By: Alison | crimeofrhyme
love everything about this aesthetic but why does this person have both an ebook and a book book version of fantastic beasts and yet the physical bookmark is only in the photo of the ebook??? i have questions
we're not kids anymore.
h
Not today Justin

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d e v o n
Show & Tell

if i look back, i am lost

shark vs the universe
hello vonnie
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Cosmic Funnies
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⁂
Monterey Bay Aquarium

Discoholic 🪩
Keni
Xuebing Du
One Nice Bug Per Day
Acquired Stardust
i don't do bad sauce passes
seen from United Kingdom
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seen from Malaysia

seen from United Kingdom

seen from Austria
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seen from United States
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@showtuna
By: Alison | crimeofrhyme
love everything about this aesthetic but why does this person have both an ebook and a book book version of fantastic beasts and yet the physical bookmark is only in the photo of the ebook??? i have questions
Can you ride that train to the end of the line?!
This thread is full of people in total disbelief and people who enjoy explaining Keira Knightley’s filmography
it’s like she started looking 25/immortal at age 16 and just…stuck that way
credit
I love this so much
it is so strange to me when people tell me they never had an ancient egyptian phase…like, what did you even do during your childhood?
this is oddly specific?? and over 3000 people relate???
That egyptology book was too golden and shiny to resist
Children, collectively: crow brain says shiny and full of secrets. Gotta know.
THAT’S THE ONE
If you didn’t have an ancient Egyptian phase, you had an Ancient Greek phase. That’s the law. You had to have one of the two. And sometimes you had both.
WE GOT SOME NEW JAGGED LITTLE PILL FOOTAGE
YA GOTTA DIG BUT IT’S IN THERE
https://www.pbs.org/video/jagged-little-pill-paddington-fredrick-douglas-and-more-fa01mg/
a HOT TAKE: why was I surprised that a show which literally opens with a teenage boy masturbating to a porno failed almost entirely to write portrayals of women that weren’t shallow, unintelligent or insulting?? unsure.
ANyways.
there is nothing wrong with writing flawed women but dear GOD please stop writing dumb women for the audience to be annoyed by and dumb men for the audience to laugh at and relate to.
Queen working on We are the Champions.
the year is 2070. i’ve been in a coma for 20 years. my children, spouse and grandchildren stand around me, sobbing. they have given up. they have chosen to pull the plug on my life support.
my eldest child asks if they can sing to me before they unplug me. the doctors say yet.
my eldest child clears their throat
“everyone give it up for america’s favorite fightin’ frenchman–”
i sit bolt upright in bed
“lafAYETTE!”
Caroline Bowman in Wicked
HELLO I found this after ten minutes of googling but in case anyone else is hunting here you go!
https://www.bilibili.com/video/av6863470/
For the 75th anniversary production of Rodgers and Hammerstein’s Oklahoma!, she loves her and he loves him!
Rodgers and Hammerstein’s musical Oklahoma! was revived by the Oregon Shakespeare Festival with LGBT+ Casting. “This revival made the musical’s primary romantic couple, Laurey and Curly, lesbians. It made the comic sidekick couple, Will Parker and Ado Annie, gay men (with “Annie” renamed “Andy”). It’s not just the two romantic couples in the show who have been reimagined. Laurey’s starchy yet sometimes playful Aunt Eller will be a transgender woman (portrayed by a transgender female performer). Ali Hakim will be a bisexual man who has a great fling with Ado Andy, but winds up married to a young bi woman named Gertie Cummings (who also fell in love with Curly). The director, Bill Rauch, felt Jud needed to stay a troubled straight man who, with no changes to the book, is angry that Laurey prefers a woman instead of him. “We wanted also to make sure that the world was not just LGBTQ-inclusive, but that it was clear that this was a community that was thriving, because there are straight allies. They are choosing in this small rural corner of Oklahoma to make a community that is inclusive and that is loving.””
Major changes to a show must be approved by the copyright holder. "Ted Chapin protects the catalog of Rodgers and Hammerstein with great ferocity, and at the same time, he understands the way great classics remain relevant is through thoughtful expansion and reinvention and experiment. So, I was really, really honored — not only to get the permission in general, but the fact that this is the 75th anniversary of ‘Oklahoma!‘
The story of the Tony and Pulitzer Prize winning Oklahoma! centers around Laurey and Curly, who are in love but are too stubborn to admit it to one another. A troubled farmhand, Jud, will do everything in his power to make Laurey fall in love with him instead. "I think this casting really excels in the love song ‘People Will Say We’re In Love,’ a beautiful love song that Laurey and Curly share, but their fear that people will say we’re in love takes on a completely different resonance and a completely different depth when it’s sung by two women, and the courage that it takes for these two people then, you know, finally when they sing, ‘Let people say we’re in love.’ The audience just cries and cheers, because it’s an affirmation in a completely different way.
Sources: x / x / x ll Official Production Page
XKCD’s excellent presentation on historical global temperature and anthropogenic global warming.
[After setting your car on fire] “Listen, your car’s temperature has changed before.”
For the “Earth’s climate has changed before” crowd.
Finding out that Frances Dana Barker Gage, a white woman, rewrote Sojourner Truth’s famous speech to be more stereotypically “Southern slave” (complete with slurs and misspellings like dat, dere, dey) when Sojourner Truth was actually from New York and spoke only Dutch until she was almost ten and wouldn’t have actually sounded that way linguistically and decidedly did not use the phrase “Ain’t I A Woman?” at all is…whew. And on top of everything, she embellished details about Sojourner Truth’s life (like the number of children she had/how many of them were sold into slavery), wrote that ST said that she could take beatings like a man, and the reception of the speech in the room (she claims ST was called a n*gg*r, earlier accounts say the room was welcoming).
Lmaooo peak white feminist antics.
https://www.thesojournertruthproject.com/compare-the-speeches/
Jessie Mueller, Tony-Nominated Star of Broadway’s New Carousel
Angela Lansbury applies her makeup for Sweeney Todd, 1979