[strangemonochromes]

Deserter: Junji Ito Story Collection ("Village of the Siren") // Junji Ito

[polish-lolita]

[cosmonautroger]

Branded To Kill, Seijun Suzuki, 1967

[lamignonette]

[stlamb]

eron, soul of the wall, located inside the museum of santarcangelo di romagna in rimini, italy

[flutedsleeves]

knut asdam, ‘come to your own’ (1993); film still

[daguerreotype-era]

1/6 daguerreotype

[theoldestchorusgirlintheworld]

Sylvia Plath, The Bell Jar

[sadharlot]

[ripteyed]

joan baez: i am a noise (2023)

[pissbataille]

Who to rent myself out to? What beast should I adore? What sacred image is being attacked? What hearts shall I break? What lie must I maintain? — What blood shall I trample?

Arthur Rimbaud, from A Season in Hell: “Bad Blood” trans. Mark Polizzotti

[inneroptics]

Ellen Rogers

[shisasan]

May 15th, 1933 Virginia Woolf, “A Writer’s Diary” (1918 - 1941)

[blackcoffeestudies]

Mutual fascination is always a risky business. Lacan suggests that it is the consequence of an imaginary identification in which the self strives to incorporate the other in an act as aggressive as it is loving. It is never clear who, snake or snake charmer, is mesmerized by whom.

Elizabeth Grosz, Jacques Lacan: A feminist introduction

[vint-agge-xx]

1904’

[falsenote]

La Fuga (1964)

[zoeflake]

“Altars”(series) by Darla Teagarden