YeeHaw, Bitches!

[neopastel-dreams-deactivated201]

ABCs of your OCs

a list of oc questions in alphabetical categories - i made each category based on the first word I could think of in alphabetical order, so enjoy!

A: Aptitude 1. what are your oc’s natural abilities, things they’ve been doing since young? 2. what activities have they participated in? 3. what abilities do they have that they’ve worked for? 4. what things are they bad at? 5. what is their most impressive talent?

B: Basics 1. what is their hair color? 2. what is their eye color? 3. how tall are they? 4. how old are they? 5. how much do they weigh?

C: Comfort 1. how do they sit in a chair? 2. in what position do they sleep? 3. what is their ideal comfort day? 4. what is their major comfort food? why? 5. who is the best at comforting them when down?

D: Decoration 1. how would they decorate a house if they had one under their name? 2. how would they decorate their child’s room? 3. how do they decorate their own room? 4. what type of clothes and accessories do they wear? 5. do they like makeup/nail/beauty trends?

E: External Personality 1. does the way they do things portray their internal personality? 2. do they do things that conform to the norm? 3. do they follow trends or do their own thing? 4. are they up-to-date on the internet fads? 5. do they portray their personality intentionally or let people figure it out on their own?

F: Fun 1. what do they do for fun? 2. what is their ideal party? 3. who would they have the most fun with? 4. can they have fun while conforming to rules? 5. do they go out a lot?

G: Gorgeous 1. what is their most attractive external feature? 2. what is the most attractive part of their personality? 3. what benefits come with being their friend? 4. what parts of them do they like and dislike? 5. what parts of others do they envy?

H: Heat 1. do they rather a hot or cold room? 2. do they prefer summer or winter? 3. do they like the snow? 4. do they have a favorite summer activity? 5. do they have a favorite winter activity?

I: In-the-closet 1. what is their sexuality? 2. have they ever questioned their sexuality? 3. have they ever questioned their gender? 4. would/was their family be okay with them being LGBT? 5. how long would/did it take for them to come out?

J: Joy 1. what makes them happy? 2. who makes them happy? 3. are there any songs that bring them joy? 4. are they happy often? 5. what brings them the most joy in the world?

K: Kill 1. have they ever thought about suicide? 2. have they ever thought about homicide? 3. if they could kill anyone without punishment, would they? who? 4. who would miss them if they died? 5. who would be happy they died, anyone?

L: Lemons 1. what is their favorite fruit? 2. what is their least favorite fruit? 3. are there any foods they hate? 4. do they have any food intolerances? 5. what is their favorite food?

M: Maternal 1. would they want a daughter or a son? 2. how many children do they want? 3. would they be a good parent? 4. what would they name a son? what would they name a daughter? 5. would they adopt?

N: Never Have I Ever 1. what would they never do? 2. what have they never done that they want to do? 3. is there anything they absolutely can’t believe people do? 4. what is the most embarrassing thing they’ve done? 5. have they done anything they thought they’d never do?

O: Optimism 1. are they optimistic or pessimistic? 2. are they openly optimistic, throwing it on others? 3. are they good at giving advice? 4. is there anyone in their life that throws optimism on them? 5. were they always optimistic?

P: Personality 1. what is their best personality trait? 2. what is their worst personality trait? 3. what of their personality do others love? 4. what of their personality do others envy? 5. do they hate anything about their personality/about other’s personalities?

Q: Questions 1. do they ask for help? 2. do they ask questions in class? 3. do they answer questions that make them a little uncomfortable? 4. do they ask weird questions? 5. are they curious?

R: Rules 1. do they follow rules? 2. would they be a strict or laid-back parent? 3. have they ever been consequenced for breaking a rule? 4. have they broken any rules they now regret breaking? 5. do they find any rules they/others follow absolutely ridiculous?

S: Streets 1. are they street-smart? 2. would they give money to someone on the streets? 3. have they ever gotten in a fight on the streets? 4. has anything happened to them on the streets? 5. are they cautious when out?

T: Truth 1. are they honest? 2. can they tell if someone is lying? 3. is it obvious when they’re lying? 4. have they lied about anything they regret lying about? 5. have they told truths that have been spread against their will?

U: Underdog 1. have they been bullied? 2. have they bullied anyone? 3. have they been physically attacked by a bully? 4. have they ever been doubted? 5. have they surprised people with being good at something?

V: Vomit 1. do they vomit often? 2. do they get lots of stomach aches? 3. are they good at comforting someone ill? 4. what do they like as far as comfort goes? 5. do they burp, cough, or hiccup most when nauseous? when vomiting?

W: Water 1. do they drink enough water? 2. have they learned to swim? 3. do they like to swim? 4. can they dive? 5. can they swim without holding their nose?

X: Xylophone 1. what is their favorite genre of music? 2. do they have a favorite song? 3. do they have a favorite band/artist/singer? 4. can they sing well? 5. can they rap?

Y: You 1. how old were you when you created them? 2. what inspired you to create them? 3. were they different when they were first created? 4. do you enjoy writing them more than other characters? 5. what’s your favorite thing about them?

Z: Zebra 1. what’s their favorite animal? 2. do they like animals? 3. cats or dogs? 4. what’s their dream pet? 5. do they have any pets at the moment?

[pristinepastel]

please guys??

[queensweeties]

Looking for Something? (Mobile)

Anatomy:

Arms

Breasts

Body Types

Feet

Female

Hands

Heads -Ears -Expressions -Eyes -Facial -Hair -Mouths and Lips -Noses -Tears

Humans

Legs

Male

Muscles

Pelvis

Proportions

Shoulders

Torso

Animals:

Anatomy

Antlers

Beaks

Behaviour

Ears

Facial

Feathers

Fur

Hooves

Horns

Insects

Legs

Paws

Talons

Teeth

Wings

Backgrounds:

Cityscape

Indoors

Organic

Perspective

Quick BGs

Simplistic

Brushes:

Photoshop

Paint tool SAI

Design:

Buildings

Character Design

Clothing

Environments

Folds

Heights

Maps

Names

Sketching

Skin Tones

Drawing and Colouring:

Canvas Size

Colour Palettes

Colour Theory

Comics

Composition

Lighting

Lineart

Painting

Quick Tricks

Shading

Traditional

Fantasy:

Armor

Archery

Horns

Mythical Animals

Mythology

Power Ups

Weapons

Wings

For the Artist:

Copyright

File Types

Exercises

Portfolio

Reminders

Tablets

Tips and Advice

Tools

Languages:

ASL

Ancient

French

German

Grammar

Italian

Japanese

Korean

Morse

Spanish

Misc:

Animation

Commissions

Cosplay

Crafts

Life

Master Lists

Psychological

Resources

School

Writing

Nature:

Blood

Clouds

Fire

Flowers

Grass

Landscapes

Lightning

Metal

Plants

Rocks

Space

Trees

Water

Wood

Poses:

Angles

Animals

Draw Your X

Humans

Movement

Multiple Persons

Programs:

Clip Studio Paint

Krita

Paint Tool SAI

Photoshop

Etc

World Building:

Buildings

Culture

History

Historical Clothing

Video

Links

[bonkalore]

Trying to draw buildings

[archive7481465]

yo here’s a useful tip from your fellow art ho cynellis… use google sketchup to create a model of the room/building/town you’re trying to draw… then take a screenshot & use it as a reference! It’s simple & fun!

[moorecolinart-deactivated201810]

Sketchup is incredibly helpful. I can’t recommend it enough.

There’s a 3D model warehouse where you can download all kinds of stuff so you don’t have to build everything from scratch.

[vanjestic-deactivated20160131]

reblog to save a life

[bludragongal]

This is an incomplete tutorial, and it drives me crazy every time I see it come around.

We live in a pretty great digital age and we have access to a ton of amazing tools that artists in past generations couldn’t even dream of, but a lot of people look at a cool trick and only learn half of the process of using it.

Here’s the missing part of this tutorial:

How do you populate your backgrounds?

Well, here’s the answer:

If the focus is the environment, you must show a person in relation to that environment.

The examples above are great because they show how to use the software itself, but each one just kind of “plops” the character in front of their finished product with no regard of the person’s relation to their environment.

How do you fix this?

Well, here’s the simplest solution:

This is a popular trick used by professional storyboard and comic artists alike when they’re quickly planning compositions. It’s simple and it requires you to do some planning before you sit down to crank out that polished, final version of your work, but it will be the difference between a background and an environment.

From Blacksad (artist: Juanjo Guarnido)

From Hellboy (Mike Mignola)

Even if your draftsmanship isn’t that great (like mine), people can be more immersed in the story you tell if you just make it feel like there is a world that exists completely separate from the one in which they currently reside – not just making a backdrop the characters stand in front of.

Your creations live in a unique world, and it is as much a character as any other member of the cast. Make it as believable as they are.

[shatterstag]

Great comments and tutorials!

I’m a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!

Sketchup is very useful for environment references, and I assume it’s reasonably easy to learn. If you’re interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!

Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple ‘CAT’ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)

The armature can also be posed incredibly easily. I know programs exist for stuff like this - Manga Studio, Design Doll - but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.

By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!

Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.

We can even quickly and easily expand this scene to include more characters!

Proper 3d modeling software is immensely powerful, and if you wanted to, you could model a complex environment that occurs regularly in your comic or illustration work (say, a castle interior, or an outdoor forest environment) and populate the scene with as many perspective-grounded characters as you need!

[askoursquad]

reblogging to save a life

[bludragongal]

!!!!!!!!!!!!!!

Look at this amazing addition! This is fantastic!

[meruz]

process post for this piece but with more explanation. I originally made this for instagram but they seemed to like it so. might as well archive it here too.

[artmagine]

Top 12 alternatives to Photoshop for digital painters and illustrators

Hello there!

Yes, we haven’t done this in a while… but our inbox and chat are swamped with questions on the subject, so this article was very much needed.

it’s a simple list of art apps, but we know you love those :D

Enough with the intro, here it is, a list of twelve art apps you may want to check out.

ArtRage is an art program for beginners and professionals. With its minimal interface, it’s easy to keep the essential tools at hand without stealing space from the canvas. Panels can be moved around and tools can be customised. We all know how important it is for digital artists to be able to modify brushes!

Pros: easy to use; friendly interface; essential tools from professional apps available; available for iOS, Android, Windows and Mac

Cons: it may get sluggish with big files and when using big brushes, but performances also depend on the running machine; limited selection of editing tools if compared to Photoshop - ArtRage is more of a painting program rather than an editing one.

Paid

ArtRage Lite is a different version at a cheaper price, mostly for beginners, but also for professionals if they need the essential.

Now free, Sketchbook is the famous app created by Autodesk for various platforms.

Pros: clean, friendly interface; easy to use; professional features

Cons: lack of official tutorials; doesn’t offer as many tools as other apps (it’s down to the essential); paid subscription in Adobe style for multiple licenses

Free and paid

Black Ink is a powerful little program few actually know, but there’s a reason: this isn’t your classing drawing app. What’s cool about it is the vast selection of special brushes, completely non-realistic, and definitely able to boost your creativity.

Pros: vast selection of customisable brushes; excellent performance

Cons: not very easy to use; non-intuitive interface

Paid

This is probably the most complete software for painting, drawing and animation. It was originally known as Manga Studio, but with its updates and addition of features, it became Clip Studio Paint. 

This doesn’t say much about the quality of the features themselves considering the affordable price (if you haven’t used the app yet, that is), but among graphic apps, this one is the top seller.

Pros: professional features for illustrators; layout tools for comic/manga artists; 3D reference models; customisable tools; various sales with special prices

Cons: the interface may not appear intuitive at first; the program may lag (again, performance also depends on the running machine)

Paid

GIMP is the famous open source image editor originally created for GNU/Linux and available for OS X and Windows. 

Best known as Photoshop’s main competition, this is a manipulation program for both beginners and professionals who love design.

It offers many professional features, making the program a powerful tool.

Pros: professional editing tools; supports different formats; supported by different platforms; active community

Cons: in spite of the simple design, many options are hidden and it takes time to discover all the features; slow startup

Free

Krita is an open source painting app created by artists for artists.

Pros: easy to use; intuitive interface; great brush workflow; brush stabilizer; customisable brushes; general good performance; very enthusiastic, although small, community

Cons: it may be slow or even crash depending on the running computer and the app’s version; very few editing tools compared to Photoshop

Free

MediBang Paint is a free and light app for drawing and painting, perfect for manga and comic creation.

Pros: vast selection of brushes; cloud sharing; friendly, minimal interface (non-desktop app); also available for iPad, iPhone and Android

Cons: requires an account to use all features; non-intuitive interface (desktop version)

Free

Mischief is a sketching app with essential tools, useful for brainstorming and ideation.

Pros: infinite drawing canvas; friendly interface; easy to use; cheap pro version

Cons: few updates; offers only the essential (but that’s the point); no editing/adjustment tools

Free and paid

Corel’s jewel, Painter is the most famous software that offers digital tools able to give a traditional feel to brushes and canvas.

Pros: different selection of media; many professional features; PS-friendly

Cons: certain brushes may work slow; not easy to use at first; the software may crash (this is the most common report); pricey

Paid

Paintstorm Studio is a professional software for digital painting. It’s focused on the use of brushes and blending, which makes the software a little gem in the digital painting field.

Pros: good brush workflow; brush stabilizer; “close gap” feature; customisable interface and tools; professional features; affordable price

Cons: non-intuitive interface (desktop version)

Paid

Procreate is the powerful drawing app for iOS. 

With the very sensitive Apple Pencil, Procreate is so easy to use that many artists chose the iPad over the most famous graphic tablets.

Pros: friendly interface; makes it easy to organise files; excellent brush workflow; customisable brushes; video recording; affordable price

Cons: hidden features; only available for iPad

Paid

SAI is a simple app for artists who want to focus on painting and drawing. 

It’s well known for its good pressure support and its essential tools for manga artists, but SAI can be used by any kind of artist who wants to paint.

Pros: easy to use; friendly interface; light software; customisable brushes; tons of (non-official) tutorials

Cons: limited selection of tools, even basic ones; limited canvas sizes and uses; it might crash from intensive work, especially with big canvases and brushes; supports only RGB colour mode; lack of support

Paid

We hope you’ll find this list useful. 

If you think there are other apps that should have made this list, don’t hesitate to let us know!

Thank you and peace out,

G&M

Buy us a coffee ❤

Other articles:

10 inspiring and helpful YouTube channels for digital artists

6 inspiring Art Podcasts for digital artists

7 amazing Photoshop extensions and tools for digital artists

[xamag-main]

Webcomic tips

In the conclusion for now, some things I’d really recommend doing if you’re seriously considering making a webcomic (or really a comic in general). Some of these don’t really apply to strips or gag-a-day type of comics, but I’m not talking about those here.

1. Write down ideas\sketch stuff, LEGIBLY. “I’m gonna remember it later” NEVER works. And if you scribble it somewhere on a piece of paper, you’d better scan it or retype in one doc later, because tiny notes always get lost among other doodles in my skethbooks.

(i know it’s hard to keep everything clean and organized, but this mess is just not productive)

If your project is a collaboration, save your conversations. If you’re working alone, make a blog for your ramblings. You have no clue what tears of relief I cry when I open that blog and rememeber I don’t have to painstakingly look through my heaps of sketchbooks and folders for a tiny idea I’m not even sure I wrote down a few months ago.

2. Inspiration folders, or even better, inspo blog with tags also help with collecting and remembering ideas. Color schemes, landscapes, style inspirations, atmospheric stuff, maybe some photo references, all those neat things.

3. Basic tier: character design sheets. Top tier: common poses, expressions. God tier: outfits they wear throughout the comic. Holy cow tier: turnaround sheets for all those outfits.

(I’d die trying to find good pages for references without these)

4. If you haven’t finished detailing the plot, don’t even think about moving on to drawing the comic. You’re gonna regret it when you come up with a really cool plot element that can’t be incorporated anymore because you’ve already drawn all the parts you could’ve tweaked.

5. Don’t just define the plot, make a script. Writing down the lines and the brief description of the actions serves me fine:

(notice that I approximately divided the pages & the text that’d go to each panel on a page)

6. Hard mode: make thumbnails for all the pages, if possible. At least whenever a new chapter starts. 

7. If your story involves some convoluted chronology shenanigans, you’d better write down the events of your timeline in the chronological order.

8. Backgrounds. You can’t avoid them, bro. Like half of the comics are backgrounds, especially if your story involves a lot of adventuring and looking around. I know it hurts, but you’ll have to become friends with them. Read some tutorials, practice on photos, go out and sketch some streets, use 3d programs (like Google Sketch) to understand the perspective, use sites like houseplans to visualize your buildings better, I don’t know. Just be prepared for their imminent evil.  

9. If you’re drawing digitally, pick a brush size for the lines and stick with it. You don’t want your lines and detail levels to look all wonky and inconsistent in different panels. And I don’t mean the cool stylistic varying lines, I mean this:

Also, things on the background should have thinner and/or lighter lines to avoid distraction. Usually less details too, unless you’re making a busy background with a simple foreground to help it pop out. Or wanna draw the attention to an object on the bg.

10. Readable fonts. Even if you chose to ignore people with poor sight or dyslexia, the majority of your readers aren’t gonna be excited about struggling to decypher this:

Also, as much as I love my black speech bubbles, colorful text on black still kinda hurts the eyes. I wouldn’t recommend doing that for all the characters. Black speech bubbles are usually used for creepy, inhuman voices. And yes, having a colorful outline in this case helps.

11. Probably newsflash, but did you know that panels have their place, order and functions? They do! My favourite thing ever is how I used panels when I was like 12:

(comics ain’t rocket science, but this one is)

The composition of the panels and word balloons always serve for a better reading experience. They guide your eyes over the page, so that you never feel lost or confused. The images in the comic equal frames in a movie, so it’s pretty damn important in what order you look at things and how quickly you can understand what’s going on!

(Eric Shanower & Scottie Young’s Wizard of Oz)

12. One update a week is fine for testing waters. Don’t overestimate yourself, especially if you have a pretty busy life outside it. A stable comic that updates slowly, but regularly is better than an unpredictable erratic one. You can always pick up the pace later, if you feel confident enough.

13. Try to always have a buffer - a couple of pages in reserve. If you’re making the pages much faster than you’re updating, this shouldn’t be a problem. But if those paces are equally the same, it’s goddamn HARD. But on the other hand, if something happens and you skip an update, those come in handy.

If you’re looking at this list and thinking “wow that’s a LOT of work”, you’re totally right. And it’s okay to be intimidated at first! But that’s why it’s important to start with something small. Once you get the formula down, these things will be natural to you.

[satandotgov]

@sidelley

[art-res]

Really great collection of tips for my webcomic creators! Many of these are relevant to every artist as well!

[atissi]

do you have any tips on drawings noses? particularly non-white noses?? all the tutorials are european noses and i just want to learn how to draw my own nose!!

oh i feel you. the nice thing about being a poc is that you can always study yourself in the mirror to learn how to draw yourself better! but anyways:

if you’re wondering which kinds of noses are frequent for which race, i like to use this guide. I can’t verify how accurate it is, but it’s pretty damn comprehensive for racial traits around the world. I also really like this guide for learning how to draw a variety of East Asian noses (it’s not all flat!). Here’s an equivalent guide that includes drawing African noses. And there’s always Google images for more specific requirements.

+ 3D models are really helpful when drawing noses: x x x

+ here are some general nose tutorials by better artists lol: x x

EDIT: Check the notes for an updated version (different names are used)

[undergroundwubwubmaster]

Quick art tip - child proportions

Ok this is a real quick one but let me show you how to get more-or-less accurate sizes for child characters. Kids are tricky to draw, they are - from toddler up to about teens people change radically almost every year so pinpointing character’s size during those years is pure hell.

What you need to do to make everything super easy for yourself is to check their Head Proportion. What makes kids look like - well, kids, is that their heads are proportionally large in comparison to their body.

Average adult is about 7,5 heads tall in comparison to their own body, however with children under 10 that number is just under 6 heads with about 1 head shorter the younger you go down to 3 heads as an infant.

Easiest way to figure the so-so head-height of a certain age is to find images of said age group and do a quick count on them

at which after you can replicate it in your own works - don’t mind if it’s not 1:1 with reference, finding images that are actually of the age you need is tricky and kids in general vary a lot so someone might be a lot taller than others. You have a bout  0,5 -1 heads of wiggle room before it starts to look way older.

Proportions are super important in art and i lovingly recommend everyone to figure out basics of them - it’s the easiest way to get notifically better with art. I could go on about proportions but let’s wrap this up. Need to note however that head proportion is not same as character height - a character can be 15 feet tall but still have head-height of 6, HH is simply a way to scale out the body.

[oak-n]

appears it has some use for fellow artists sooo

[tnerdbean]

Know what I’m salty about?

In all my art classes, I was never taught HOW to use the various tools of art.

Like yes, form, and shape and space and color theory and figure drawing is important, but so is KNOWING what different tools do.

I’m 29 and I JUST learned this past month that India Ink is fucking waterproof when it dries. Why is this important? Because I can line something in India Ink and then go over it with watercolors. And that has CHANGED the ENTIRE way I art and the ease I can create with.

tldr: Art Teachers: teach your students what different tools do. PLEASE.

[spookyscaryscouticus]

WAIT INDIA INK JS WATERPROOF ONCE IT DRIES????? THE ENTIRE REASON IVE AVOIDED MARKERS MY ENTIRE LIFE IS BECAUSE JNK BLEEDS AND YOURE TELLING ME INDIA INK IS

F U C K I N G W A T E R P R O O F

[cinderteethe]

oh man your teachers did not do there jobs!

-Yo painters, use pencil if u must underdraw beneath an oil painting, the lead is archival but ideally you should be doing underdrawings in a muted earth tones (siennas, umbers, ochres or earth green) with some titanium white added to it. (The white nearly matches the canvas and earth tones naturally blend with all colors on top unless u do super thin glaze washes).

-Trying to make a natural looking warm black? Don’t use black straight from tube, Mix alizarin crimson and viridan. add raw umber to adjust for light depth.

-If your into mixed media ALWAYS use acrylic first and oil on top (the gesso on primed canvas is acrylic based and oil sits on top of it great). NEVER put acrylic paint on top of oil, the acrylic will crackle/decompose and fall apart/off the canvas.

-India ink is permanent and if your using ink from a jar it should say it’s permanence. professional art grade pens usually have there permanace listed either on the pen or the companies website.

-Red cinnabar is poisonous, DO NOT EAT IT, no matter how much like fruit loops it smells.

-Translucent and transparent are NOT the same. translucent is *shiny* and a cloudier color, ideal for mixing usually ordor making vibrant colors like for eyes, cars, etc. Transparent is matte and usually a 50% transparency from an opaque color.

-ALWAYS DO A TEST SWATCH OF ANY NEW MATERIAL.

-any paint made with “true alizarin crimson” “red lake” and “chrome yellow” pigment is a fugitive paint. Fugitive means the pigment fades dramatically and disappears over time, (usually 5 to 15 years) lots of van goghs paintings have this problem. be very careful with these pigments. Alizarin crimson especially smells extremely sweet and like fruit loops or fruit loops, don’t eat it.

-gauche is a mix of watercolor and ink, proceed with caution as this material can be an asshole.

-Watercolor can be made darker/thicker by letting it dry slightly in cake form or in liquid form and can be dry brushed if u get the timing down.

-Paint liquid rubber or lay down thin pieces of painters tape on edges in watercolor paintings to Prevent bleeding between lines if u need super sharp edges.

-always tape down the entire paper edges when u paint with watercolor to a board to prevent the paper from curling as it dries.

-add salt directly into wet watercolor paintings to absorb pigment and make shit look like space.

-Always paint in well ventilated areas and avoid getting lots of paint on your hands. lots of paint is made with heavy metals and can cause cancer.

-natural materials aren’t always safe, especially

-Ones u collect yourself, do your research before grinding, burning, sanding these things especially indoors.

-use NATURAL bristles on your brushes with oil paint and SYNTHETIC bristles on your brushes for acrylic and watercolor. synthetic bristles literally break off into oil paint and stick into your painting, and natural bristles can’t handle the weight of acrylic paint and rip into 15 directions. Use hard boar bristle for the underdrawing/underpainting of an oil painting as it will force the paint into the canvas pours more effectively cause it’s stronger, use softer bristles for outer layers of oil painting and blending, boar will pierce outer layers and is to hard for anything but the first layer. can’t tell what u have? clean it up and brush it on your face, softer it is the better it is as doing outer layers of color.

[teratocybernetics]

-if you have a decent painters’ tape, you can prewet your watercolor paper, tape it to a surface & weight it down with some books to press it flat while it’s wet and help keep it from buckling later once dry, this is especially useful because for some reason, watercolor block is half again as expensive or more than a comparable sized pad or large sheets to cut down, even by the same brand

-natural sable is good for watercolor if you can afford it, i have two smaller brushes i shelled out for to try it, and while i probably didn’t treat the finer point one right, the other one is a miracle i’ve had for nearly 20 years.

-chinese calligraphy brush sets are fantastic for large work and washes and way, way cheaper most times than standard brushes, and it doesn’t seem to matter how cheap they are, either. they may shed a little, but they do a really good job holding and distributing water.

[feliosfarkus]

Rb for any art students

[maiden-of-gondor]

Also if you leave drawing gum on watercolor paper for a long period of time it can damage the paper

[kiera--b]

friday night tutorial time

this post is massive but i tried to cover both the conceptual and technical side, hopefully it’s somewhat coherent

continued under cut

Keep reading

[kreftropod]

Some tips on getting started with animation!

I’ve been asked about getting into animation, so I thought that I’d write something for all of you who might be interested. If I can help anyone get started with animation I’d love to <3 I’ll try to keep it simple, but honestly I really suck at explaining things shortly so this will be a long post. If there’s anything that I fail to explain, or you have other questions, feel free to ask me anything!

This is a pretty long post, so be warned. Read more below.

Keep reading

[jam-art]

i’m gonna drop an art tip here

i think an important thing to learn, especially if you start out with drawing anime, is that faces don’t necessarily have to narrow from top to bottom

i like to think of wide top, wide middle, wide bottom, and rectangle-like as the 4 main face shapes

what you should keep in mind about them:

you’re only halfway done: the jawlines, the width-length ratio, the amount of fat in the cheeks, the intensity or subtlety of the face’s curves are all important components you still have to decide on after choosing the shape itself

none of these shapes are exclusively feminine or masculine, don’t hesitate drawing them on any gender

most people in real life have some variation of the wide middle type

if you are trying to draw real people, getting the shape of their face down is the first step

i’ve seen tutorials say the shape of the face can tell a lot of the character’s personality - you don’t necessarily have to live by that rule. as long as you aren’t unrealistically drastic about their proportions, their face shape determines their inner qualities as much as it would in real life (not at all)

[devinellekurtz]

A Twitter thread of mine that I think some of you may find useful here as well! I’ll update this periodically when I update the Twitter thread.

[tecochet]

also, how do you go about drawing two characters interacting? like maybe just standing next to each other or walking next to each other in a natural way because i never know what to do with the rest of their bodies after i draw their head and neck :,) i know this isn’t that well explained and i truly understand if it isn’t something doable since i know ur super busy and have more important things to do but thank u so so much in advance

[usurperss]

july ‘19 vs september ‘19 

[usurperss]

so here’s a tiny tutorial about light reflections (i’m no expert though!!)

the drawing made in july is lacking on light reflections

the one done in september looks much better since i paid attention to them

Also remember that the intensity of the lighting depends on the material on which it is reflected, eg. glass / metal / fabrics etc. Glossy surfaces reflect the lighting more than matte surfaces

[usurperss]

another example:

[learninganatomy]

Not specifically anatomy help but very helpful visual of lighting and colour theory!

[galoogamelady]

my high-school art teacher: You need to learn how to draw geometric shapes in order to– me, 15 years later: you are like a little baby. watch this

Edit: late with this but this is Photoshop CC (2018 I believe)