The Umbrella AcademyĀ ā Season 2
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Mike Driver
he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin

bliss lane
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The Bowery Presents
Cosmic Funnies

Product Placement
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NASA
let's talk about Bridgerton tea, my ask is open
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Xuebing Du
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romaā
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@shakennotstirred7
The Umbrella AcademyĀ ā Season 2
Since 2020 is a hell hole, I feel like I may make a comeback to my tumblr. But in the meantime, if you guys want some queer feminist goods, feel free to subscribe to my onlyfans:Ā https://onlyfans.com/scorpi_ho
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Such beautiful and amazing photos.
Mr. Rogers had an intentional manner of speaking to children, which his writers calledĀ āFreddishā. There were nine steps for translating into Freddish:Ā
āState the idea you wish to express as clearly as possible, and in terms preschoolers can understand.ā Example: It is dangerous to play in the street. āāāāāā
āRephrase in a positive manner,ā as in It is good to play where it is safe.
āRephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.ā As in, āAsk your parents where it is safe to play.ā
āRephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.ā In the example, thatād mean getting rid of āaskā: Your parents will tell you where it is safe to play.
āRephrase any element that suggests certainty.ā Thatād be āwillā: Your parents can tell you where it is safe to play.
āRephrase your idea to eliminate any element that may not apply to all children.ā Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
āAdd a simple motivational idea that gives preschoolers a reason to follow your advice.ā Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
āRephrase your new statement, repeating the first step.ā āGoodā represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
āRephrase your idea a ļ¬nal time, relating it to some phase of development a preschooler can understand.ā Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.
Mr. Rogers Had a Simple Set of Rules for Talking to ChildrenĀ - The Atlantic
Rogers brought this level of care and attention not just to granular details and phrasings, but the bigger messages his show would send. Hedda Sharapan, one of the staff members at Fred Rogersās production company, Family Communications, Inc., recalls Rogers once halted taping of a show when a cast member told the puppet Henrietta Pussycat not to cry; he interrupted shooting to make it clear that his show would never suggest to children that they not cry.
In working on the show, Rogers interacted extensively with academic researchers. Daniel R. Anderson, a psychologist formerly at the University of Massachusetts who worked as an advisor for the show, remembered a speaking trip to Germany at which some members of an academic audience raised questions about Rogersās direct approach on television. They were concerned that it could lead to false expectations from children of personal support from a televised figure. Anderson was impressed with the depth of Rogersās reaction, and with the fact that he went back to production carefully screening scripts for any hint of language that could confuse children in that way.
In fact, Freddish and Rogersās philosophy of child development is actually derived from some of the leading 20th-century scholars of the subject. In the 1950s, Rogers, already well known for a previous childrenās TV program, was pursuing a graduate degree at The Pittsburgh Theological Seminary when a teacher there recommended he also study under the child-development expert Margaret McFarland at the University of Pittsburgh. There he was exposed to the theories of legendary faculty, including McFarland, Benjamin Spock, Erik Erikson, and T. Berry Brazelton. Rogers learned the highest standards in this emerging academic field, and he applied them to his program for almost half a century.
This is one of the reasons Rogers was so particular about the writing on his show. āI spent hours talking with Fred and taking notes,ā says Greenwald, āthen hours talking with Margaret McFarland before I went off and wrote the scripts. Then Fred made them better.ā As simple as Mister Rogersā Neighborhood looked and sounded, every detail in it was the product of a tremendously careful, academically-informed process.
That idea is REALLY worth learning to talk to the kiddos. Mr. Rogers still has a lot to teach usāespecially for our own kids.
#wakandaforever || oscars 2018
Danai Gurira || Rogue Magazine
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Tessa Thompson photographed by Tawni Bannister for The Hollywood Reporter
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I will remember your small room, the feel of you, the light in the window, your records, your books, our morning coffee, our noons, our nights, our bodies spilled together, sleeping, the tiny flowing currents, immediate and forever, your leg my leg, your arm my arm, your smile and the warmth of you who made me laugh again.
Charles Bukowski (via thelovejournals)
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a baby that aināt got boundariesĀ