syd & elena + kisses
todays bird

blake kathryn
Noah Kahan
No title available
Not today Justin
No title available
ojovivo
Monterey Bay Aquarium
taylor price
The Stonewall Inn
Sade Olutola
"I'm Dorothy Gale from Kansas"
KIROKAZE
NASA

ellievsbear

titsay
No title available
occasionally subtle

No title available
Doug Jones

seen from Italy
seen from Brazil
seen from Australia

seen from India
seen from United States
seen from Philippines
seen from United States
seen from Italy
seen from Venezuela

seen from Germany

seen from United States
seen from Canada
seen from France
seen from Russia

seen from Malaysia
seen from Costa Rica
seen from United States

seen from Russia
seen from United States

seen from Türkiye
@samsammy-lex
syd & elena + kisses
ODAAT | S04E01
fangirl challenge - [18/50] romantic relationships ♡ elena alvarez and syd “No matter what happens, I love you.”
ODAAT | S04E01
Elena and Syd in 4.01 Checking Boxes
elena alvarez, panicked gay™, and alex alvarez, irritated brother.
bonus:
i wanna talk to you about the female orgasm.
One Day at a Time (2017) - 4x04
4x17 Scene vs Blooper
Not to be old or anything but I was watching the 2000′s Charlie’s Angels and
That’s Melissa McCarthy
Does anybody remember this “go nuts, show nuts, whatever” gem? Oh how the mighty have fallen.
You either die a hero or live long enough to see yourself become a villain
you think you want me to shut up? i have to listen to myself even when im not talking
wow this is a fucking mood
team not-moving-to-twitter
30 Day Wynonna Earp Challenge ⇨ Day 20: Favourite Behind The Scenes Moment ★ The cast and Emily Andras talk about Melanie and her pregnancy in Season 2 🤰🏽
via
Patricia Cronin, Memorial to a Marriage, carrara marble (installed at Woodlawn Cemetery, Bronx, NY), 2002
In Memorial to a Marriage, Patricia Cronin disrupts the cemetery. Installed ‘for eternity’ in New York’s necropolis, Cronin and her partner lie entwined upon a modern mattress among the memorials to the partners in and products of state sanctioned heterosexuality. By taking anticipatory revenge, Cronin out-manouevres the reality that she and her partner, Deborah Kass, could not be recognized as a family in the eyes of the American state at the time the work was made. “If I can’t have it in life,” says Cronin, “I’m going to have it in death.”