignore that obvious actual motivation and JUST pretend that his motive is "save Padme," let's take another look at why that was equally delusional. Sure, Palpatine MIGHT have had some kind of knowledge of a way to save Padme, but Anakin is having to TRUST that Palpatine is telling the truth about that and, even if he is telling the truth, that Palpatine will actually TELL Anakin about it and teach him how to do it. And this is a dude that Anakin now knows has been LYING TO HIM FOR YEARS, has been lying to the entire GALAXY for years, and has been literally manipulating the entire Republic into giving him power while forcing them into a galactic civil war that he is running both sides of. There is NO WAY that this person should be trusted to be telling the truth OR trusted to hand over any of his secrets and power to someone else even if he DOES have a way to keep people from dying. Anakin's choice to trust that Palpatine isn't manipulating him and lying to him YET AGAIN when he has very direct, clear evidence of how much Palpatine has ALREADY BEEN LYING TO AND MANIPUALTING him is absolutely delusional.

So even if his motivation WERE just "save Padme," even if we pretend that there MIGHT have been a chance that Palpatine had a way to save Padme, the fact that Anakin chooses to trust Palpatine in any way at all is such a massive delusion and it destroys everything around him. It also destroys everything Padme HERSELF ever cared for and, even if somehow everything had worked out the way Anakin wanted and he'd been able to "save" Padme from dying in childbirth, he'd have lost her anyway probably. That relationship would never have been the same again because she'd never be able to look at him the same way again even if she stayed with him.

But since his motive is ALSO to try to take over the Empire and eliminate Palpatine, you have to consider how delusional Anakin is about his own skills and powers. This is a man who has successfully maneuvered his way into power over and over again, an extremely powerful Sith Lord who has survived multiple other apprentices and killed his own master, and a man who has to be very aware that Anakin is going to want to try to overthrow him and believes he can survive that, too. The amount of delusion Anakin has in his ability to overthrow Palpatine is IMMENSE, and it's a delusion that Palpatine has intentionally encouraged and built up in him specifically to MAKE Anakin overconfident in himself, enough that he's often going to throw himself into situations that he isn't strong enough to overcome.

So, I dunno, I think there's PLENTY of delusion to be found in Anakin's motives for siding with Palpatine that ALSO keep sabotaging his own goals and backfiring on him. It's a pretty common thing to happen among Palpatine's apprentices and just... Darksiders in general, honestly, because this is what the Dark side DOES to you.

[ne0matic]

I love Shiori and her desire to inflict the same sense of inferiority she feels by just being in Juri’s presence back onto Juri by hurting her, just to feel worse in the end because she needs to go out of her way to get her hands dirty in order to hurt Juri while Juri doesn’t need to try at all, hurting Shiori’s self esteem just by existing in a way that’s superior to her (at least from Shiori’s perspective).

[elli-incarnate]

Andor is a masterpiece of anti-fascist media, but hear me out:

It pulls its punches in being explicitly anti-capitalist in a way that the old EU absolutely did not shy away from.

And this isn't to glaze the old EU - it was weird, none of the authors talked to each other to hash out continuity, and I'm not sure if any of the books would have passed the Bechtel Test.

But if I told you that Darth Plagueis had a secret private moon called Sojourn onto which he invited influential senators and planetary leaders to, where they could indulge in any vice, and he'd use that for blackmail later, you'd say ...

... that's just Epstein Island with the serial numbers filed off.

And then I'd say, not only that but Sojourn was where he indulged in his private hobbies of genetic manipulation and Sith alchemy, you'd say ...

... lol sounds like a cross between Jurassic Park and Bezos' vanity dick rocket

And then I'd say, and a big part of the plot was that the Sith were pulling the strings such that mega corporations like Trade Federation, the InterGalactic Banking Clan, the Corporate Alliance, and the Techno Union were granted official seats and voting privileges in the Galactic Senate, you'd say ...

... oh come on that's a little on the nose, Citizens United wasn't QUITE that bad

(It's not, but it's probably also a lot worse than you think it is unless you work in politics.)

This was written IN 2012 by the way before either Jeffrey Epstein or billionaire vanity projects had really entered the mainstream discourse. But Luceno asked himself: what does it look like when a billionaire has no moral guardrails, and his answer looks a whole lot like Epstein, Musk, and Bezos in a trenchcoat plus Bryan Johnson's obsession with immortality.

And that's not to say that Andor is pro-capitalism, but it clearly doesn't think it's as much of a threat as fascism or imperialism.

Look at how it handles the corporate cops (Pre-Mor) in the first arc. They are bumbling, incompetent mall cops. The Empire immediately sweeps in, nationalizes their sector, and replaces their corporate incompetence with state-sponsored fascist efficiency.

The transition is from corporate security theater to fascist state capacity.

And it works for the story Andor is telling.

But Andor treats the corporation as a stepping stone for the state. The EU understood that the state and the corporation were the exact same monster.

And the best example here isn't even Luceno but a Bantam Era deepcut: Stackpole's Bacta War in the X-Wing novels.

(Bacta of course is the healing stuff that Luke swims in ESB post-wampa attack.)

(The concept of the Bacta Cartel is basically an evil GFFA Monsanto, playing on extremely 90s fears about the terminator seed concept and biopiracy. It's hard to explain the mindset if you didn't live through it, but it's also relevant currently as a story about gatekeeping and weaponizing necessary medication and healthcare in the age of Big Pharm.)

(Medicare for all, btw)

But check out this terrifyingly brilliant piece of fascist economic world building:

The Scapegoat Shield (Plausible Deniability)

Palpatine understood that if the Empire outright owned the bacta supply, the Empire would be directly responsible for every shortage, price hike, and rationing crisis.

When parents can't get medicine for their dying kid, they start rebellions.

By keeping Zaltin and Xucphra technically independent, Palpatine created a permanent corporate meat-shield. If bacta prices skyrocketed 400% on the civilian market to subsidize the Imperial military, the public didn't blame the Emperor—they blamed greedy pharmaceutical executives. The Empire got all the military benefits of a monopoly while outsourcing 100% of the public relations blowback.

Outsourcing the Atrocities

The Empire is built for conventional warfare, not agricultural labor management.

If Palpatine nationalizes Thyferra, he has to deploy legions of Stormtroopers to force billions of giant insectoids to harvest plants in a jungle. It would be a messy, expensive, unending guerrilla war.

By empowering the Cartel, Palpatine outsourced the human rights violations to private security. The corporations handled the dirty work of violently suppressing the Vratix strikes, and the Empire just signed the purchase orders.

The Duopoly Trap

Palpatine never allowed a *true* single monopoly. The Bacta Cartel was specifically structured as a duopoly between two bitter corporate rivals (Zaltin and Xucphra).

Because the Empire was their only real protection from anti-trust laws and native uprisings, the two corporations were forced to constantly compete for the Emperor's favor. They undercut each other to give the Imperial military the cheapest possible prices, while simultaneously gouging the civilian sector to make up the profit margins.

The point is: the Bacta Cartel isn't a victim of Palpatine.

They're participants.

Manipulated participants, certainly. Palpatine manipulates everyone. But they're still active collaborators pursuing their own interests.

The relationship isn't:

"Corporation bad, Empire worse."

The relationship is:

"Corporation and Empire have exactly the same interests, and that isn't you."

And that's a very different political argument.

The entire point is that capitalism, imperialism, and fascism aren't just on equal footing but are inexorably linked and braided together. They're different facets of the same thing.

Andor just doesn't make that argument.

(And I'm going to note without asserting anything in particular that Disney as a company is deeply invested in maintaining the image of good corporatism.)

Andor is willing to show corporate abuse. Pre-Mor is exploitative, negligent, and violent. But the narrative structure still places corporate power and Imperial power in sequence.

By stripping the actual economic machinery out of the lore, modern Star Wars has essentially reframed the Galactic Civil War as a pure, mystical Good vs. Evil fight.

Which is fun!

But it completely hollows out the original warning: that fascism usually shows up wearing a nice suit, offering to fix your supply chain issues.

[catchymemes]

blue sunset on Mars is a real phenomenon caused by the way Martian dust scatters sunlight.

Unlike Earth, where sunsets are red and orange due to the scattering of shorter blue wavelengths by our atmosphere, Mars has an extremely fine dust that scatters blue light more efficiently near the Sun.

So during sunset on Mars, the sky turns reddish-brown while the area around the Sun glows a soft blue. It’s the opposite of what we experience on Earth.

NASA’s rovers have captured this eerie sight

[creatingblackcharacters]

Remember when Lil Nas X beautifully explored his sexuality, seduced and killed the devil to the banger of all time, and instead of cheering on this openly gay and proud Black artist for his artistry and fighting back against respectability politics, suddenly said respectability politics was all the Queerest Place on the Internet cared about? Hm. Wonder what happened there.

Anyway I miss him and hope he's doing better with his mental health 🙏🏾

[creatingblackcharacters]

Like say what you want about "bad queer representation", but this was the song that made me openly and happily accept that I was bisexual. To see him up there Black and beautiful, making music that I love, absolutely killing it? Yeah. You couldn't tell me shit. This man made me proud to be out. "This will make them think we're evil for being gay" hey newsflash dawg-

[violentbirds]

Just a fun illustration for a Star Wars discord im on. This is younger Beru and little Luke. I love Beru. I want to know more about her and her time with Luke. And I want all the AU’s where she survives and Luke makes her proud.

[h-l-w]

Words from Antigonick (Sophokles) translated by Anne Carson

1 2 3

[robco-official-deactivated20250]

losing it rn