Himring

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trying on a metaphor
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@theartofmadeline
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@sallysavestheday
Himring
Tehanu (Earthsea #4), Ursula K le Guin
This was such a fun study to paint! I really enjoyed the process, but I would like to either practice drawing the tall blades of grass more or create a brush for it to help speed things along. Daily drawing 2468.
Put a few drabbles from this month's and previous month's instadrabbling sessions in my Idea Dump on Ao3. Here's one of them.
“Had you slain me on the mountain, you might have had a chance. By saving me, you doomed yourself.”
“Slaying you would not have changed anything. It was too late by then. I had been doomed earlier than that.”
“Yes, in Alqualondë when you drew your sword for my sake.”
“Earlier even.”
“At Yavanna’s festival, when you kissed me for the first time in the secluded glade.”
“Earlier than that.”
“When you were a small child, then. In the gardens of Grandfather’s palace, where you first met me.”
“No, earlier.”
“When you were born?”
“When you were born, my love.”
Alexander Calder: Mobiles, Stabiles, Constellations, Galerie Louis Carré, Paris, 1946
Moonshine - Jeanne Rosier Smith
American , b. 1966 -
Pastel on paper , 12 x 12 in. 30.5 x 30.5 cm.
Peruvian whistling vessels simulating animal calls (some of the oldest found date to c. 500–300 BCE)
I started workshopping some potion bottles for Ren Faire a few months ago and I feel like I’m getting somewhere…. They’re different than the standard rounded bottom but I tend to appreciate that I can set them down on flat surfaces. I’m still figuring out finishing off the mouths so they’ll take the same cork but I’m just about there.
This batch is from last month but I really liked these glazes
Hydrangea
mosiejoe16
On Living
by Nâzim Hikmet tr. Randy Blasing and Mutlu Konuk
I. Living is no laughing matter: you must live with great seriousness like a squirrel, for example — I mean without looking for something beyond and above living, I mean living must be your whole occupation. Living is no laughing matter: you must take it seriously, so much so and to such a degree that, for example, your hands tied behind your back, your back to the wall, or else in a laboratory in your white coat and safety glasses, you can die for people — even for people whose faces you’ve never seen, even though you know living is the most real, the most beautiful thing. I mean, you must take living so seriously that even at seventy, for example, you’ll plant olive trees — and not for your children, either, but because although you fear death you don’t believe it, because living, I mean, weighs heavier.
II. Let’s say we’re seriously ill, need surgery — which is to say we might not get up from the white table. Even though it’s impossible not to feel sad about going a little too soon, we’ll still laugh at the jokes being told, we’ll look out the window to see if it’s raining, or still wait anxiously for the latest newscast… Let’s say we’re at the front — for something worth fighting for, say. There, in the first offensive, on that very day, we might fall on our face, dead. We’ll know this with a curious anger, but we’ll still worry ourselves to death about the outcome of the war, which could last years. Let’s say we’re in prison and close to fifty, and we have eighteen more years, say, before the iron doors will open. We’ll still live with the outside, with its people and animals, struggle and wind — I mean with the outside beyond the walls. I mean, however and wherever we are, we must live as if we will never die.
III. This earth will grow cold, a star among stars and one of the smallest, a gilded mote on blue velvet — I mean this, our great earth. This earth will grow cold one day, not like a block of ice or a dead cloud even but like an empty walnut it will roll along in pitch-black space… You must grieve for this right now — you have to feel this sorrow now — for the world must be loved this much if you’re going to say “I lived”…
crab
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Shimmer - Jeanne Rosier Smith , 2026.
American , b. 1966 -
Pastel , 18 x 18 in.
These are commissions that were done for me by the wonderful @yen-yen-yen , the top one is Fingolfin and the bottom one is Feanor. I love them both! Go check out the artist’s other work if you can. The artist is really a fantastic person :). Thank you so much to the artist! <3
Two boys practicing their swordplay, Harlem, 1939–1940.
Photo: Aaron Siskind via Smithsonian American Art Museum
Franco Piavoli - The Blue Planet (1981)
Summer Fun by the lovely @sauroff who never says no to me