Sans--titre

[sans--titres]

Eva Jospin.

[sans--titres]

Eva Hesse, no title (1969–70), latex, rope, string, and wire, at the Whitney Museum (photo by the author for Hyperallergic)

[sans--titres]

Pour connaître toute la mélancolie d'une ville, il faut y avoir été enfant.

Walter Benjamin

[sans--titres]

J’ai un tempérament qui essaie de fabriquer des règles pour avoir le plaisir de les détruire plus tard : c’est une démarche dialectique entre la liberté de l’invention et la nécessité d’avoir une discipline dans l’invention.

Pierre Boulez

[sans--titres]

Chaque génération, sans doute, se croit vouée à refaire le monde. La mienne sait pourtant qu’elle ne le refera pas. Mais sa tâche est peut-être plus grande. Elle consiste à empêcher que le monde ne se défasse.

Albert Camus

[sans--titres]

Mais quelques fois l'avenir habite en nous sans que nous le sachions, et nos paroles qui croient mentir dessinent une réalité prochaine.

Marcel Proust, À la recherche du temps perdu.

[sans--titres]

[socks-studio]

Cedric Price ‘Housing Research’ (1971) and the 'Steel House’ (1967)

http://socks-studio.com/2016/04/14/cedric-price-housing-research-1971-and-the-steel-house-1967/

Published in a supplement of Architectural Design in 1971, this research project by architect Cedric Price is an investigation on “the good life”. What could lead to a better life in a domestic environment? According to Price, housing should foster the desire for better living rather …

Read more on: http://socks-studio.com/2016/04/14/cedric-price-housing-research-1971-and-the-steel-house-1967/

experimental, flexibility, housing, Architecture, Dysfunctional Plans, Housing the Isolated Individual, Housing the Multitude, Technology

[etudes-studio]

John Divola

As far as i could get

[etudes-studio]

Aurélien Arbet, Kamakura Japan (2015)

[deseopolis]

The age of history if one can call it that, is also the age of the novel. It is this fabulous character, the mythical energy of an event or of a narrative, that today seems to be increasingly lost…Photography and cinema contributed in large part to the secularization of history, to fixing it in its visible, “objective” form at the expense of the myths that once traversed it.

Simulacra and Simulation. Jean Baudrillard. (via deseopolis)

[wesdelval]

Tacita Dean

[last-picture-show]

Jimmy Mitchell, Paul Newman on the Set of “Butch Cassidy and the Sundance Kid” directed by Roy Hill, 1969

[secretcinema1]

Glasgow, 1980, Raymond Depardon

[gilles-andre]

Gilles ANDRE

Acrylique sur panneau bois, 27 x 35 cm  -  2016

[sans--titres]

.

[mikasavela]

Zaha Hadid. Bergisel ski jump, 2002. Insbruck, Austria.

Photo by Hélène Binet. From Domus no. 854, December 2002.

[hinducosmos]

Rani-ki-Vav (the Queen’s Stepwell) - Top View Patan in Gujarat, India Photographer: Dushyant Patel (via 500px.com)

Rani-ki-Vav, on the banks of the Saraswati River, was initially built as a memorial to a king in the 11th century AD. Stepwells are a distinctive form of subterranean water resource and storage systems on the Indian subcontinent, and have been constructed since the 3rd millennium BC. It was added to the list of UNESCO’s World Heritage Sites on 22 June 2014. unesco.org