Vincent van Gogh Avenue of poplars at sunset 1884 oil on canvas 45,5 x 32,5 cm Kröller- MĂŒller Museum, Otterlo

@theartofmadeline

Love Begins

#extradirty
YOU ARE THE REASON
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
đ
noise dept.
Three Goblin Art

Kaledo Art
$LAYYYTER

titsay

Janaina Medeiros
he wasn't even looking at me and he found me

â
Not today Justin
cherry valley forever
wallacepolsom

Product Placement
we're not kids anymore.

seen from Canada

seen from South Africa
seen from United States

seen from United States

seen from United States
seen from El Salvador
seen from United States
seen from United States
seen from United States

seen from United States

seen from Brazil
seen from Maldives
seen from United States
seen from United States

seen from Saudi Arabia
seen from China

seen from Malaysia
seen from United States

seen from United States

seen from United Kingdom
@sallysavestheday
Vincent van Gogh Avenue of poplars at sunset 1884 oil on canvas 45,5 x 32,5 cm Kröller- MĂŒller Museum, Otterlo
Ningiukulu Teevee
FLIRTATIOUS OWL Cape Dorset Collection 2017
Mark Rothko, Untitled, 1963
© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society Â
T R(ex)ochallor
Fingolfin going on his suicide and rage fueled quest
Rochallor returning alone and fatally wounded to Fingon
@wanderingnork put this idea in my head but for a long time I had no idea how to draw it, but it's finally done !
Also lyrics from Time Stands Still by Blind Guardian
Furnishing Textile, Velvet Cloth of Gold Textile (late 15thâmid-16th century)
This Italian Renaissance fabric is a rare, full-length panel of Florentine cloth of gold. It features the intricate "firefly effect." Weaving technique using real gilded silver threads that reflect light. This exact style of luxury import was heavily favored by the Tudor monarchy, and the bicolored rose motif within its design may have served as inspiration for the Tudor rose emblem itself. Loc. The Metropolitan Museum of Art, New York, since 1966. Dim. 318.8 cm H x 172.7 cm W (125 1/2 x 68 in.).
Max Ernst, Humboldt Current, 1951
Max Ernst, Composition en ocre, 1975
LEGOLAS & ARAGORN
discovered embroidery brush and, true to character, went overboard with it. a little practice in my illustration style, enjoy a trashy novel cover, either BL or buddy-cop depending on your interpretation, featuring the most annoying duo to ever exist. i know the elves of imladris wanted to lock them in a room and throw away the key, i know it!
commission balls
Aunt RĂan and little TĂșrin on the way home from the market (definitely NOT featuring any cake that Morwen said he shouldnât have before dinner)
Pebble Beach, St Abbs - Laura Boswell
British , b . ?
Reduction , linocut print using oil based ink on Fabriano Rosaspina paper , 51.5 x 34x0.1 cm. Ed 3/14.
Athrabeth Finrod y Andreth /Â The Converse of Finrod and AndrethÂ
â Of Death and the Children of Eru, and the Marring of Men â
Dragons!
The second one didn't come out as well as I hoped but I think it still looks good. Engraved on a mini-juice box, printed with a pasta machine :)
Helena Minginowicz Transforms Humble Paper Towel into Ethereal Paintings
A collection of 500+ four leaf clovers
Chinese hanfu inspired by The Northern Wei dancing and music figurines from Luoyang Museum (photos by èœæ± )
Sulfur combusts on contact with air to create stunning blue lava-like rivers of light in the Kawah Ijen crater on the island of Java | Ph: Olivier Grunewald
Lisa Wright (British, b. 1965)
Beneath the Strangeness of it, 2020
Oil on canvas