“Fuck it” – my final thought before making most decisions.

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@sass-soon
“Fuck it” – my final thought before making most decisions.
Why does horror comedy always seem to be splatter? Every time you hear the term, it's going to be a comedy framed up with some horror tropes, and then some special effects violence thrown in.
Why not psychological horror comedy? Something that titters just on the border of too-silly-to-be-scary but also too-creepy-to-be-funny, the characters are just a little bit too off-the-kilter to be goofily relatable, there's something actually wrong with these people. The vibe and the atmosphere is intolerable but in a way that makes you burst out in tense and nervous giggles.
The film never actually explicitly states what happens to the characters who don't make it, but as much as someone's slip and fall into The Thing is silly on first watch, the more you think about the varying possibilities, the more aware you become that there's literally no option here that wouldn't be a fate worse than death.
You hate this film, you hate it, you hated watching it, but can't unsee it and it lives rent free in your head now. You make your friends watch it - promising it's funny - because you don't want to suffer life with this cursed experience alone.
Charlie and the Chocolate Factory
how am I supposed to carry on living a normal, natural life, with the awareness that you just gave me.
Queuing this for January too.
I think we’re kind of starting to get away from this but have y’all noticed how in the vast majority of popular media, sex scenes don’t actually tend to involve a lot of talking/fumbling/awkwardness unless it’s for humor or to indicate that the people having sex are a.) probably Wrong for each other somehow or b.) inexperienced, possibly having sex for the first time?
but “good” sex, between people who are experienced and In Love etc, is almost always effortlessly athletic and steamy and they somehow telepathically know exactly what to do. I’m not talking about knowing what their lover enjoys, that’s entirely feasible, but they never even have to coordinate what they’re doing. there’s no “do you want me on top?” or “do you want to do [x]?” or accidentally getting in each other’s way.
the overwhelming message that I’ve always gotten from pop culture is that Good Sex happens without communication and, more dangerously, that needing to communicate is a sign that you’re somehow bad at sex, when in reality that’s almost definitely a sign that you’re, you know, a considerate partner who actually gives a shit about people being comfortable when they have sex with you.
why doesn’t this have more notes
because I posted it less than 12 hours ago; give it time, friend
Not only that but like, overwhelmingly sex in media is portrayed as this steamy, well-oiled, SERIOUS machine. Like… where’s the fun? Pop culture seems to be so obsessed with this communication-less pantomime of actual intimacy rather than the reality of intimacy going hand in hand with not only consideration but humour and mutual vulnerability.
Sex is by nature so awkward and odd and it NEVER works the way you see in films or on tv. It’s never seamless and perfect and that is not a BAD THING.
You’re not “doing it wrong” if you’re having problems getting a good rhythm and keep messin’ each other up by trying to help.
You’re not doing it wrong if you’re laughing and talking and not taking it seriously.
And additionally, and now this is a complete tangent from the original point here, but you’re not doing it wrong if you don’t manage to get off or get your partner off.
Sometimes sex is just the action and not the climax and that’s COMPLETELY FINE. My partner and I struggled a LOT with this when we first started having sex because we both had terrible guilt when we couldn’t reach climax or couldn’t get the other off because we felt like that was what the whole point of sex was.
Media puts a lot of PRESSURE on sex and what it looks like that shouldn’t be there and it’s AWFUL.
The focus is just so … wrong.
hey @thepixiepaige no big but this is the best commentary anyone has ever added to one of my posts
It's just me and my dirty glasses against the world
ughhhhhhhh im trying to take over the world but my incessant need to make anagrams of my top secret plans keeps giving me away
other anagrams of delta-omicron:
MORON CITADEL
CILANTRO MODE
CONDOM RETAIL
MOONLIT CEDAR
LORD MEAT COIN
RENT ACID LOOM
ACNE MOLD RIOT
guess the op of that tweet lives in the moron citadel
fyi things like insulin, hearing aids, wheelchairs, glasses costing money at all is a form of structural ableism
disabled people should not have to pay to live their lives like everyone else. and in the case of insulin, disabled people should not have to pay to Not Fucking Die
The voice in our head is more fluent in English than when we speak it
This is Money Marge. Reblog for a miracle of finances to come to you
🙏🏾💰💵
NOTE: I didn’t write the joke- it’s based on @vampirefunkmetal ‘s very good post that you can read [by clicking here] !!
Image description is from @yourfriendthefangirl ! :D
[Image Description: A fifteen-panel black and white fan art comic of the Warner siblings from Animaniacs. All of the panels feature the artist’s name, GrantedDrop, hidden somewhere in the image and overlaying the image as a semi-transparent watermark.
In the first panel, Wakko is sitting in the foreground of a hallway, frowning in confusion with tongue out and arms crossed. A large question mark floats in the air near Wakko’s head. In the background, Yakko and Dot peek around the corner of the hallway.
The second panel is a closeup of Yakko and Dot with vaguely concerned expressions on their faces.
The third panel is the same closeup, but now Yakko and Dot are looking at one another with eyebrows raised. Dot is shrugging with one arm.
The fourth panel features all of the Warner siblings, with Yakko bending down to rest a hand on Wakko’s shoulder and Wakko turning to look at him. Yakko is asking, “What’s wrong, sib?” Dot is leaning forward with her hands clasped near her chin and saying, “Yeah, you can talk to us!”
In the fifth panel, Dot is holding Wakko’s right arm, and Yakko is kneeling down and holding Wakko’s left hand. Yakko and Dot are both smiling. Wakko has one foot braced against the floor, as if getting ready to stand, and is frowning slightly at the viewer while saying, “People keep telling me that gender is what’s in your pants…”
In the sixth panel, Dot and Yakko yank Wakko up into the air, and there are arrows and vague outlines of Wakko’s body left behind to indicate the rapid motion. Yakko is standing with a hand on his hip and is smiling at the viewer with one eyebrow raised.
In the seventh panel, Wakko lands, standing and sticking out one leg, gesturing down at it. Dot and Yakko stare at it, frowning in contemplation with their hands held up to their chins. Wakko is saying, “But I’m not wearing any pants!”
In the eighth panel, Dot and Wakko look over at Yakko. Dot is holding the edge of her skirt and saying, “Well, Yakko, you’re the only one of us with pants.” Yakko is frowning and rifling around inside his pants pocket, saying, “Hmm…”
In the ninth panel, Yakko holds up a finger triumphantly, with his other hand still in his pocket and a proud smile on his face, saying “Aha! I thiiink I found it!”. Dot and Wakko stare at him in surprise and curiosity.
The tenth panel is a closeup of Dot and Wakko, who are looking up at Yakko’s arms, which are holding a large quantity of deli meat above their heads. Dot and Wakko both have confused looks on their faces, and Wakko is saying, “Deli meat?”
The eleventh panel features Yakko’s hands dropping an enormous pile of deli meat on top of Dot and Wakko, obscuring them entirely. The word “FLUMP” appears over the sticks of meat to indicate the sound of them hitting the ground.
The twelfth panel shows just the pile of deli meat, with a speech bubble emerging from where Dot was standing that reads, “‘Best by:…’ How many decades ago?!”
In the thirteenth panel, Yakko is standing next to the pile of meat with a smile on his face and his hands raised in a shrug as he looks at Dot and Wakko. Dot and Wakko’s faces are scrunched in exertion as they pop their upper bodies out of the meat pile. Yakko is saying, “Well, I guess that settles it.”
In the fourteenth panel, Yakko is smiling with his arms crossed and looking over at Dot. Dot and Wakko are still half-way inside the meat pile, and Wakko is looking at Dot with a blank expression. Dot is smiling and saying, “Yeah, their concept of gender’s just a bunch of out-of-date baloney.”
In the fifteenth and final panel, all of the Warner siblings turn to smile smugly at the viewer with half-closed eyes. The word “End” is written in the bottom right corner. /End ID]
I dont care about anyone not liking me you bitches barely like yourselves
Men are......weird
tf I'll finish his plate too
^^^^
same energy
can we all stop pretending that life is fun or even tolerable i want to start being insane in public
you know even if a homeless person or a starving person is in that position because of their own “bad decisions” i don’t care. it doesn’t matter. no supposed financial misstep is enough to condemn someone to homelessness or poverty.
Meanwhile Tammy Lasagna spends all day attacking women and minorities on twitter
illness cancelled my little sister made me honey n lemon tea and if that doesnt cure me then her sheer endearing belief that it’ll work Will
i think when illness cancels a person its called death,