This year’s art
Insta: @sarahlowedesign
taylor price

祝日 / Permanent Vacation

PR's Tumblrdome
Xuebing Du
NASA

roma★

oozey mess
No title available

Discoholic 🪩
Keni

if i look back, i am lost

Love Begins
Show & Tell
wallacepolsom
todays bird
TVSTRANGERTHINGS

@theartofmadeline
art blog(derogatory)
I'd rather be in outer space 🛸
Misplaced Lens Cap
seen from Yemen

seen from United Kingdom

seen from Germany

seen from Iceland

seen from Malaysia
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States

seen from Finland
seen from Germany

seen from Austria

seen from Germany

seen from Türkiye
seen from United States

seen from United States

seen from Malaysia

seen from Germany
seen from United Kingdom
@sarahobv
This year’s art
Insta: @sarahlowedesign
I truly appreciate kindness. I appreciate a quick message, I appreciate those who ask me if I’m okay, I appreciate every person in my life who has tried to brighten my days a little.
Who did the artwork for [Three Cheers for Sweet Revenge]? Gerard: I did. You like it? Yes, very much. Gerard: Actually, I did a bunch of artwork -a whole bunch of stuff that didn’t make it on the record. I just didn’t want it on, and we used that stuff on the hoodies. I’ll tell you a funny story about it. I went in to the head of the Art Department at Warner. He’s a guy with a lot of history. He’s worked on Beatles stuff. He’s been in the business. Did you seen the VH1 thing with Fleetwood Mac? That band had a big special air on Sunday, and it was the making of their last record. He’s there. He’s in it. I’m sitting there and watching it like, “Holy shit.” Anyway, I go in with this book, this sketchbook of all this watercolor stuff, because I was going to use that as a basis for what the photographer was going to do. We have a photographer I really love, Justin Borucki. He ended up doing all the photos of the band for the record. But he was supposed to do this set up of a man and a woman. It was supposed to be a photo of them covered in blood. So, I pass all my sketches over, and he’s sitting there looking at them and he’s like, “What do you want me to do with these?” I was like, “I’m just going to give them to the photographer and he’s going to recreate the situation.” He goes, “How come you’re not using these?” I’m like, “I don’t know. I haven’t done art in years.” So, I didn’t think of myself that way. I didn’t think they were good enough. He loved them. He was like, “This is your cover, dude.” I was really surprised. It’s very gory, but I guess because it’s watercolor, it’s very tasteful, which is why he actually preferred all of them. Because if we put people there, it would look like a hardcore record. It would look like a movie poster for some weird movie. So, I was like, “Alright. Ok, let’s do it.” So, that’s how that came about. We have two versions of it too. There’s another gorier version that I actually didn’t like because the guy came out bad. The girl came out great. It didn’t look right. The other one is more tasteful.
starsandscars.com | Skate & Surf Festival 2004
Using Tumblr Mobile is like
McCall’s, December 1967. Photographed by Otto Storch.
having a permanent full time job is you thinking to yourself “so this is really the rest of my life huh” as you come home every single day before using your 4 hours of recreational activity to do nothing and then going to bed
I love the symmetry between (500) days of summer and eternal sunshine of the spotless mind. Broken timelines, disfunctional relationships and blind love. Both have cracking soundtracks too.
love watching a movie and then coming on here and reblogging some gifs of what i watched like i’m making a little announcement about where i’ve been
I never change, I simply become more myself.
Joyce Carol Oates (via quotemadness)
Run (2020)
PHOEBE BRIDGERS By Olivia Malone for the Sunday Times (2021)
In lieu of flowers, Kathrin Linkersdorff