can i FUCKING help you
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Cosimo Galluzzi

shark vs the universe

Love Begins
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he wasn't even looking at me and he found me

★

pixel skylines
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祝日 / Permanent Vacation

Product Placement
Peter Solarz

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@silver-purls
can i FUCKING help you
How does abolishing the police work? I mean yeah I don't want people thrown into the legal system or worse for petty crimes but I kinda want murders investigated and such. Restorative justice is fine and good when our society as a whole is transformed but it's an endgame not a starting point. It's not going work with the way society as whole functions now.
This is a great question! “Abolish the police” and “Defund the police” are slogans which actually capture a couple of different policy models, and there’s an emerging conversation right now about what they would look like and which is best. I don’t mean to say that they’re necessarily slogans without a policy, but they are slogans serving as a rallying point for a variety of people trying to imagine and formulate what a modern post-police society would look like.
I’m a fan of “defund the police” more, for reasons I’ll go into in a second. But there’s a lot of other ideas as well. “Abolish the police” is most frequently used by anarchists who would like to go even further. But outside the context of Ideal Anarchist Communism, the majority of anarchists I’ve talked to about this will eventually concede the need for some group to guarantee the enforcement of community rules, they just refuse to call that group “police” or those rules “laws.” Ultimately, I would agree that “abolish the police” is something of an endgame slogan, a phrase capturing what an ideal scenario might entail. But that sort of thing serves to confuse the vast majority of people, who are entirely unacquainted with any of this discourse.
Like I said, I like “defund the police.” By this, I mean dramatically cutting police departments and reducing the roles of police officers, transferring resources to social services to actually address root causes and reduce crime before cops are ever even involved- something which can absolutely be done in most cases! What remains of the police should also be heavily restructured towards non-violence, but in my mind’s model a small police force would remain to investigate and handle public violence and certain other crimes.
To get a handle on what this looks like, it’s valuable to imagine what roles the police and the justice system currently handle that could be better handled by someone else. This a good corrective to most people’s acceptance of the fact that we give cops tons of different jobs related to managing the failures of society, and that most can be eliminated by the very existence of a better society!
Cops deal with especially high rates of crime from young people (29% of 2016 arrests were of people age 16-24). What if we funded a national program to remove lead from paint and other housing materials, since we know for a fact that environmental lead poisoning during childhood has strong negative impacts on mental development, in a way that has been tied to significantly higher crime rates. Not to mention the reductions in youth crime that could be achieved by better public schools, free mental healthcare and counseling, free afterschool programs, public community centers, and on and on. In addition, we have known for over 20 years that targeted early childhood interventions have been dramatically more effective at stopping crime than tough sentencing laws.
Cops do welfare checks, checking on people that others are concerned about to make sure they’re OK. Couldn’t these and many other similar roles better be handled by community-based mental health initiatives?
Cops do traffic stops. What about an entirely separate, unarmed civil organization for traffic patrol? Or if you feel leaving them too unarmed would be dangerous, what about locking a firearm in cruiser trunks that the patrol is only authorized to use when a driver is confirmed to be armed and aggressive? There are degrees of disarmament worth considering for different functions! (Also worth noting that better public transit systems would reduce traffic violations by definition, as less people would be driving).
Cops clear out homeless camps and arrest or disperse homeless people in public spaces. What if we fully funded housing first programs that give every homeless person a home and a transitional social worker, something that was successfully employed from 2005-2015 in Utah. When you account for the reduced crime rates and hospitalizations of the homeless, these policies partially pay for themselves!
Cops deal with most drug busts. What if we legalized and regulated certain light drugs, taking a whole section of the black market into the public. Then, we could decriminalize heavier drugs so that efforts are focused on public health treatment for addicts. There’s tons of research illustrating that demand-side approaches like that are more effective at limiting drug abuse than supply-side approaches like giving drug dealers long prison sentences. The most sophisticated and dangerous drug trafficking operations can be dealt with through tactics used on organized crime, which is often more legal-work than police-work!
A number of crimes exist for the specific purpose of giving the police the discretionary ability to disperse or arrest people they determine to be a public nuisance: loitering, juvenile curfews, open container laws, etc. To be frank, we could literally eliminate some of these “crimes” simply by making them legal, with few negative consequences if done as part of a larger transformative program.
Police patrol cities looking for crime, even though this is generally inefficient at stopping crime compared to focusing on hotspots. What about creating city programs for neighborhood-oriented and community-controlled groups of unarmed people trained in intervention, mediation, and deescalation? When done right, this sort of model has proven successful even in high-crime areas.
Also, about those hotspots I mentioned: what if we actually made an effort to empower those communities? How many high-crime areas do you think would remain high-crime for long if we made a real effort to eliminate poverty, and if we provided everyone with free comprehensive public transit, education, and the other public services mentioned above?
Add it all up, and what roles are the police actually left with? If we lower youth crime rates by treating young people better and improving education, create community options for mental illness and interpersonal conflict, take care of traffic laws with an entirely separate organization, eliminate homelessness and poverty, reform our drug laws and humanely combat addiction, decriminalize the most harmless minor offenses, and provide opportunities and resources to reduce violence in the most violent neighborhoods, how much of their current jobs are police left with?
That’s why I like “defund the police” best as a rallying point. While “abolish the police” is an end-goal that leaves most people outside the left wondering what exactly it means, “defund the police” draws attention to the fact that our status-quo policing system is a policy choice we make every single year when it’s time to draw up public budgets, and that we can dramatically reduce the need for police by reprioritizing funding towards things that actually serve to improve human welfare.
Reblogging because there are so many good points here!
okay so i’ve been thinking a lot about the whole baz skin color debate..
we know for a fact in canon that Baz’s skin color as a child before he was turned into a vampire was golden/reddish… which he describes as a stark difference to his present white skin tone.
penny also mentions that Baz is the whitest person ever
so there was a skin color change from Not-white to pale white… this is canon
here’s the rub for me: why are vampires traditionally seen as “pale”- it’s because they’re “undead” right?
well here’s the thing: ONLY people with white skin become paler upon death, not people with melanin in their skin— (it might get kind of squeamish here for a sec fair warning):
this is due to to blood receding from the surface of the skin and pooling in internal organs.
okay so… my question is like.. why does a person (Baz) who is clearly a person of color before he gets turned (based on the description of how he looked as a child and the color of his mother’s skin) become pale just because he turned into a vampire?
the Only explanation for this is that vampirism results in a loss of melanin… which is frankly… something i’ve never heard of before and is p problematic when you think about it. (I just want to reiterate here that I love Carry On, and Rainbow.. but I’m just pointing that this seems strange to me)
i just want to say here- I /know/ there are white-passing POC, but this was not the case with Baz when he was a child, he Became white-passing when he became a vampire… white-passing POC representation is as important as POC with more melanin absolutely, but again, he wasn’t white-passing when he was a human.. so i guess i just don’t really understand.
i also want to include melanin-rich POC representation in my art because i know it is very important, especially because pretty much across the world the more melanin = more persecution, but i also want to include any skin tone of POC in my art… so i’m conflicted here you feel me?
does anyone in the fandom want to (please respectfully) sound off on this issue?
okay, a few things -
1. everyone becomes, uh, greyer? when they’re dead. even if you have very dark skin, you’ll lose some colour, it might just be that the colour gets less… saturated, i guess? rather than paler. (and i’m not convinced that carry on vampires /are/ dead, but they still. don’t have enough blood.)
baz - and carry on vampires in general - are described as grey at LEAST as often as they’re described as white. there’s no indication of melanin loss.
2. “reddish gold” is a really weird way to describe skintone, isn’t it? i’m pretty sure the “reddish” is supposed to indicate that there /is/ a clear contrast in like, human baz has red undertones/rosy cheeks, and vampire baz does not.
and the “gold”, combined with natasha’s skintone being described as “dark olive”… i mean, olive isn’t brown, is it? gold isn’t brown either. those are both darker skintones than you’d expect of a white person, but in the grand scheme of possible human skintones, they’re definitely towards the lighter end. which is unsurprising for people of arab descent.
so if baz was always only a few shades darker than white passing, then it doesn’t seem too implausible that vampirism, with blood loss and sun avoidance and maybe an iron deficiency, might take him across that line.
(this is one reading, though! other people might interpret those descriptions differently and i’m not trying to say they’re wrong.)
it’s also always worth remembering that skintone is not the only way to “not look white”. baz has true black hair - rare in northern europeans - which is deliberately contrasted with his white half-siblings’ dark brown hair. and he specifically says he looks like his mother, enough that people remark on it. he definitely has egyptian features other than skintone. so his pallor would definitely make him sort of ambiguous, but it’s probably one of those… “once you see it, you see it” things? and context is always important. he’s probably read differently with fiona from how he’s read when he’s with his father.
i honestly don’t know how much thought rowell put into this, but honestly, i think the fandom as a whole would benefit from changing how we think about this. i think it’s less “baz was made paler by vampirism which makes him look less egyptian and that’s bad”, and more… “baz acquired an illness that took him over an arbitrary line from never-white-passing to often-white-passing and other people have a lot to say about what this means for Who He Is, even though he’s entirely within his own natural range of skintones”. he’s the same person, with the same mixed heritage, not minus anything, just plus one illness that makes a minor change to his appearance, and it has a lot of ramifications for how people perceive him. even though it has literally nothing to do with race. just… interesting, i guess.
(not blaming anyone for being concerned about this, of course! it’s a valid thing to be worried about when there literally is vampire fiction out there that says vampirism makes people white. like, european. but i think there are more interesting readings in this case. especially since people have such different reactions to baz’s paleness - agatha romanticises it, but baz seems uncomfortable with it, and simon seems to just… not mind? not care? (he doesn’t have much negative to say, but i think if simon liked it we’d know.))
Great discussions and explanations from you both! To add onto this a bit and support some of the commentary above. Olive is a term used to describe a skin tone often found in people of Mediterranean/Southern European/North African/Middle Eastern descent. That’s a wide range but olive encompasses a light to medium brown or tan skin tone with yellowish/gold/green undertones. (This article gives a bit of an overview—it’s a skin care site so, hilariously, it gives the info that olive skin is more prone to breakouts so Rainbow’s assertion that Baz has zits—and my fic to this effect—seem to be valid 😂.)
Baz is mixed heritage—Egyptian through his maternal grandmother or great-grandmother at closest, and English through Malcolm. So he is ½ English/half whatever percentage Egyptian he got from Natasha—be that one quarter or one eighth depending on which generation is the closest of Egyptian descent.
Rainbow has said Andrew Ridgeley is a strong influence on Baz. Ridgeley is English/Scottish on his mother’s side and Italian/Egyptian on his fathers.
Andrew Ridgeley photographed with his bandmate (and fellow Mediterranean Cypriot/Greek/English olive skinned man) George Michael. They don’t differ much and I’d actually say George has the slightly rosier complexion. More of a reddish gold appearance, tbh.
I’ve found Tamino Amir to be a mental reference for Baz myself—Belgian and Egyptian heritage.
Tamino has an olive complexion, slightly more rosy appearance in the first photo.
So if we imagine Baz as this olive tone as a baseline it’s not hard to see how he would shift to a paler, grayer appearance after he is Turned.
It is my thought that Baz has been avoiding direct sunlight for quite some time. He is fortunate that he lives in the Northern Hemisphere and in England in particular, rather than somewhere like Italy or Egypt itself, where the sun is fairly unrelenting. Considering how Malcolm feels about Baz’s intermittent smoking, I would not put it past him to have been quite protective of Baz’s exposure to sunlight from shortly after when he was Turned. There was no good way to know how he would respond to significant amounts of sunlight, as a vampire in general and as a mage/vampire. I doubt anyone was asking Nico about his sunny day skincare regimen. We have it as canon from Wayward Son just how Baz does react to direct, unrelenting sunshine, so avoidance of that probably started in his youth. Even with his tennis activities and football practices, those could be scheduled early or late in the day to reduce exposure to the highest intensity time periods, and as far as football practice at Watford it does seem to occur after school activities, so less intensity of the sunlight he is exposed to.
Even those with naturally olive complexions would become paler, if their exposure to sunlight was significantly and continuously limited. So even pre-Turning Baz would likely be a shade lighter if he barely saw the sun.
The melanin idea is an interesting one but I think there is definitely significance to the diminished circulating blood premise, as well as the fact that the circulating blood he has may overall be less well oxygenated, due to it’s altered status. This would have a cumulative effect on his pallor, in tandem with the limited sun exposure.
So let’s say he’s already a bit paler from lack of sun, if you then add in the diminished blood volume his natural olive skin tone diminishes even more and takes on a grayish tinge. Speaking as a surgeon and physician here: patients with severe anemia, patients with acute blood loss, patients with blood disorders that impair production of red blood cells, patients with conditions that affect the oxygenation of blood–all of those patients will show signs of pallor. Pallor as compared to what their initial skin tone would have been. Baz in theory has at least two of those–diminished circulating blood volume (which also ties in to why he is cold and his skin is cool to touch) and possibly diminished oxygenation capacity of that blood (as well as a condition that affects his overall state of being.) Think of a limb with a tourniquet on it–the color recedes to the point that the limb changes hue. There is still blood in the limb–but new, oxygenated blood is prevented from coming into it at it’s usual level.
We can argue the “alive” point all day–Simon thinks he is, Baz thinks he’s not, but no matter their views it is a different form of existence than fully alive. (As mentioned above, everyone’s skin tone changes when there is no more circulating blood–that varies from person to person based on their original skin tone, but there is an identifiable change in appearance.)
Baz has been altered at some cellular level by being Turned. He’s impervious to disease, bullets, etc. but highly flammable, for example. That cellular change enhances some of his capabilities, to the point that he is able to continue to function with a diminished blood volume but needs fresh blood to maintain himself. Medically diminished blood volume has the effect of shunting flow to the important organs and reducing flow to the periphery–the skin, the extremities. We see this in trauma victims and those with acute, significant blood loss. So that too would add to a leaching of color from his appearance. The blood he takes in, from feeding, is fully oxygenated blood if he takes from an artery, much less oxygenated if he feeds from a vein. But he does not get the effect of that oxygenation, as blood loses it’s oxygen quickly once it’s withdrawn from the body and it’s going to his stomach, not circulating through his bloodstream.
As far what the functions of blood are:
transport oxygen and nutrients to the lungs and organs.
form blood clots to prevent excess blood loss.
carry cells and antibodies that fight infection.
bring waste products to the kidneys and liver, to be filtered
regulating body temperature.
So we know that the waste products and filtering are likely continuing unabated since his organs appear to be functioning normally. Blood clots may be enhanced in injury, seeing as his wounds don’t bleed profusely–likely a combo of lower circulating volume and perhaps enhanced clotting capability. The Turning definitely enhances infection fighting capability. Body temperature regulation suffers, from diminished blood volume and likely overall shunting to primary organs rather than skin and extremities. What blood he has likely continues to transport what oxygen it can to the tissues.
So overall, diminished exposure to direct sunlight, diminished circulating blood volume, shunting of blood to vital organs rather than skin, possibly slightly impaired oxygenation of the blood volume he has–would all come together to result in significant pallor. Even in someone with a ruddy, olive skinned complexion to start off. He probably managed to pass in appearance for as long as he has, without too much incident, because he initially had somewhat more pigment in this skin than a very fair, naturally pale person would have.
Sorry this got long. And biological process oriented. Anyway it’s interesting to think about. Sorry for the amount of words.
This was all so interesting to read! I wanted to add on as someone who isn’t of Egyptian descent, but has olive tone skin. I’m Cuban, with my ancestry being mainly Canarian and Portuguese. My skin is olive toned and lighter, and very dependent on my environment. I get asked “what are you” occasionally. But I also lived in the UK for about 4 years and during that time I hardly saw the sun. While I was darker than most of the brits around me, I saw a ‘white’ side of my skin that I had never experienced under after living under those cloudy skies. It was like England literally sucked the light out of my skin.
So given his vampirism, I can see how an extreme version of that would absolutely render Baz pale and grey, easily.
We made a little thing, to celebrate 30 years of Good Omens, and to cheer people up. I hope you like it. Feel free to reblog...
https://www.youtube.com/watch?v=quSXoj8Kob0&feature=youtu.be
Carry On Fic Recs
I’m writing this with a specific, very new Carry On fan in mind, but feel free to take these recommendations no matter who you are!
SHORT FICS (under 10k)
Keep Me Warm by EchoSpell43, 1k, rated T: Set during seventh year at Watford. Baz nearly freezes while hunting in the Wavering Wood. When he returns to the room, Simon decides to warm him up. Short and adorable.
we are the kings and the queens by morbidbookworm, 2k, rated M: A royalty AU. As crown princess, Agatha is supposed to choose a prince consort by age 17. But the two young men who are supposed to be vying for her hand seem to be falling for each other instead. Achingly beautiful.
I Hoped It Was You by EllisyaSyron, 8k, rated T: Set during sixth year at Watford. Baz writes Drarry fanfiction. Simon reads it and draws fanart. They fall in love online, unaware that they’re roommates and mortal enemies in real life. Good enemies-to-lovers stuff here.
Merlin, May I? by Mudblood428, aka @vkelleyart, 7k, rated T: Set during eighth year at Watford. Baz goads Simon into playing a game of making dangerous requests. It doesn’t go as planned, but (ultimately) not in a bad way. Heart-wrenching and lovely.
Honestly by MissCeliaKnight, 7k, rated T: Set during seventh year at Watford. Watford students are assigned to use truth spells on their roommates. Simon gets Baz to admit way more than Simon was prepared to hear. Beautiful angst with a happy ending.
MY SHORT FICS (ignore this section if you don’t like my writing)
Nightmares by HermioneGirl96, 2k, rated T: Set a few months post-epilogue. Baz and Simon both have nightmares about losing each other, and they wind up having a serious conversation about the relationship.
Love Me and Mend by HermioneGirl96, 5k, rated T: Set a few months post-epilogue. Simon has the flu, so he has to miss going to the Globe Theatre with Baz. Baz goes anyway and then takes care of Simon.
Christmas Planning by HermioneGirl96, 3k, rated T: Set a few months post-epilogue. Baz’s father is homophobic and Penny and Simon try to comfort Baz.
I Remember the First Time We Wished upon Parallel Lines by HermioneGirl96, 5k, rated T: Set during fall of eighth year at Watford. Simon and Baz catch each other attempting suicide and talk each other out of it. TW for suicide attempts.
Love in the Time of Influenza by HermioneGirl96, 3k, rated G: Set several months post-epilogue. Baz thinks Simon is cheating on him. Simon thinks Baz is afraid of germs. They’re both wrong.
MEDIUM-LENGTH FICS (10k-60k)
Carry Me Home by Mathmagician, 34k, rated T: Canon-divergent AU where the Humdrum doesn’t exist. Baz is rescued from the numpties by a man who becomes his very abusive boyfriend. Baz is subsequently rescued from his abusive boyfriend by Penny and Simon. Teamwork, discoveries, and romance ensue. Angsty and beautiful. TW for violence.
Love Is Always in Style by rainbowbaz, 40k, rated T: AU where Baz is editor of a fashion magazine and Simon is his assistant. Baz seems so aloof at first, but soon enough he and Simon become … close. Witty and lovely.
True Love’s Kiss by rhien, 11k, rated T: Set during a later year at Watford. Baz awakens Simon from a spell-induced stupor with a true love’s kiss and has to deal with the fallout of Simon remembering what happened. Gorgeous and full of feels.
Straight Boy by @bazypitchandsimonsnow, 31k, rated M: University AU. Baz transfers to Watford University and becomes friends with Simon. Well–“friends.” Baz thinks they’re dating. Simon thinks of himself as straight. It’s a mess but works out in the end. Funny and relatable.
BAN’S MEDIUM-LENGTH FICS (because Ban deserves her own section)
network connectivity problems by BasicBathsheba, aka @basic-banshee, 35k, rated T: University AU. Simon has Baz’s number but doesn’t realize it belongs to Baz. The two fall for each other over text even though Simon hates Baz in real life. It gets messy but ultimately works out. Witty and real.
Large Black Coffee by BasicBathsheba, aka @basic-banshee, 19k, rated G: University AU. Simon and Baz are classmates and enemies. Simon is also Baz’s favorite barista. But everything changes when Baz gets sick. Just a fun read.
This Must Be the Place by BasicBathsheba, aka @basic-banshee, 36k, rated G: Canon-divergent AU where Simon gets a phone the summer before eighth year at Watford. He tries to contact Penny but winds up Snapchatting with Baz instead. A lot happens. Beautiful with just the right amount of sadness.
Take on Me by BasicBathsheba, aka @basic-banshee, 50k, rated T: AU where Baz and Simon work in Fiona’s bookshop. At first they hate each other, and then they don’t. What I love, here and elsewhere, is that Ban doesn’t shy away from messy emotional realities and Simon and Baz’s imperfections.
Family and Genus by BasicBathsheba, aka @basic-banshee, 48k, rated T: AU where Baz is supposed to fix up the family manor, and Simon winds up in the area looking for evidence about his parentage. It’s so lovingly written and just great.
LONG FICS (over 60k)
rebel rebel by BasicBathsheba, aka @basic-banshee, 183k, rated T: Canon-divergent AU where Baz was raised by Fiona, spanning all eight years at Watford. This fic is the literal best–funny, angsty, believable, complex. Just. I can’t even.
American Holiday by Olivia Ballard, 138k, rated T: Basically a sequel to Carry On. Baz gets into Julliard and the gang relocates to New York City. This fic will rip you apart and put you back together, and if I don’t like Wayward Son this is what I’m going to believe in instead.
WIPs
Can’t Find My Way Home by tbazzsnow, aka @carryonsimoncarryonbaz, currently 25k, rated T: Normal AU where Baz and Simon used to be roommates at a non-magical boarding school. They run into each other at an airport in a snow storm and a road trip to the nearest functioning airport ensues. I am LIVING for these updates.
One Nice Thing by @mybrianisfried, currently 20k, rated T: Normal AU. A very Gen Z group chat fic that I happen to find both hilarious and feels-y.
Video Killed the Radio Star by thegoodthebadandthenerdy, currently 97k, rated T: YouTuber AU where Baz and Agatha have a makeup channel, Simon has a baking channel, and Penny has a social justice/book review channel. Lots of queer OCs and lots of attention on Penny and Baz’s families. Just delightful.
MULTIMEDIA FICS
The Petal Peddler by @carryonebeneza is an AU told through Snapchat, Instagram, and Twitter updates screenshotted and posted to Tumblr. Fiona and Ebb are an item; Baz works at the library; Simon works at Ebb’s flower shop; Agatha is aro; Penny is a boss; everything is great. 24 updates so far.
@simonsrosebud is doing a similar thing, but it’s a university AU and Simon’s the one who works at the library. Agatha’s an American exchange student rooming with Penny. There have only been a few updates, but it’s promising so far!
CONCLUSION
Feel no obligation to read any of these, but this is what I think is good in the Carry On fandom at the moment!
Happy Valentine’s Day from the original “Long & Broad” (aka. Baz and Simon)! (Because nothing says “I still love you” like a duel at a Renaissance Faire.)
“Check. Mate,” he says.
“That’s completely wrong,” I say. - Simon, Wayward Son by @rainbowrowell
All I want to do is write.
All I do is not write.
Oof
I wish there was a world where I could be this comfortable anywhere
Chapter 5 of Lover is a Day is finally up!
https://archiveofourown.org/works/21725917/chapters/51825931
An Archive of Our Own, a project of the Organization for Transformative Works
When I had the pleasure of meeting @thehoneyedhufflepuff in person this past September, I told her how much I loved her beautiful multi-chapter fic, Between the Lines and promised her a pic to go with it for her birthday. After all, BTL established a truck bed scene before Wayward Son made it canon! (Pictured here! ^^)
Ashley, you are a truly lovely, talented, and beautiful person. Thank you for your unending support, and I hope you continue blessing the world with your creativity. 💜💜💜
I’ve been trying to gather my words while I stare at this lovingly 🙃
Just. HNGGGG. (When V told me she was going to draw me something from BTL, I literally made that noise out loud, because I didn’t know how to put my sheer excitement into words.) It was so incredibly difficult to pick a scene, but I’m very happy it’s this one. The moment in canon where they conjure the stars together is so meaningful & marks a turning point in their relationship. That scene is so intimate, & it means so much, & I wanted to have a scene under the stars in Between the Lines to parallel that moment in canon. To show where BTL Simon & Baz are headed, that there’s so much hope. Sort of a moment where Baz really starts to just let himself feel.
You’ve captured that beautifully here. I’m obsessed (but in the good way). Also Simon is so DREAMY here? No wonder Baz swoons the moment he tries to get out of the truck 😂😍😌
I don’t know if I can tell y’all how much this fic means to me. I don’t know that I have the words. Seeing a scene brought to life is something else. I can’t thank you enough for this, @vkelleyart . And all those kind words there at the end? Right back at you. 💜
Here's part of the scene:
🦖💛💙🦖
This fic is one of my absolute favorites, and the art here is just completely breathtaking. I’ve been staring all day 😍
you ever have a piece of bread that’s so good you understand the plot of les miserables?
opposite energy from tasting turkish delights for the first time and wondering wtf was edmund on
“They are so sluggish in the air, it seems like you could almost catch one—and then Snow does catch one. He holds it out to me in his cupped palms, and I put my hands around his and look.” -Wayward Son pg.121
Do you ever sit back to write something and when you look back at everything you’ve ever written you’re like “no, everything is garbage, why did I ever think I could write in the first place?”
My gift to @coat-the-boneless for the KKC gift exchange! I hope you enjoy it!
The Secret of the Wind
There are nights when the wind is silent. On those nights, it hides under the leaves on the ground and behind closed doors. It sits on the stars and drapes across the moon so gently that only the movement of the earth reminds it that it still lives.
Then there are nights like tonight. Tonight, the wind is awake and alive, pulling at tree trunks and sliding through clustered branches. On nights like tonight, the wind is telling its story instead of listening. If you know how to listen, it’ll tell you the most enticing things you’ve ever heard. It’ll pull at your hair and tease your tear ducts. It’ll leave your face flushed and your throat breathless with the words it tears out of it. It will move right through you, push you and pull you until your heart is struggling to lift itself from your chest and fly away with it, leaving the husk of your body behind while it balances on the edge of a breeze. On those nights, I don’t try to call it at all. I think I could, but I like to listen to the stories it tells and the way it moves on its own. The path that is chooses to move through, the things it decides to lift.
When I hear her voice, I’m expecting it.
“Today I brought her a dandelion,” comes the small piping voice. The wind carries it to me, nestles the words into my ear and then calms slowly. I let my arms fall and carefully turn around. The girl’s hands are cupped around the top of a flower, the trimmed stem peaking out from where her palms press together.
“I brought her a feather,” I smile. I reach into my pocket and pull a large duck feather from my cloak. Her eyes widen in delight when she sees it, and she takes another step closer to me.
“We should give her our gifts at the same time,” she says boldly.
“Yes,” I agree.
She takes her palms and stretches them out towards me. I reach the feather out and lock eyes with her. We don’t count, but I know the moment that her tiny fingers begin to unfold that I can send the feather off.
The wind catches the threads of dandelion and feather, swirling them around us lifting them higher and higher. It reminds me of a tavern, small white tendrils and one large one-moving and lilting with no sense of rhythm. They move with purpose, going in no direction and with no destination. Five steps to the left, a gentle fall towards the ground, then lifting up all on a rush, then dropping again. I let my eyes catch the girl’s, which are sparkling with delight.
“I’ve brought something,” I say carefully.
“That’s good. I’ve brought you something as well,” she muses dreamily. “We need to be patient, until she is done.”
I nod, turning my eyes back to the remaining dandelion tendrils. My feather has disappeared somewhere off the roof, and most of the pieces of the flower are beginning to settle as the wind gently calms.
“She liked our gifts,” the girl whispers. “She doesn’t get very many, you know.”
I do know. So I nod to her, then to in the opposite direction towards the sky. She seems satisfied with this.
“I’ve brought dandelion wine and a secret,” she says seriously.
“A secret?”
“It’s at the bottom. It’s a quiet one.” Her eyes are glowing, but there’s a small wrinkle in brows.
“I see,” I say, carefully removing the basket from under my cloak. “That’s quite lovely, thank you.”
“And what have you brought?”
I open the basket to reveal a loaf of bread, a chunk of hard cheese, and an assortment of wild berries. “This basket has many things in it. Bread, cheese, berries, but it has one more thing you can’t see.”
Her eyes light up at that. “What else does it have in it?” She peers into the basket curiously.
I speak slowly, carefully. “A game.”
She looks skeptical. “What kind of game?”
“A game of names.”
I have a theory. I’ve wanted to test this theory since the first time I saw her, skittering about the roof in her threadbare rags with her hair springing in the wind. I’ve waited to test it, because I wasn’t sure if I would lose the small amount of trust that she’s placed in me since we last saw Kvothe. We’ve moved from one to two words over the span of a glance, to sharing gifts and meals. Now I think there is a chance she will play along, but there is a more likely chance that she will absolutely not.
She stares at me now, then looks to the basket. She gives a quick nod, then begins to divide up the food between us delicately.
We eat in silence and I try to mirror the small bites she is taking, the care and pace she is setting. We pass the bottle of wine back and forth.
When we finish the food, there’s still a bit of wine left. I take a breath, and look at her. Her eyes are set on my patiently, her hands folded in her lap as she waits for my next words.
“To play this game, I’ll point to something. Then you’ll tell me its name. When its your turn, you’ll point to something and then I’ll do the same.”
She nods once, and I smile, plucking something I’ve spotted on the ground near us. It’s a small caterpillar with blue spots and fuzzy spikes. I’m glad I didn’t manage to squish it between clambering up here and laying out my cloak for our picnic. I hold it out to her and it squirms. She blinks once before smiling at me.
“That’s Tallows,” she says easily. I don’t ask her why. That’s not part of the game. She holds out the half empty bottle of wine to me and I take a sip before I see where her other hand is now pointing. There is a spot you can barely see with the dim lighting of the night, but a spot that I know well. It’s a place between three trees where you can sit with you back against one and your feet pushed to the others, and it feels like the trees are carrying the full weight of you.
“Carrion,” I say. She nods at me, then takes her own sip of wine. I point her to the cloak I’ve laid our food out on.
“Oak,” she says quickly, surely. I lift my eyebrows in approval, and she grins. Then she takes a small flower from the pocket of her dress. The petals are bruised and wilting like it has been carried there for a while.
“Dh’olisea,” I say calmly. Her eyes light up and she almost looks like she wants to wrap her arms around me, but she stops quickly, nods once and replaces the flower in her pocket.
“Now I have one more, this is the most important one,” I point my finger at one of the dandelion tendrils, still floating in the wind and moving back and forth on the roof.
Her face darken as she looks at me for what feels like an eternity. But its only a moment. She shuts her eyelids and I hear the word pass through her lips like honey.
The wind lifts all at once, it carries the edges of my cloak and the dust that has settled around us. It lifts our hair and the folds of our clothing and everything is moving up, then abruptly it falls down. I feel the power in it move through me and then all at once, as it was asked- it stops.
“I believe you’ve won the game,” I whisper.
She nods, taking the final sip of the dandelion wine.
“Would you play it again?” I ask.
The wind is completely still around us.
“I’ve found the secret,” she says instead. Her voice isn’t broken or hesitant. It’s bold and knowing, it has a gentle power bolstering it.
“The secret,” she whispers softly-inching closely so I can hear the cadence in her voice. “The secret belongs to the wind. But she liked our gifts, and so she is okay with sharing her secret.”
“That’s very generous of her,” I nod.
“The secret is that the wind is lonely, and that she loves to dance.”
I let my head back and laugh. It’s a deep belly laugh and I know she’s smiling because she knows I’m not laughing at the secret; I’m laughing because its true. I heave myself off the stone and reach my arms out again.
“Then we should dance with her!” I shout. Sleeping babes be damned. I move my arms in time. There’s no motion, and the wind is still against me. I bob my head up and down and sway, my feet moving clumsily in time to an invisible beat. The wind loves to dance.
The girl watches me for a moment, but then she lifts herself up. I see her point a tiny toe out, then retract it. She reaches out a tiny finger, then retracts it. She carries herself with a royal grace, fingers folding and limbs moving in front of her and to the side. I laugh again and let myself dance more, I let the feeling push through me and I lift my feet faster. I’m jumping so much; I don’t notice when the wind starts again. It pushes under my shirt and yanks my arms up before abruptly dropping them down. There is gooseflesh covering the skin there, the hairs standing in a vertical line across my forearm.
The girl is dancing now too, eyes open but glinting with fever and excitement while her limbs float around her. It’s like she is weightless, like the wind is carrying her and holding her while she dances.
Maybe it is.
An Archive of Our Own, a project of the Organization for Transformative Works
God only knows what the context of this is
But the Crowley and Aziraphale energy is off the charts
“Look, I’m just saying, it wasn’t my fault if he decided to commit suicide by threatening you.”
“Do you really think our respective offices are going to care?”
“Well, no. I’m just saying it’s not my fault. Anyway, he was a saint to his parish and a demon to his housekeeper. Makes him a double agent. So we’re both doing the right thing.”
“And both doing the wrong one.”
“Well. I suppose you could make that argument.”
“How deep do you think we need to put him?”
“I wouldn’t know, I’ve never hidden a body before. I still don’t see why we can’t miracle him away.”
“Audits, my dear. I’m not sure how your side is about it, but my side audits miracles. Unless you’re really sure about that “both doing the right thing” argument.”
“Whatever. Hold your end higher, would you? He’s heavier than he looks.”
WTF, I love this fandom
As a medieval art scholar and an obsessive GO fan, this made my whole week.
IT GOT BETTER
I LOVE THIS
So basically 'The Good Place' argues, from a Marxist standpoint, that human production chains have become so complex and inherently exploitative that it is effectively impossible for any human being to live a 'good' life when the unintended consequences of their decisions are taken into consideration. Interestingly, the show dates this development to slightly over 500 years ago--probably not coincidentally, roughly the starting point of European colonialism and the trans-Atlantic slave trade. They then basically argue that ethical humans would be possible only in an ethical society. And all of this is done in the context of a sitcom on a mainstream American tv network.