Aqua Utopia|海の底で記憶を紡ぐ
taylor price
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noise dept.
I'd rather be in outer space 🛸
d e v o n
Show & Tell
trying on a metaphor
Cosimo Galluzzi
hello vonnie

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cherry valley forever

blake kathryn
let's talk about Bridgerton tea, my ask is open
wallacepolsom
almost home
will byers stan first human second

shark vs the universe

seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from Malaysia
seen from United States

seen from Malaysia

seen from United States

seen from United States

seen from Malaysia
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seen from Indonesia

seen from Japan
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@scope-o-philia
”Interview with the vampire” premiere
Look at the all the 90s-ness in this picture. Look at it!
All of them. All of them. All in it together. All of them… “All of Them Witches.”
The southern pudu is the smallest deer in the world
Bruce “being a dad, Army of Darkness style” - on set with his daughter Rebecca and his son Andy, via his Twitter (x)
Michael Wincott & Bai Ling, The Crow (1994)
Black Tumblr reblog the fck out of this
the reason oppressed groups say “___ are awful” instead of “some ___ are awful” is because including the word “some” allows individuals of that group to detach themselves from the problem and shuck the blame off and say “well they arent really talking about me so i can ignore their opinions”, whereas stating that an entire group of oppressors is awful makes the individual think whether or not theyre included in the awfulness of that group and makes them consider their actions so thats why people say “men are awful” or “white people are awful” and if you take it personally you’re getting angry at the wrong people
#if you take it personally you’re probably part of the problem
Dead Kennedys - Police Truck
Before I un-muted all I thought was “Damn, that crab looks so gangster.”
how did so much happen in 6 seconds
Taxi Driver (1976), Dir. Martin Scorsese
Mark Rothko, Black-Form Paintings
No 1, no 2, no 4, no 5, no 5 (2), no 6, no 7, no 8 , 1964, Mixed media on canvas.
The TATE gallery in london says this about them:
“Although not related to a commission, Rothko clearly recognised the Black-Form paintings as a coherent series and numbered them sequentially No. 1 to No. 8, with No. 5 curiously appearing twice. Yet they were never shown as a series during his lifetime. These works mark a complete break with his colour field paintings of the 1950s.”
While I have done my best to complete this series (My previous post on it was two less than we have here now and several scans have been updated) I am still unsure as to many things, including if there is an existing scan of No 3. There are other Rothkos with that number but I have yet to knowingly see a No 3 from 1964 that goes in this set. There are some other Rothkos that are looks-appropriate as well as many different scans of these with endless variations of black, brown, purple and grey (my previous scan of no 4 was positively purple) making the “Dark Rothkos” some of the hardest to compare. I’ll call these the best scans I can find right now and I do love this series and how Rothko seems to take his colorful translucency and turn it around in this contemplative, mournful and very mortal feeling series.
I was dubious about the second no 5, myself but that ones comes right from the Tate and we who are amateurs will assume real scholarship behind that.
I hope you enjoyed this Rothko series and investigation as much as I did, and if you find a scan of Number three, well, hand it over.
Beyoncé’s video
This is the best thing the internet has to offer.