why i never
[now more experienced] why i sometimes
hello vonnie
occasionally subtle
PUT YOUR BEARD IN MY MOUTH
๐
Misplaced Lens Cap
TVSTRANGERTHINGS
Sade Olutola
Today's Document

Discoholic ๐ชฉ
YOU ARE THE REASON

romaโ

Love Begins
Aqua Utopia๏ฝๆตทใฎๅบใง่จๆถใ็ดกใ
Cosimo Galluzzi
Jules of Nature
๐ฉต avery cochrane ๐ฉต
let's talk about Bridgerton tea, my ask is open
noise dept.

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@sextuspompey
why i never
[now more experienced] why i sometimes
test weaving of penelope's tapestry on the chiusi skyphos:
reference:
there are some adjustments I need to make for tension, but I'd like to make the next version into a header band for a warp-weighted loom so I can try weaving the whole pot, including telemachus and penelope.
progress?
the proportions on the header band have improved, but I think I maybe should have doubled the weft threads for the warp.
also if anyone wants to knit the heddles for me, please be my guest. the last time I tied on heddles, I put the bar in the wrong place and had to redo the whole thing.
in true penelope fashion, I may need to unweave and start over, but at least now I've got the loom weights and heddles in place.
I started weaving the spear, penelope, and the right border via double-weave with the intent to leave the remaining warp threads unwoven (as they would be on penelope's loom on the pot), but predictably this is giving me tension problems. I either need to increase the loom weights or just weave the black layer and leave the orange warp threads unwoven, and then switch colors once I get to the heddle bars in the drawing, with the black warp threads floating on top. (I guess weft-faced tapestry would be a third option, if I add a ton more tension.)
either way, this is going to take me the full three years of penelope's stratagem, or perhaps the entire twenty years of odysseus's absence, primarily because clearing the sheds takes a monumental effort each time with this double-weave setup (which I'm not even sure is how it's supposed to be done, I kind of set it up based on vibes and what I thought made sense from floor loom setups).
I have 999 problems and warp tension is 997 of them (the other two are my selvedges).
I do not exist but Iโm based on a true story
yknow its interesting how something can impact one demographic in a completely different way than everyone else. in the exorcist when the demon starts speaking in greek, to most people its creepy. but if youre greek and you suddenly start hearing the demon speak perfect fucking greek its genuinely the biggest scare of the movie. you just do not expect to ever hear your language in american movies so it catches you so badly off guard, it feels like the movie is talking directly to you
the first time my dad saw it, it was with his american friends. and when she started speaking greek he turned to one of them and was like "re malaka did you hear that in english?"
oh man the painting on this drawing is insa- fuck do you mean #minecraft build
the specific build in question btw
I looked up some of the artist's other builds and they're all just absolutely incredible
Cat with a fish bowl Brooch - 1900s
Imagine operating in the Real LOL Iโve been symbolic for years
Maecenas' Reception Room by Stefan Bakaลowicz
Model of a Ship, stern and bow view, by unknown, ca. 1740
A giant lava bubble, over a hundred feet across, explodes violently, extruding ribbons of volcanic glass in the air at the ocean entry in Kalapana, USA
A little Silna to cleanse your dash
adding geologist to my resume after hitting rock bottom
My head is a buzzing three star hotel
Lights VI: The Spa (1974), Micheal Andrews / Blank Slate (2008), The National
Charles-รdouard Chaise, 1759-1798
Les filles de Pรฉlias demandant ร Mรฉdรฉe le rajeunissement de leur pรจre, 1791, huile sur toile, 81.5x100.5 cmย
Musรฉe des Beaux-Artsย (Reims),ย Inv. 976.8.1
Scanned from the book Hands; 2003; Tiziana & Gianni Baldizzone
"๐ฅช" is shorthand for "๐๐ง๐ ๐ฅฌ๐"
can you people stop reblogging this my notes look like lunchtime
Yoshinori Mitzutani, Birds