If I get taken to a fictional hospital please God, please let it be the Scrubs one and not the HBO one with the man who looks like he's always about to cry.

Kiana Khansmith
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Stranger Things
PUT YOUR BEARD IN MY MOUTH
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One Nice Bug Per Day

if i look back, i am lost

#extradirty
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@scarlett-ribbon
If I get taken to a fictional hospital please God, please let it be the Scrubs one and not the HBO one with the man who looks like he's always about to cry.
Angsfest Shippuden era is top notch ❤
I just want to sketch them kiss but somehow my hand slipped. Sorry not sorry 😎
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DO NOT REUPLOAD.
Thank you.
No, for real, y'all. Absolutely wild to me that Nancy's season 2 arc was supposed to be about "truth" and "justice," in which she got together with Jon and used a half-truth to get rid of the Lab. But then it turns out the guy who was supposed to represent her as being honest with herself (debatable, but regardless), and see the world for what it really is — is actually a goddamn liar, whose worldview is tainted with cynicism. And, like, their whole relationship ends up with them refusing to be honest with each other, and it's based on LIES, not "truth."
And not only that, but her efforts to get rid of the lab amount to nothing, because the military comes back, worse than ever. With the whole town in quarantine.
And season 2 is supposed to be this vengeance arc for her, and it turns out that didn't help her with her guilt, as we see in season 4....
And you have the perfect setup to deconstruct all of that in season 5, because it does echo season 2, and then the story fails to do so. Like it's Jon who breaks up with Nancy, because that's his only storyline, and the military fucks off without our heroes doing anything.
And it's like, bruh, she's literally stuck in character limbo at the end of season 5. Like, Vecna died, but we already saw that revenge didn't help her heal. And she doesn't really impact the plot like she did in other seasons or is given an emotional character journey to work through.
And Jonathan and Steve deciding they can't be with her cause she is too independent doesn't count, I swear to God.
And like man, she's now alone, so much so that her friends didn't even know she dropped out of college, and she is literally working for a conservative newspaper run by the guy who owns Fox News (derogatory).
And season 4 setup the Hope/Growth vs Doom/Stagnation angle, with a potential forgiveness arc that never sees the light of day, and it's like, that's crazy how they fumbled Nancy's story in the end.
Cause they had something there. But poof, just guns for our girl I guess.
I can't live without you.
Mileven + Marjorie
The finale has honestly left a really bitter taste in my mouth.
Duffer’s say this has always been the ending - and you know what, El vanishing would’ve worked if it had ended at s1. Because if she had died then, it would’ve been a heroic sacrifice saving her friends from the demogorgon.
But equally, S1 was an open ending that felt hopeful.
S5 didn’t.
It felt like a slap in the face.
Because the grand- finale? It wasn’t a sacrifice. Vecna was already dead, it was already over and they all made it. So for Eleven to go like this wasn’t about heroics, it was about despair. Despair of having a future, of getting to grow up, of having the life Hopper was so so correct in saying she deserved.
El staying in the Upside Down was nothing less than a suicide.
If they’d had her die defeating Vecna I could have accepted that. But the way the writers chose to remove her from the narrative is really really hard to swallow. Leaving it an open ending - for us to decide if she made it or not - doesn’t feel hopeful, it feels like a copout.
Maybe she made it. Maybe she’s free. But the execution of this open ending was poor, when you consider how well they did it in season 1.
Don’t have Mike push it as a theory, show a real sign - a flickering light, a crackling walkie. A postcard. An eggo delivery.
Anything.
Everyone gets to grow up and move on and have full lives, except for the one person who always had to fight and save everyone else. Except for the one person who loved her so much he couldn’t let go.
She wasn’t magic. She wasn’t a metaphor.
The most damaged character who always always gave everything for the ones she loved, deserved to have a happy ending with Mike.
She deserved the chance to grow up. She deserved more than being treated like a plot device.
something about all the main characters surviving the craziest, most unrealistic scenarios completely unscathed with zero repercussions whatsoever - max from her coma, hopper, pretty much every main character - but for some bizarre fucking reason, el is where they draw the line? all of them getting their happy endings with the sole exception of el and mike, one of whom is at best alone and separated, and the other of whom endured the worst heartbreak of his life, watched his greatest fear become the reality for the second time, and will realistically never move on.
oh, el represents “magic” and “childhood” and the party can’t move on with her there apparently. because while everyone else is treated as a character in their own right, el’s entire life was treated as a metaphor. a fucking metaphor.
the most traumatised, mistreated, selfless character - and this was acknowledged in this VERY episode which almost makes it worse - was the only one who was not given a happy ending. “but you never let it break you … fight for the days on the other side of this”. what was it all for in the end? it all started with el and mike, and it ended with them too. they shared the same dream of staying together forever and growing old together, yet in some sick twist of fate they were the only two main characters who didn’t get their happy ending. el fought for the happy days, el never let her many awful traumas and bad luck in life break her, but in the end it didn’t matter. she was never going to get a happy ending with the rest of them.
the storyteller and the mage. the most special, the most selfless, the most tragic.
fuck the duffers, man
I wish all my writers a happy new year. May all your stories finally be written, sentences be completed, emotions be evoked with beautifully crafted words, readers be moved to tears, the urge to create be satisfied.
There… is good in him. I know there is… still…
SewBeautifulx on Etsy
I appreciate the sentiment but I don't get all those "we made it to the longest night of the year! the light will start returning soon! it's all uphill from here & we're halfway there!" posts because like. Oct-Dec is the easier half of Winter. Jan-Apr is way harder. there's no big holidays or decorations, everyone is kind of over the whole Cozy Hygge Sweaters & Cocoa vibe so they're just tired & restless instead, and the whole thing is so drawn out & uneventful that it feels like it lasts 10x longer
the cold season Oct-Dec:
the cold season Jan-Apr:
it breaks my heart to think about how little holly is while all of this is going on. she still sleeps with a nightlight. she dressed up as holly the heroic to go out in the woods so that she would feel less scared of the monsters. she still plays in the playground. she wears pigtails in her hair. she has no understanding of her mom’s alcoholism at all, she just thinks she “gets all weird” every now and then and doesn’t know why. she’s nowhere near middle school at all, she goes to hawkins elementary school. she perceives her sixteen-year-old brother as this grown man who never gets scared. she runs to her mom when she’s afraid. she gets drawn to “mr. whatsit” because the man who was supposed to be her father figure doesn’t even know how old she is. she was always afraid of monsters, even before she learned they were real.
she’s just a baby and she still had to watch her mom get attacked and blames herself for not being able to save her. even though there was nothing she could have done.
holly is such an amazing little girl and she deserves the happiest ending tomorrow.
STRANGER THINGS 4x05: The Nina Project | 5x07: The Bridge
nancy wheeler + shame
the real ones know nancy wheeler's story isn't about breaking barriers or bucking societal norms or whatever, it's about learning how to forgive herself.
the righteous anger she begins to display in seasons 1 & 2 is more than just an emerging of a truer stronger nancy- it is, at its core, a coping mechanism. it's a way to stay distracted from the guilt she feels over what she "let" happen to barb.
this guilty conscience spilled out onto steve as well- he was there, too, after all- which is why she couldn't appreciate his desire to move on at the time. she was still drowning in her need to make amends for what she viewed as an unforgivable transgression against her friend, and the person who committed that transgression with her was still too afraid to do anything about it. this conflicts with nancy's drive for justice, which is one of her core traits (we'll kinda circle back to this conflict and how it no longer applies to steve, but just for funsies, you can read about nancy's core values here)
now it's important to remember who nancy is when we first meet her, before the tragedy. she's just a girl. she DOES want to have fun, go to parties, try out new experiences, be intimate with her boyfriend for the first time. like many teenagers, she wants to branch out and explore who she is.
but how do the people around her react to these perfectly normal developments?
with shame. with disappointment. with, "this isn't you. now go back inside your box."
this is just another example of how her arc is cloaked in these themes.
identity is a big thing for nancy. she has people telling her who she is all the time, especially in the earlier seasons (see barb, j*nathan, murray). i think sects of the audience prefer to take these assessments at face value, therefore interpreting her journey of self-discovery as an evolution from 'girly romantic teen' to hardened badass... but in my humble opinion, with the clarity of hindsight, it's more an examination of the effects of guilt resulting from grief.
nancy doesn't sharpen her edges until after barb's death, during a time when she is angry and desperate and determined to right the wrong that was done to her best friend. to get revenge. to kill the monster. to restore balance. this is largely misdirected anger at herself though, because while the demogorgon is what killed barb (and as a viewer is 100% to blame for barb's death), nancy feels that she committed a moral failing by choosing to have fun that night with steve rather than go home early with barb. as a direct result, she's conditioned herself to believe that allowing herself to experience joy- real, uninhibited joy- isn't safe. the last time she did, her best friend paid the price. there could be consequences if she lets her guard down.
that is trauma. that is nancy's unhealed wound. understanding this is key to understanding her character.
(side note, but this is another reason why nancy couldn't go along with steve's coping mechanism in s2- because she was in the process of cutting herself off from all the things that brought her joy, as she felt she no longer deserved them)
placing a disclaimer here that i entirely disagree with nancy's perception of what happened that night, lol. i do not think she deserves to be punished for a choice she made when she was 16 years old and none the wiser to the existence of any supernatural dangers. my hope is that she will free herself from this line of thinking in season 5.
nancy's tactic for outrunning her guilt is to avoid anything that forces her to confront those dark emotions. she jumped straight into a justice-seeking investigation and revenge plot rather than truly sitting with her grief. she was drawn to and eventually started a new relationship with the insular cynic who doesn't require her to deal with her guilt the way steve did (author's note, it is so so understandable that she wasn't ready to face any of this just yet).
season 4 emphasizes for us that nancy's guilt over barb still looms like a shadow; it's the very thing vecna uses to manipulate her in the swimming pool. for much of the show, nancy wanted to avenge barb's death with an external call to action. she has accomplished this goal several times over because she is awesome.
but what the vecna swimming pool scene tells us is that nancy has not resolved her internal, emotional trauma surrounding that night, which means all the good she's done will never feel like enough. that emotional wound is what she has to face in order to successfully complete her arc.
the love triangle- like any love triangle worth its salt- represents a choice for nancy. a vital, character-defining choice that will ultimately determine whether she is ready to move forward and learn to forgive herself, or stay perpetually frozen in her grief.
so if the goal for nancy's character is to finally face her emotional wounds, to release the burden of guilt and allow herself to reclaim happiness-
and if her relationship with j*nathan has not encouraged her to do so in 2+ years, during which j has dodged tough conversations and even been known to condemn nancy for her privilege and priorities, rather than proactively support her in pursuing leads or fighting misogyny-
and if steve has outgrown his old self-preservational mindset to step into the role of protector, who readily jumps into action for his loved ones and embraces accountability for all his mistakes, even choosing to exonerate nancy from any blame in how their relationship ended-
the choice that is more aligned with her story feels obvious to me.
nancy throughout this series is FAR from perfect, but she puts a lot of pressure on herself to do the right thing despite her mistakes. that's her default setting. she doesn't need a partner to hold her accountable, she needs a partner who will show her grace. that is the one and dare I say only thing she struggles to do for herself.
I guess I’ll lay this out one last time: I think actually the only way to satisfyingly resolve Nancy Wheeler’s character arc is with Steve Harrington.
The fundamental misunderstanding here is that Some People think Nancy’s arc is about being a girlboss when in fact Nancy’s arc has always been about Barb. Nancy thinks that she killed Barb, she thinks her negligence, her recklessness, her joy really is what got her best friend killed tragically young and so since has taken on all the responsibility to solve any problem, to always be working towards an answer, to never relax or enjoy herself again.
She breaks up with Steve because of this, because “we killed Barb” and because he tells her she should relax, let go, move on. Jonathan offers her a place where her hypervigilance and action is not only encouraged but needed. He is, in the kindest way possible, a bit of a project for her to work on when she needs one.
The thing that is really important to me though, that I hope the show recognizes finally, Nancy and Steve did not kill Barb. Having a stupid party and being a teenager and having sex is not something that deserved a punishment. And Nancy getting to realize that, getting to engage with Steve and enjoy it again, to not see them both as culpable, and to not have to continue to punish herself for any joy, would be the best sign that she is finally healing. Frankly Jonathan can’t provide her that healing and closure about Barb because he also thinks that she did something wrong that night, he thinks she wasn’t acting like herself, just like Barb did, he maybe reaffirms her belief that it was her fault in a way that is validating in the moment but that doesn’t let her start to recover.
So ultimately, no I don’t like Stancy because they’re both hot or because I only like Steve or because I’m a misogynist or because of anything except the fact that I don’t see Nancy Wheeler as a girlboss, I see her as a traumatized teenage girl who deserves to realize having fun is not a crime, that it wasn’t then and it doesn’t have to be now.
Sadie Sink as Max Mayfield STRANGER THINGS S05E03 | The Turnbow Trap