You are the power –Vancouver
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You are the power –Vancouver
Tout est possible --Toronto
Rondeau Roundup
By Vincent Mitra
The bells ring high noon. Two guns shine In a dust road in Clementine. One with a star and one without. Come sundown no one has a doubt That one awaits a box of pine.
The outlaw wished that he could dine On thick steaks, so he robbed a mine of gold. And now while he stands stout, Â Â Â Â Â The bells ring high noon.
The Tin Star stood there on the line as fear shot through his jellied spine down to his hands. There was a shout, that neither heard. Two shots rang out that echoed once after that time      The bells rang high noon.
--
Vincent Mitra is a writer and student at Simon Fraser University.
Curtain Call
By Vincent Justin Mitra
The reels are burnt and all the screens are blank. Stale popcorn rots as champagne stains the floor and curtains rest with none to turn the crank. Soon shadows move towards the theatre doors. They enter as they did before and sit in cold scorched seats with fresh pressed suits and spats or golden rings to watch the latest hit; A final feature that would tip their hats. They cried and cheered as they lit their cigars And, at the end, applauding on their feet. They all file out, this cavalcade of stars, Then say goodbye until they all next meet. Â Â Stars do not die, at least that's what they say. Â Â No, never die, just slowly fade away.
--
Vincent is an SFU student and poetry and fiction writer hailing from Vancouver, B.C.
Artist unknown.
Of as
By Joel Mackenzie
Of as Sept 29th, 2015 at 1:00 pm Eastern standard time, I not do give FaceBook or sentries any with associated Facebook permission to use pictures, information, posts, information, information, pictures, posts, information, pictures, posts. By stating, I notice that I give notice to Faebook is stickily forbidden to purpose, enclose, disclose, suppose, oppose, or transpose me based on profiling and/or contents. The content of this content is content and confidential. Privacy Violating be punished can by law (UCC 123-101- 0 1 333-123 and Roman statues). NOTE: FB is public. Members all must note like this. You can past and copy this version DO NOT SHARE. MUST copy and past.
--
Joel Mackenzie is a writer from the lower mainland, BC, who thinks he’s funny sometimes.
my night was churning smoke
By Joel MacKenzie
Drop that. Allow a slow, delicious breath the chestnut air some people live to beat against others’ ears. The snowflakes are golden Words can echo out of your mouth. Brush up against the last time you floated without naming it. The sky is a sleeping puppy. The ground can shake you.
my night was churning smoke I trapped with whole hands.
There are still slow, delicious breaths. this is the ticket to the sense I can’t imagine
--
Joel MacKenzie is a writer and student at Simon Fraser University.
Stranger
By Marianne Robson
I cannot resist the impulse to shave my legs There is nothing more ransacking than a good shave - There is nothing left in the cupboards String and glue Scissors Treated like a melancholy Topped up Bottomed out alone unforeseeable - Don’t brood, its unbecoming There are forces stronger than ear wax and Catacombs of his body ill never know
--
Marianne Robson is a writer and recent graduate of Simon Fraser University.
Promises
By Marianne Robson
Thick commas, midnight blue Frisbee, love and taunting mystic, destroyer, teeth ache, scratch into forest floors    There is a monster Was it - Can glass the doors be closed and how tight did you clench your teeth?    Bleeding cheeks on rusted canker sores reminds you of the bite and what caused it    There’s mystery left in the street of lips on majesty on legs on trees on what was planted always grows    Window sills fed time capsules of minds and antidotes that weren’t drawn up fast enough, There’s time to make more
--
Marianne Robson is a writer and recent graduate of Simon Fraser University.
Wading on the Ledge
By Marianne Robson
There is a façade with a name on it in grandiose painted fervent flowers that spell the name of the gods. Trumpets on towers and lakes on toes that march listlessly on to the train that has docked at the station. The miners in their jeans approach the bench to kneel for lunch splattered epiphanies.                They then decided that they did not want any drink and to lay on the beach instead to bask in the fume. The fume brought with it a lightness that infiltrated in their lungs that was unforgettable. The concepts of the make-believe tractor man were unmistakable with the dog set foot prints in leather moulds that were kept in front of the door. On rainy days we would use them to trudge the moat around the house when we wanted to go outside for a cigarette.
--
Marianne Robinson is a writer and recent graduate of Simon Fraser University.
to make love
By David Ly
Leave it to a wonder     to make you cry.
Leave it to a question     to make you angry.
Leave it to a talk     to make you walk away.
Leave it to regret     to make you come back.
Leave it to an apology     to make you realize.
Leave it to nothing     to make you love.
--
David Ly is a poet and graduate of SFU residing in the lower mainland.
Unfortunate circumstances
By Brenna Turvey
The murderer moves like a Daddy Long Legs leaving poetry in the house but no fingerprints He tiptoes, his inception in the mind is like a collage of spiders
The woman who lives in this house is robbed of language Her empty womb is a fissure with no heartbeat in it, no cave-dwelling animal, she wishes she had not used spermicide
She contemplates: Grandfather used to lie stretched out on his bed The morphine shroud hid the piles of shoes, hid Flanders Fields, hid November eleventh this aged mute black and white film plays on
She thinks of things seen and unseen, Mountains in Sasquatch Park, The prairie through the bus window She remembers Stonehenge in the morning She thinks of the grave of Charlotte Bronte
Water striders skit lightly across the lake that waits for her but she will never return. The woman in the fire tower on the mountain watches through her telescope for the girl to return but she doesn’t.
She has had a short life, unfortunate circumstances She closes her eyes and imagines her spirit visiting her friend on the back of a pickup truck in Croatia, imagines how she would appear to her friend, how she would surprise her.
If only she could wake up with a piece of barbed wire from that country underneath her in the bed to prove she had been there.
--
Brenna Turvey is writer and student of Simon Fraser University. She currently resides in the lower mainland.
Your Selenophobia
By David Ly
I’ll find you  In a field of cattails  Unpin a moth  From your eyelid  The moon will wax  To that sparkle  In your iris  Force myself to hold you  Your heavy wings They’ll beat to the pulse  In a dream telling me  It’s in the black  When you’re dramatically you  When you admit  To your selenophobia
You’ll be fine  Just remember a moment  When you were in pale light  When a kiss scared you  And your heart throbbed  Wrapped in small veins  Pumping liquid silver  Enough to make  An expensive barrette  To hold your mind together  Let me hold on  To that moment  While you collect yourself
I’ll see you  Soon with a crown  Of blooming lilies  You’re a sparkle  In a long night  Not shined upon  When you remember admitting  When you feel me let go  Touch your flower crown  Growing white lilies  Around your mind  Reflect a brightness inside you
-- David Ly is a writer and recent graduate of Simon Fraser University.
Cherry skin
By joel mackenzie
My rules. Why can’t I view the day long, like I used to, watch the sun stretch, forgive me. Think about your breathing, and look at the lines creased around my mouth, hold me like a thin wool scarf, like this is our first year, like we’ve never missed a Saturday morning or a cigarette.
This is our first year, and your soft gazing eyes, like you’re a wave, and I’m a barnacle, and you’re a spinning leaf, and I’m a deep voice beating in a foreign language, and I’m a bubble, and you’re an open palm, shaking. I matter a little less, my cherry skin, my day, my rules.
– joel mackenzie is a writer and student at Simon Fraser University. He currently resides in Burnaby, BC.
Rose + Devon
2 poems by Marianne Robson
ROSE
On a window sill lay the note like a stained crumpled tissue.
DEVON Sun fades woodchips splintered, firewood that spews reflections in flames while I cook the can of soup that has outlived you.
--
Marianne Robinson is a writer and recent graduate of Simon Fraser University.
white rabbit
By joel mackenzie
She said, You haven’t told me in weeks that you love me. Because she didn’t want their talks to blister and drop again. He said, Your opinion matters to me. Like he could poke a hole in the balloon where she balanced and pushed words out through her chest and shoulders. She tattooed a white rabbit near the bottom of her foot so everyone at the beach or in yoga, or anyone she would let join in the shower would know that her times were changing: she was now a stack on top of what she was. She was a deciduous that had survived every winter. She said, I had to go.
– joel mackenzie is a writer and student at Simon Fraser University. He currently resides in Burnaby, BC. He often takes himself too seriously.
there is a dirt road and a glacial lake
By Brenna Turvey
ginger ale At the other side of the street, people dance behind the windows the kids wander alleys in hooded sweatshirts with their pieces of blown glass there is the mad rattle of their old skateboards
Behind the windows on this side of the street, Frida Kahlo’s face is printed on to matchboxes, gift cards have rude messages, foremost, a collection of psychedelic skeletons, some of them are having sex
the prefrontal cortex is cut at night
I didn’t really forget anything you told me, only I was distracted by morphine legs and the distribution of zooplankton
I had the urge to say something, when we were lying down, in the place where you play your video games, about my grandmother’s bangle, about her absent patent leather shoes, the sugar cane farm, the girl with amnesia, who said, "I don’t remember anything from before I was fifteen",
I’d say what might be sexy, it might be anomalous, how can I interpret or explain what is sexy then, if it isn’t sexy yet, because I don’t want it to be, but you, in this moment, will never be sexy, how can I explain this, if I tried, you’d think, "what the fuck", and in my mind you’d say, "Shut the fuck up", and wrestle me to the ground, lock me in a room with no tampons, and salt ginger ale And then you would remind me, "all you have is a spoon, you came here with nothing but a spoon" And would this matter, and would it matter that it wouldn’t matter anymore at all, and I would taste the salt drink and pass out
I once had a gift of the graphite blood of a cut flower drawn on foolscap I looked at Frida Kahlo and Emily Carr
what if there were tiny droplets of blood on ferns, for real, not only in the shop window
the street gestures to me
In the desert at the other end of the gap, I want to dance, but not with you, with silk scarves, purple ones, I will wear a pioneer dress
-- Brenna Turvey is writer and student of Simon Fraser University. She currently resides in the lower mainland.