Venat remains to be one of the most compelling antagonists of FF. screenshots don't do this scene justice, it has to be heard to add to the obscurity of venat's motives. Venat loses the harshness in their voice and eerily sounds like a parent putting their child to bed.
Venat remains to be one of the most compelling antagonists of FF. screenshots don't do this scene justice, it has to be heard to add to the obscurity of venat's motives. Venat loses the harshness in their voice and eerily sounds like a parent putting their child to bed.
ff12 story complete but I'm nowhere near finished with playing, I still have some hunts to knock out and weapons to craff..
I've never been decisive about how I feel about the ending. It's as bittersweet as ever. the adventure is over, the party returns to an entirely different beast demanding what's expected of them. basch is a knight again, but not to the one he swore his life to. ashe freed the people of her kingdom at the expense of her own. balfran are out of the picture, assuming they have the discretion to know royalty can't be associated with sky pirates.
the office that life dealt them is as real as the "gods" that were determining their fate.
one highlight for me was surprisingly vaan
vaan and penelo for the sake of tone had been relegated to characters that bring levity to most scenes, but actually paying attention to the second to last fight, vaan drew the last stab into vayne. he then chased after him without second thought and did not wait for the others. to me those actions spoke so loudly about unaddressed anger he still feels over losing his family to the empire.
penelo on the other hand stayed behind with larsa grieving over betraying his brother. she lost as much as vaan has to war, but her instinct isn't to kill. it makes me think about how she has been the one mostly verbalizing how the war and the occupation of the empire has affected her.
Vaan on the other hand consistently is haunted by the ghost of Reks.
He wants revenge for Reks. He wanted to take it out on Basch, but when he couldn't, he sets to take it out on Gabranth who in all fairness actually did harm Reks. Finally they fight Vayne and the first moment he gets he's like an attack dog with no chains.
It is SO FASCINATING. This is a child layered with trauma who has charmed the people around his life with dreams of escaping his grief by saying repeatedly that he's going to be a sky pirate, and he's fooled the audience into thinking he's mostly one dimensional because of said ideals.
sometimes artists worry if their art is actually capable of making the world a better place, or if its all just wasted effort. what you need to remember is: all art is evil, and the sole aspiration of the artist should be to maim as many onlookers as possible.
the pharos finale scene makes absolutely no sense because between reddas shattering the cocoon, the party still well within the proximity of it, fran saying 'you have to run away as far as you can', being shown repeatedly these stones having nuclear levels of damage when fucked with. no one there would have any chance of escape. maybe had they spent 1 million more dollars on an escape scene I would have believed it.
but you know what? im not even mad.
this is what fav game status does to a motherfucker 🚬 sure babe go ahead and suspend my disbelief
anyway reddas just died and this is the scene right after
truly know I came out wrong while on a boat island hopping in boracay, zenned tf out one moment then switching up to paranoia thinking something is surely about to go wrong now. it took until we stopped at a reef and i jumped in 20 ft deep water, snorkeling with the fishes that i calmed down again. :)
The installation consists of 1,200 glass shards, each of which is aligned by hand. The train is moved centimeter by centimeter and each new glass shard is turned into the correct position so that the beam of light is directed to the next glass shard. As soon as the train starts moving, this creates a chain reaction of light...
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