By zhangyeeun via IG
I'd rather be in outer space ๐ธ
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By zhangyeeun via IG
Meet Our Dino-Sized Telescope!
This illustration shows the relative scale of the Nancy Grace Roman Space Telescope and a Tyrannosaurus rex. Roman is over 42 feet (12.7 meters) long โ about the length of a T. rex โ and over 14 feet (4.4 meters) wide when fully deployed. Roman also weighs around 18,000 pounds, or 8,000 kilograms (dry mass), which is the approximate mass of a T. rex as well.
Did you know NASAโs Nancy Grace Roman Space Telescope is both roughly as long and as massive as a Tyrannosaurus rex? This observatory, which will move to the launch site at NASAโs Kennedy Space Center in Florida very soon, is over 42 feet (12.7 meters) long and weighs around 18,000 pounds (8,000 kilograms), not including the fuel. Letโs explore some of the components that bring Roman to T. rex proportions.
Prof. Alfred Gysi,ย Oscillation paths
ย These images are published in the article : โArtistry of the Pendulumโ by Hans Naef on page 436 of Graphis, Nยฐ16 1946.
Audrey Hepburn by Mark Shaw, 1953
Italian conservator Lorenza D'Alessandro working on the conservation of the tomb of Nefertari, QV66, in the 1980s.
Rivoli Castle.
It houses the museum of contemporary art of Turin.
> Photo: Matteo Capirola.
Green Forest Magick.
Taceant Colloquia
โTaceant colloquia. Effugiat risus.
Hic locus est ubi mors gaudet succurrere vitae.โ
The air here does not ask for laughter. It asks for listening.
Not the kind done with ears, but the kind done with memory.
Cemeteries are strange gardens. Stone flowers. Names weathered by rain. Entire lives reduced to a dash between two dates, yet somehow those silent markers speak louder than crowded rooms ever do.
Let conversations cease. Because some places are too sacred for noise.
Let laughter flee. Not out of fear, but reverence. There is a softness in grief that loudness bruises.
And then the final line, cold as cathedral marble:
โThis is a place where death delights in helping life.โ
The dead no longer hurry. They no longer chase approval, money, beauty, or tomorrow. Yet standing among them, the living suddenly remember how precious breath is. Death becomes a mirror polished by time itself. Maybe that is the secret language of cemeteries, not despair, but perspective. A place where endings tutor the living on how to begin again.
(-.-;)y-~~~
Guest Post from John Martin Rare Book Room
At the Hardin Library for the Health Sciences
MORGAGNI, GIOVANNI BATTISTA (1682-1771).ย Opuscula miscellanea quorum non pauca nunc primum prodeunt, tres in partes divisaย [Miscellaneous works, some of which are new, divided into three parts]. Printed by Giovanni Antonio Remondini at Remondiniana, Bassano del Grappa, 1763. Three volumes bound together. 39 cm tall.
This month we highlight a book currently receiving treatment from the UI Libraries Conservation and Collections Care. Collections Conservator, Beth Stone, is working to clean and stabilize one of our books fromย Giovanni Battista Morgagniย (1682-1771).
Morgagniย was an 18th-century Italian anatomist and physician. He is referred to as the "father" of modern pathologic anatomy. He stressed connecting the symptoms observed in the sick to the findings from their dissection. Symptoms, he felt, were "the cry of the suffering organs." His work helped dispel the longstanding notion that most diseases were scattered throughout the body. Instead, he was able to demonstrate that they emerge from specific organs and tissues.
During his very long life, Morgagni was a prodigious worker and prolific writer. His three-volumeย Adversaria Anatomicaย (1706-1717) put him on the map. His most monumental work,ย De sedibus, et causis morborum per anatomen indagatis libri quinque, was published in 1761 and made him a legend among anatomists. Vast in scope, it is one of the most fundamentally important works in the history of medicine.
The book this month, however, is Morgagni'sย Opuscula miscellanea quorum non pauca nunc primum prodeunt, tres in partes divisaย [Miscellaneous works, some of which are new, divided into three parts]. As stated in the title, this is a collection of writings on a variety of subjects, including letters toย Giovanni Lancisi, an Italian physician, discussing how Cleopatra died.
Morgagni's scholarly ability was apparent at an early age. At sixteen he was a pupil ofย Antonio Maria Valsalvaย at Bologna, and there he received the stimulus to devote his life to pathology. While pursuing postgraduate studies, he worked withย Giovanni Santoriniย performing dissections. (Giovanni was clearly a very popular name at this time!)
By 1715 he took the chair of anatomy at Padua, a seat which he held with utmost distinction for many years. He was a brilliant and tireless investigator and, in addition to his work in medicine and anatomy, was a student of the classics and an archaeologist of repute.
Over his long career at the University of Padua, he taught thousands of students from dozens of countries. His teaching emphasized empirical data, direct observation, and experimentation.
Among several other structures, his name is most widely connected with the "Columns of Morgagni," the fine, vertical folds of the anal canal.
As mentioned, if he was not teaching or dissecting, Morgagni was writing.ย Opuscula miscellaneaย shows his range and diverse interests. Along with discussing Cleopatra's cause of death, it includes a biography of his mentor, Valsalva, a tract on gallstones, and a few more on legal issues.
Opuscula miscellaneaย has a lovely, soft paper cover. The cover shows the effects of age, use, and exposure to the environment, with scuffs, stains, and an overall darkening. Do not let that fool you, though, as this is still an effective binding. With a new housing from Conservation,ย Opuscula miscellaneaย will be around for a very long time.
Goย hereย to read about Bethโs treatment forย Opuscula miscellaneaย and more.
The annual JMRBR open house isย April 20, from 4-7 pm. This is our first in-person event in quite some time and we'd love to see you there!
๐๐๐ซ๐๐ข'๐ฌ โ๐๐ข๐๐โ ๐๐๐ ๐ฒ๐๐๐ซ๐ฌ ๐๐ ๐จ ๐๐ญ ๐๐ก๐ ๐๐๐ญ๐ซ๐จ๐ฉ๐จ๐ฅ๐ข๐ญ๐๐ง ๐๐ฉ๐๐ซ๐ ๐๐๐๐.
๐๐๐ค๐ ๐๐ฅ๐ฌ๐จ ๐ ๐ฅ๐จ๐จ๐ค ๐จ๐ง ๐ญ๐ก๐ ๐ฐ๐๐๐ค๐ฅ๐ฒ ๐ฉ๐ซ๐จ๐ ๐ซ๐๐ฆ ๐๐ง๐ ๐๐ข๐ง๐ ๐ฌ๐จ๐ฆ๐ ๐จ๐ญ๐ก๐๐ซ ๐ ๐ซ๐๐๐ญ ๐๐๐ฌ๐ญ.
"Terraforming Venus" by David A. Hardy, scanned from Hardyware.
:o
โFuture eye seeing now', 2020, is a glass sphere appears to contain an eye. The image, a photograph of Olafurโs own eye, was applied to the back of the sphere, so that the eye appears to change and become distorted to viewers moving around the work (photo: Jens Ziehe).โ
Kuniรฉ Sugiura, Mum Above Orange, 1976 Photo emulsion, Acrylic on canvas 48 x 24 inches (2 panels ) Copyright The Artist
Belkis Ayรณn (Cuban, 1967-1999) - Siempre Vuelvo (I Always Return) (1993)
yesss my lilies-of-the-valley are in full bloom