If I’m with a group of people, I’m okay, but actually I’m quite a nervous person if I’m just one-to-one with somebody.
🩵 avery cochrane 🩵

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@shctterme-blog
If I’m with a group of people, I’m okay, but actually I’m quite a nervous person if I’m just one-to-one with somebody.
  ( like for a starter )
Born with a warm heart, a twinkle in their eye          Glitter in their words, perfume in their breaths                 Souls of sunshine and lilac pastel skies   Â
           indie | semi-selective | fandomless oc | penned by chloe
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Jenna Coleman
valkiriya:
slides the dash $2 …….. ship with me
OC STRUGGLES IN THE RPC
honestly writing an OC in this community is another set of issues.
the soul crushing feeling when you see “no OCs” in someones rules
constantly having to dumb down your canon
adjusting to adapted canons
the amount of your own canon and lore you have to sacrifice to do that
when you mention wanting to write a canon, people that have never shown any real interest in your OC jump out of the woodwork to encourage you to do it
when you do it, and that canon gets more attention than your OC ever did
the alternative of that: when your first character was canon and you transition to writing an OC, people suddenly disappear
fandom OCs that outgrow their fandoms and muns that feel they have nowhere to put them
endlessly worrying if your character is too sue-ish, even after x-amount of years
TRIPLE THAT IF YOU’RE PLAYING A FEMALE OC
oh my god female OCs need their own post
female OCs constantly being underestimated and dismissed; being held to a different set of standards than other OCs
honestly i know people that are straight up afraid to write a female OC for these reasons. they’re discouraged before they even start because they know they will never get the same acknowledgement
people assuming simple, stupid things about your muse (can we all agree to stop guessing whose muse is taller and just look from now on?)
feeling like you have to jump through hoops to keep up with everyone else and keep your character fresh and interesting so people don’t lose interest
canon blogs that shit on OCs– you realize you were OCs too right? what would the original writer of your canon think?
no seriously, it can be so discouraging writing an OC. how many ideas are you killing by snubbing OCs? the future of creative media is in our hands!
has someone stolen my canon?
is my canon too similar to someone else’s?
do they think i stole their canon?
and what do you do when somebody does steal your canon? it can be so hard to prove and it’s so easy for it to be dismissed
having your OC written off because of the face claim choice– that face is constantly typecast, nobody can take it seriously, they’ve been overplayed and ruined. (we love you, nina dobrev and 1D OCs, you’re doing gods work)
honestly, i’m sure i could keep going. if you ask your local OC muns, they’ll be able to tack a few of their own struggles onto this list. hell, i encourage you to!
you will remember me for centuries. [insp]
ok that trope where the superhero saves their crush in disguise and they’re like????? who are they????
can we just get rid of that and have the rescued just instantly recognize them by their voice and get super pissed
“do you have ANY idea what time it is-”
“SHHHH-”
“AND YOU’RE OUT HERE ON THE STREETS IN YOUR PAJAMAS”
“NOT SO LOUD”
“no, you PUT me down right this instant-”
I have come incognito.
okay but.. muse a is single and living on their own when an home invasion occurs. they manage to lock themselves in a room and call 911. muse b is a police operator who receives the call and manages to keep muse a calm, talking to them and even going as far as to promise them that everything is going to be okay. they stay on the phone with muse a until the police arrive. they hang up, and that is that. except muse a keeps dreaming about the event and the person on the other end of the phone, how they were really the only thing that kept them safe ( by giving them instructions on how to get out safely, or hide, etc ), but without any way to thank them, they try to go on with their life and get over the traumatic event. until one day, a little more than a week later, muse a is in line for coffee when they hear a familiar voice. they know with certainty that it’s that same telephone operator and go up to introduce themselves. little did they know muse b had also been thinking about them, worrying and they’re doing okay.Â
THEN THEY GO ON A DATE & It’S CUTE
Send me an "Oof!" To pin my Muse to the bed.
when u highkey want 2b hot but ur 5'3 and have squishy cheeks
[x]