i make the moves up as i go

i do what I like, and I like what i do. MJ ⭐️♥️🍀Philadelphia, PA. Swiftie since 07 🎁 artsy // independent // outdoorsy woman

[andtosaturn]

is it bad that i just spent 15+ minutes in photoshop fixing this part of taylors hair in the sntv album cover

[andtosaturn]

the "fixed" version if anyone wants to use it! (open in a new tab for hq)

[olxwxa]

NASHVILLE, MAY 7TH 2023

a.k.a the first rain show of The Eras Tour

[wildfloweronwheels-deactivated2]

It’s the way that the music industry didn’t really function in eras until Taylor came along save for Madonna, the fact that people didn’t take Jack Antonoff seriously as a producer until they started working together and now he works with everyone, how the inclusion of a song on her playlist or a Twitter shoutout/TikTok sound makes labels promoters and audiences sit up and take notice + pays the artist’s bills, and that streaming services now have to pay musicians and writers more equitably because of noise she made. It’s the fact that so many current country girlies are able to create pop-leaning tunes without pushback not to mention the freedom female artists in particular now have to write about their lives because she absorbed a ton of the sexist and misogynistic criticism not to mention that she is often artist’s first call when they face bad press for the first time. It’s the way so many young artists are now negotiating for their masters right out of the gate, how more musicians are working with Aaron Dessner and recording music at long pond and how a 10 minute #1 flies in the face of A&R executives saying audiences have no attention span anymore or that storytelling matters less. Basically, Barbara Walters was right all those years ago;Taylor Swift is the music industry

[eva-mei-10]

Taylor Swift Albums as Midnights

[loves-the-game]

for anyone that missed taylor’s speech 🥺👉🏼👈🏼

[rachelsometimesdoesart]

Hairstyles by Era + honorary Bleachella ❤❤❤❤

@taylorswift @taylornation

[thelovethatyouhad]

[sunsetbabe]

THE RED RELATIONSHIPS

[becasketches]

IN BURNING RED ♥️♥️♥️ One of my favorites! Thank you so much for existing @taylorswift

[speaknow]

Taylor Swift performing “Tim McGraw” in Nashville, 08/25/18

[tswiftdefender]

I’m so happy I got to witness this in person. Taylor brought out Faith Hill and Tim McGraw to sing Tim McGraw. Neither of them really knew the words. 😂

[flower-swift]

Taylor performing Tim Mcgraw with Tim McGraw and Faith Hill as the second surprise song tonight (25August2018)

[l3sb0y]

Emily Henry / Henry H / Matty Healy / Taylor Swift / Madeline Miller

[bybdolan]

TAYLOR SWIFT SONGS AS TITLE CARDS 1 or: RED The camera flashes, making it look like a dream.

[ohsoswiftly]

[strawberryfck-deactivated201711]

“I ATE MY DOG. TASTE WAS GOOD”

[shitshilarious]

I HATE MY GOTHIC HAMSTER

[frankarnstein]

I NEED IN MY COFFEE SOME SUGAR

[nottonight-imonfire]

I CAN MAKE ALL THESE HAND MOTIONS

[hurtless-deactivated20201102]

I DEMAND ALL THE DAMN SHOE

[sayitaintlaurent]

I MAY NOT TIE MY SHOES

[blankspacewinkyface]

I’LL GET IN MY CAR AND SLAM THE DOOR.

[tayisoutofthewoods]

I ATE MY TOAST, SAME AS YOU

[hashbrownswift]

a good thread about the background to Taylor’s re-recordings and the impact they will have... the thing that most people assumed in the consequent onsale to shamrock for $300m is that despite the re-recordings most people would still stream the old versions of her songs and therefore produce a return on investment for them, the sync rights while important are only a small percentage of the income a song might generate with most of the income coming from streaming and they believe that this is the key assumption in coming to the figure that was ultimately paid for the masters. So while Taylor can’t necessarily force the old versions out through exercising the mechanical rights situation, we can actively choose the new versions to buy and to stream and block the old version on streaming, we are the “unforseeable factor” as Taylor likes to say and we can severely dent the value of Taylor’s old masters and prevent any coin from flowing to the SBs, so let’s keep going and keep the energy up for every single re-recording she releases we got this y’all, we can show them just how much they miscalculated the unforseeable factor

[cages-boxes-hunters-foxes]

you know, fully interrupting your own career when you’re arguably at a creative peak (and possibly a public image peak too) to revisit and re-record six albums’ worth of old work so you can own it and make a statement advocating for others to have the same luxury is quite literally the definition of fearless