One day the war will be over, and I will return to my poem

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One day the war will be over, and I will return to my poem
📍 بیروت
📍سلوان - القدس
Ama Codjoe, from "The Bluest Nude" [ID'd]
JULY COLLECTION ⚡ Piece | No.2 🇵🇸🍊 Art By @bashargram
DES\Photograph of two women making Palestinian point lace seated outdoors on a balcony, Old City Jerusalem in the background. Orginal Picture source \ © School of Handicrafts, Jerusalem, Palestine,1930
════════════════ . 📦✉ Art collections links in bio . ════════════════ #palestine🇵🇸 #palestine #palestinewillbefree #palestinian #jerusalem #defundisrael #فلسطين #arabicart #palestine #collage#art #freepalestine #collagework #artwork #jursalem #collageartist #drawing #collageartwork #popart #arabicculture #jursalem #vintageart #arabicgraphic #digitalcollage #paliroots #arabicpopart ════════════════ ★ⒸBashargam ,2022 #thebestisyettocome (at Palestine tomorrow will be free// في القلب فلسطين) https://www.instagram.com/p/CgB-Hn5tDFa/?igshid=NGJjMDIxMWI=
Sliman Mansour | Al-Quds, 1983 | watercolors on paper
@sliman.mansour
خلفكم مقاومة ثابتة عنيدة Behind you is a firm, stubborn resistance عمّان - جبل اللويبدة Jabal Al Lweibdeh, Amman From @/ ahhscheisse on Twitter :من
Sliman Mansour | A woman wearing a shawl 2015 | acrylic and oil painting
@sliman.mansour
Please Do Not Touch This Exhibit, Jen Campbell
"In my heart, there is a map of Palestine, and on it, every village has a story, every olive tree has a name."
Traditional Palestinian embroidery is on UNESCO’s list of cultural heritage. Now there is a push to revive interest in the craft among young
...Practitioners of Palestinian embroidery, mostly in women’s collectives, are keeping the tradition alive, preserving old stitch techniques along with Palestinian history. The thobe is one of the most important and recognizable symbols of Palestinian identity as well as a link to a deeply contested land. Women’s tradition of embroidering their own thobes became widespread across the Middle East starting in the ninth century, said Hanan Munayyer, a Palestinian American who wrote the book “Traditional Palestinian Costume: Origins and Evolution.”
...As the handicraft evolves, its practitioners see it in the context of history. “This is not the old heritage,” [Halima Fareed, member of the Surif Women’s Cooperative] said as she sewed the edges of a multicolored pillowcase. “It is our heritage, but it has been modernized.” The director of the cooperative, Taghrid Hudoosh, 55, nodded. “We are a continuation of our heritage,” she said.
Laila Shawa
The Za I (1992)
One day the war will be over, and I will return to my poem
“killing the flowers will not delay spring”
📍 al-yarmouk palestinian refugee camp in damascus, syria
Palestinian culture appreciation post - existence is resistance!
فلسطين